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Acting Techniques:     more books (100)

Acting with Adler: foreword by Ellen Adler (Limelight) by Joanna Rotte, 2000-11 The Singing and Acting Handbook: Games and Exercises for the Performer by Thomas De Mallet Burgess, Nicholas Skilbeck, 1999-12 Irreverent Acting by Eric Morris, 1992-01 Fine on Acting: A Vision of the Craft by Howard Fine, 2009-10-01 The End of Acting: A Radical View (Applause Books) by Richard Hornby, 2000-05-01 More One-Act Plays: Acting for Students : An Anthology of Short One-Act Plays for One to Three Actors How to Rehearse When There Is No Rehearsal: Acting and the Media (Limelight) by Robert Blumenfeld, Alice Spivak, 2007-03-01 On Method Acting by Edward Dwight Easty, 1989-07-30 The Way of Acting: The Theatre Writings of Tadashi Suzuki by Tadashi Suzuki, 1993-01-01 Michael Chekhov: On Theatre and the Art of Acting: The Five-Hour Master Class 4 CDs and Booklet (Applause Books) Screen Acting: How to Succeed in Motion Pictures and Television by Brian Adams, 1987-01-25 Acting Games: Improvisations and Exercises : A Textbook of Theatre Games and Improvisations by Marsh Gary Cassady, 1993-11 Improvisation for the Theater 3E: A Handbook of Teaching and Directing Techniques (Drama and Performance Studies) by Viola Spolin, 1999-07-28 The Art of Film Acting: AGuide For Actors and Directors by Jeremiah Comey, 2002-06-14

lists with details

41. Without Words Acting Techniques Education Shirley Wood
    Without Words acting techniques Education Shirley Wood. Subject Actingtechniques Education Title Without Words Author Shirley Wood.  
    http://www.bookssource.co.uk/Shirley-Wood-Without-Words-1898091900.html

42. Experts@Dal
    1 Faculty member(s) matching topic acting techniques . Christopher, Patrick Head of Acting Programme - Theatre Professor Christopher's  
    http://experts.dal.ca/TopicSearch2.cfm?keyword=Acting Techniques

43. IMC Faculty Developed Materials Marketing Services
    (CDROM) AP Calculus - Part II (printed manual) Asian Theater- acting techniquesof Kutiyattam, Sanskrit Theatre of India Asian Theater- acting techniques of  
    http://msuvmall.msu.edu/imc/
    
    Extractions: Here's your online opportunity to view and purchase more than 100 educational materials offered by the Michigan State University Instructional Media Center Faculty Developed Materials Marketing Division. We offer three convenient ways to view our offerings. If you know exactly what you're looking for, you'll want to view by title . If you want to see titles by a particular author, view by author . And if you just want to browse through topics of interest, view by subject If you can't find what you are looking for, try our Find a Book feature.

44. CTA | California Educator
    Book of basic acting techniques We Are Players is a 66lesson syllabus ofbasic acting techniques and an introduction to the art of theater.  
    http://www.cta.org/CaliforniaEducator/v6i1/port_book
    
    Extractions: Book of basic acting techniques We Are Players is a 66-lesson syllabus of basic acting techniques and an introduction to the art of theater. The book includes a teacher's guide in each lesson plan and offers tips on directing. Lessons are arranged in sequential order, based on the school year. Half of the lessons are for small groups and half are for large groups. Lessons include creative exercises, improvisation, gesture and body language, speaking, stage composition, and other necessities for beginning actors. The author is Lou Ann Graham, a professional actress, director and teacher who has founded several young people's training programs and theaters, including The Young Conservatory of the American Conservatory Theatre of San Francisco. The book, which costs $35, is available from La Grata Press, 300 Darien Way, San Francisco, CA 94127. For more information, call (415) 469-5490.

45. Acting Techniques For Directors
    Kurser og efteruddannelse Kursusbeskrivelse, acting techniques forDirectors If a director were to take only one workshop, this  
    http://www.cfje.dk/cfje/Uddbase.nsf/ID/UB02663198
    
    Extractions: "If a director were to take only one workshop, this would be the one." This class explores the actor craft, emotional life, techniques, concerns and especially the actors needs and problems. Through scene study, improvisations, exercises and script analysis, we de-mystify the actors craft, and develop a range of techniques that will ultimately prove invaluable to directors and writers in their own work. This course provides tools, techniques and principles Directors can use immediately in casting, rehearsal and on the set. Writers will learn to create better scene structure and more effective dialogue. Producers will learn how to better communicate with both actors and directors. Cinematographers and editors will also benefit from this class by putting themselves in the actors shoes. Participants will perform improvs and acting exercises, looking at the "Strasberg Method," as well as Meisner, Stella Adler and Stanislavski techniques. You will also learn how to structure a performances in order to tell the story, and, most importantly, how to communicate and collaborate with the actors at all stages of a film production.

46. New Page 1
    THE USE OF acting techniques. IN. INTRODUCTORY WORKSHOP 1. Acting Up in the CorporateWorld The Use of acting techniques in Business, Training and Sales.  
    http://www.radford.edu/~bac/training/t&d_tip4.htm
    
    Extractions: THE USE OF ACTING TECHNIQUES IN THE BUSINESS AND CORPORATE WORLD PERFORMANCE WORKSHOPS By Gregory Justice INTRODUCTORY WORKSHOP #1 Acting Up in the Corporate World: The Use of Acting Techniques in Business, Training and Sales. This workshop looks at some of the techniques used by professional theatre, film and television performers that can be used to enhance business and sales presentations and communication. Whether you are trying to reach an audience of four or 400 these techniques, used by performers for generations, will enhance your own speaking and performance abilities. The slightly participatory workshop is informative, fun and probably quite different from any other workshop you have taken on presentation skills. The workshop includes components of all the other workshops the Greg Justice offers. It shares substantial performance techniques without going into great detail. This workshop can last from 50-90 minutes and can accommodate between 10-400 participants. WORKSHOP #2 move, Move, MOVE: The Physical Instrument of the Business Professional.

47. The Encyclopedia Of Acting Techniques : Illustrated Instruction, Examples And Ad
    The Encyclopedia of acting techniques Illustrated Instruction, Examples andAdvice for Improving acting techniques and Stage PresenceFrom Tragedy.  
    http://hallsculptors.com/theater/204.shtml

48. Six Questions : Acting Techniques For Dance Performance
    Six Questions acting techniques for Dance Performance.  
    http://hallsculptors.com/dance/114.shtml

49. From The Stage To The Podium: Acting Techniques For Speakers : Negotiating
    Negotiating. From the Stage to the Podium acting techniques for Speakersby Ed Brodow CEO, Ed Brodow Seminars, Inc. Many successful  
    http://www.salesvantage.com/news/negotiating/acting_techniques.shtml
    
    Extractions: :: Contributing Writers Article Archives Articles by Writer ... Richard Ambrosius Jolie Andre John Audette Timothy Bednarz Peter Boulton Ed Brodow Frank Bucaro Jacques Chevron Roy Chitwood Rick Crandall John DiFrances Howard Eisenberg Erwin Ephron Steve Fajen Gwyn Finnell Rene Gnam Dan Goldberg Perry Haan Steven Howard Robert Kantin Robert Kelly Hilka Klinkenberg Philippe Lavie Kimberly McCall Mac McIntosh Timothy McMahon Mark McNeilly Elissa Miller Jonathan Narducci Jakob Nielson Mark Sanford Arnold Sanow Michael Schatzki Tom Shay Greg Smith David Stein Stephanie Tilton Gary Walker Donald Wetmore Articles by Topic ... Advertising Brand Marketing Customer Service Direct Marketing Etiquette Management Insights Marketing Communications Marketing Concepts Negotiating Net Business Public Relations Sales Strategies Selling Tactics Telemarketing Time Management

50. Alliance Theatre -- Adult Acting Classes
    line, or in person. ACTING I acting techniques Grades 912 You`llfind all of the essential clues right here! It all starts with  
    http://www.alliancetheatre.org/atc_edu_youth.asp
    
    Extractions: YOUTH AND TEEN CLASSES HOW TO REGISTER FOR ACTING CLASSES AND TEACHER COURSES By Phone — Call to register by Visa, MasterCard, Amex or Discover. Registration and counseling hours: Monday-Thursday, 10 a.m.-12:30 p.m. and 2:30 p.m.-5 p.m. A nonrefundable processing fee of $3 is added to all transactions. Online — Click on the class offering link to order Acting Classes and Teacher Courses online. A nonrefundable processing fee of $3 is added to all transactions. Welcome to acting! Here you will uncover a whole new way of looking at yourself, and your environment! You`ll learn all of the basics, like enhancing concentration, sensory awareness, and improvisational skills. At the same time, focus on new ways to use your voice and body, as you learn techniques for stage movement and diction. Come find the amazing potential that only you hold! 12 STUDENTS

51. University Of Redlands - Catalog Course Search Page
    Techniques for building a character.University of Redlands Catalog 19992001 THA 240 acting techniques. Semesters offeredSpring (4) Course  
    http://www.redlands.edu/search/full_course_info.cfm?dept=THA&course_no=240

52. Bergen Community College
    Education Course. ADMINISTRATORS ONLY , THR110, Basic acting techniques2 lectures, 2 labs, 3 credits. ADMINISTRATORS ONLY , THR  
    http://www.bergen.edu/ecatalog/subcrslist.asp?type.cbn=55

53. Class Description Lookup
    Introduces students to basic acting techniques and stage terminologythat will aid the singingactor in dramatic presentation on the lyric theater  
    http://listener.uis.rochester.edu/cgi-bin/Registrar/zippy/6OP*
    
    Extractions: OP 209 Introduction to the Lyric Theater I OP 210 Introduction to Lyric Theater II OP 211 Opera Workshop Semester I OP 212 Opera Workshop II OP 213 Opera Workshop III OP 214 Opera Workshop IV OP 215 Opera Performance Project OP 216 Opera Performance Project A continuation of work of the first semester with added emphasis on character development through group projects. Special consideration given to auditioning techniques. The semester focuses on applying the various acting techniques covered in the first semester to short musical structures and scenes, culminating in an informal presentation at the end of the semester. Offered every spring semester.

54. CGST - Classes
    Students get an introduction to these solid techniques of acting. Clickhere to find out more about the acting techniques taught at CGST.  
    http://www.cgst.com/classes.htm
    
    Extractions: Professional Training Curriculum Classes include Acting Music Singing Dance ... Body Awareness , and The Biz . Below are some brief descriptions of courses: ACTING: Session III acting classes are led by G. Arwen Nichols and other staff members. These classes focus on improvisation, imagination, and exploration. Jesse Merz teaches the acting classes for the other sessions. His classes are based on the Sanford Meisner Technique , and David Mamet and William H. Macy 's Practical Aesthetics Technique of Acting . Both techniques use improvisation to liberate the student to be a free, expressive, specific actor. Students get an introduction to these solid techniques of acting. Merz believes that actors learn by doing, and the students will have many opportunities to practice their new skills. MUSIC: This class, as led by the Music Director covers various areas of music training including reading music, sight singing, and music history. SINGING: Technique, blend, harmony, tone, and interpretation are explored in the singing portion of the Music class.

55. Kay Meek Centre For The Performing Arts
    A01 Acting A survey class introducing the acting techniques employed throughoutthe Studio by focusing on monologues, coldreading exercises and scenes.  
    http://www.kaymeekcentre.com/classesb.html
    
    Extractions: Instructors: Please see instructor biographies to find out more about the Kay Meek Centre for the Performing Arts' accomplished teaching staff. Special Notes Please note: Students must be 18 years or older to register for these courses. Remember... that these classes are introductory in nature: staggering acting talent or perfect pitch is not required... but the desire to participate and a willingness to have fun are... Scott Swan Taught in a friendly and supportive environment, this introductory course explores a series of fundamental acting techniques and exercises which enable the participants to be more relaxed, comfortable and "present" in public situations, on stage, or in front of a camera. Focusing on monologues and scene work, this survey-style course is ideal for those people who have always been intrigued with the possibility of becoming an actor, those who want to be more emotionally expressive and articulate, or for those whose careers involve challenging public speaking or business presentations. Friends and family will be invited to the final in-course presentation. No prerequisite. This course is followed next semester by Acting for Film.

56. Visions, The Online Journal Of The Art Of Magic
    The Workout Room acting techniques for Magicians (Volume 3, Number 7) by Ilja KamphuesIn Ilja's latest, he takes a look at getting the absolute most out of  
    http://www.online-visions.com/other/

57. Visions, The Online Journal Of The Art Of Magic
    Other Visions. The Workout Room acting techniques For Magicians byIlja Kamphues. Ilja is both magician and actor, with more than  
    http://www.online-visions.com/other/0303iljya-1.html
    
    Extractions: by Ilja Kamphues Ilja is both magician and actor, with more than his fair share of theatrical work under his belt, including lately some directing besides. He has also conducted acting workshops for both adults and children. In what we hope to be a series of articles, Ilja demonstrates some of the physical and mental exercises for actors. Coupled with Rich Tenace's brilliant theories in performing, this is sure to make for an exciting and magic-changing tool for performers. Welcome to a new series of articles that I call "The workout room". Let me begin with a well known phrase: "A magician is an actor playing the part of a magician." Agree?

58. DramaShare Christian Drama Theatre Resources - Assisting In Christian Drama Mini
    of Rows 10. Basic acting techniques. Back to the DramaClub TrainingManual. The following are some specific skill required  
    http://www.dramashare.org/acting.html
    
    Extractions: Basic Acting Techniques Back to the DramaClub Training Manual The following are some specific skill required by actors, from entrance on to the stage to final curtain call. Entering the Stage We believe that the two most difficult things in drama are: Entrances are difficult since the entrance will "set the stage" as to how the audience will feel about the entire presentation. The cast will have a great deal of difficulty recovering from a poor or weak entrance. For this reason it is only wise to spend a substantial amount of effort in rehearsals on entrances. Entering the stage must tell the audience that: Your every action must put this across to the audience. In order to be convincing you must be in character well before going on stage. We always coach our actors to get into character immediately after arriving at the church for the drama presentation. We ask that there be no guests allowed backstage and that there be relative quiet and peacefulness. The stage manager will review with each actor any updates or information which they must know such as hand props, reminders of cues, etc. Any wardrobe or makeup will be attended to at this time. We sometimes see instances where an actor is frantically studying lines just prior to the performance. This is really a waste of time and a distraction. The time has long passed where study of lines will be of any assistance therefore there is no need for going over the script.

59. NIPPONIA
    Kabuki acting techniques are passed from father to son, from son to grandson, ondown the line, and so techniques tend to remain within a limited number of  
    http://www.jinjapan.org/nipponia/nipponia22/en/feature/feature01.html
    
    Extractions: Collaboration: Shochiku Corp. Kabuki , Japan's most famous classical theater, has a history of about 400 years. It began as a women's dance routine ( Kabuki odori Kabuki actors require a tremendous amount of skill. Kantaro as a beautiful woman (left) in the play, Sannin Kichisa , and as a heroic mountain god with supernatural powers (top) in Momiji-gari . His father, Kankuro, and his younger brother, Shichinosuke, appeared in both plays with him. Kabuki acting techniques are passed from father to son, from son to grandson, on down the line, and so techniques tend to remain within a limited number of acting families. Each family becomes the custodian of certain acting roles, and these roles, too, are passed from one generation to the next. One such family is the Nakamura-ya. Its lineage can be traced in a continuous line further back than any other acting family in Japan. Nakamura Kantaro was born into the family 20 years ago. He became a Kabuki actor not because of family obligations but because, "I've liked

60. Actor's Worldlink- A Free Resource For Casting Directors Who Can Search For The
    The Encyclopedia of acting techniques Illustrated Instruction, Examples and Advicefor Improving acting techniques and Stage PresenceFrom Tragedy John  
    http://members.aol.com/AWorldLink/

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