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This is an EXACT reproduction of a book published before 1923. This IS NOT an OCR'd book with strange characters, introduced typographical errors, and jumbled words.This book may have occasional imperfections such as missing or blurred pages, poor pictures, errant marks, etc. that were either part of the original artifact, or were introduced by the scanning process. We believe this work is culturally important, and despite the imperfections, have elected to bring it back into print as part of our continuing commitment to the preservation of printed works worldwide. We appreciate your understanding of the imperfections in the preservation process, and hope you enjoy this valuable book. ... Read more

Product Description
This is an EXACT reproduction of a book published before 1923. This IS NOT an OCR'd book with strange characters, introduced typographical errors, and jumbled words.This book may have occasional imperfections such as missing or blurred pages, poor pictures, errant marks, etc. that were either part of the original artifact, or were introduced by the scanning process. We believe this work is culturally important, and despite the imperfections, have elected to bring it back into print as part of our continuing commitment to the preservation of printed works worldwide. We appreciate your understanding of the imperfections in the preservation process, and hope you enjoy this valuable book. ... Read more

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The complete sonnets. (In response to a customer review, I discovered that Amazon's automatic tool for converting books for the Kindle had messed up the format of this file. I just corrected that problem.The new corrected version should be available online by tomorrow 2/24/2008.If you bought this book earlier from Kindle, you should be able to download a corrected copy at no extra charge.The product number/ID is the same). ... Read more

Customer Reviews (2)

The Bard is the BEST!
William Shakespere has no comparable when it comes ot poetry.His sonnets touch on all aspects of the human experience and deserve a read from all persons seeking to expand their educational base.

Don't waste your 99 cents
The sonnets in this edition are not presented in verse! They appear as paragraphs of prose. It's a complete mess. Do not waste your money. After seeing this mess I bought the Modern Library edition which includes all of the poems and all of the history plays for just a couple of dollars more... and they are all in proper form!
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This lively and innovative introduction to Shakespeare promotes active engagement with the plays, rather than recycling factual information. Covering a range of texts, it is divided into seven subject-based chapters: Character; Performance; Texts; Language; Structure; Sources and History, and it does not assume any prior knowledge. Instead, it develops ways of thinking and provides the reader with resources for independent research through the 'Where next?' sections at the end of each chapter. The book draws on up-to-date scholarship without being overwhelmed by it, and unlike other introductory guides to Shakespeare it emphasizes that there is space for new and fresh thinking by students and readers, even on the most-studied and familiar plays. ... Read more

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As with American Literature, we survey the history by surveying its practitioners. Starting in the Middle ages, the time of Beowulf, Geoffrey Chaucer, and Sir Thomas More and sweeping us through to today with the likes of Tom Stoppard and Ruth Prawar Jhahlava. All the major voices of the British Isles are examined with commentary on their style, their art, and their influence on the world. Included is a timeline that places the authors within their society and shows how they reflected it and, more often than not, changed it for all time. ... Read more

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This persuasive book describes the complex, often violent connections between body and voice in Ovid's Metamorphoses and narrative, lyric and dramatic works by Petrarch, Marston and Shakespeare. Lynn Enterline analyzes what happens when Renaissance authors revisit Ovid's stories of violence and desire, paying close attention to the ways in which his subversive representations of gender, sexuality and the body influence later conceptions of the self and erotic life. This vividly original book makes a profound contribution to the study of Ovid's presence in Renaissance literature. ... Read more

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Shakespeare among the Animals examines the role of animal-metaphor in the Shakespearean stage, particularly as such metaphor serves to underwrite various forms of social difference. Working through texts such as Shakespeare’s Midsummer Night’s Dream, Jonson’s Volpone, and Middleton’s A Chaste Maid in Cheapside, the chapters of the study focus upon the allegedly natural character of femininity, masculinity, ethnicity, and the nature of the natural world itself as it appears on the Renaissance stage. Addressing each of these topics in turn, Shakespeare among the Animals explores the notions of cultural order that underlie early modern conceptions of the natural world, and the ideas of nature implicit in early modern social practice.
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How is it that the British literary critic Terry Eagleton can say that 'it is difficult to read Shakespeare without feeling that he was almost certainly familiar with the writings of Hegel, Marx, Nietzsche, Freud, Wittgenstein and Derrida', or that the Slovenian psychoanalytic theorist Slavoj Zizek can observe that 'Shakespeare without doubt had read Lacan'?Shakespeare and Literary Theory argues that literary theory is less an external set of ideas anachronistically imposed on Shakespeare's texts than a mode - or several modes - of critical reflection inspired by, and emerging from, his writing.These modes together constitute what we might call 'Shakespearian theory': theory that is not just about Shakespeare but also derives its energy from Shakespeare.To name just a few examples: Karl Marx was an avid reader of Shakespeare and used Timon of Athens to illustrate aspects of his economic theory; psychoanalytic theorists from Sigmund Freud to Jacques Lacan have explained some of their most axiomatic positions with reference to Hamlet; Michel Foucault's early theoretical writing on dreams and madness returns repeatedly to Macbeth; Jacques Derrida's deconstructive philosophy is articulated in dialogue with Shakespeare's plays, including Romeo and Juliet; French feminism's best-known essay is Helene Cixous's meditation on Antony and Cleopatra; certain strands of queer theory derive their impetus from Eve Kosofsky Sedgwick's reading of the Sonnets; Gilles Deleuze alights on Richard III as an exemplary instance of his theory of the war machine; and postcolonial theory owes a large debt to Aime Cesaire's revision of The Tempest.By reading what theoretical movements from formalism and structuralism to cultural materialism and actor-network theory have had to say about and in concert with Shakespeare, we can begin to get a sense of how much the DNA of contemporary literary theory contains a startling abundance of chromosomes - concepts, preoccupations, ways of using language - that are of Shakespearian provenance. ... Read more

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Deconstructionist critics have argued that literary works contain conflicting or contradictory meanings, thus creating an aporia, or impasse, that prevents readers from interpreting the work. Here, however, Murray Roston offers detailed and essentially new analyses of works by Shakespeare, Spenser, Jonson, and Donne, arguing that the seemingly contradictory presence of traditional and subversive elements in their major works actually creates the source of much of their literary achievement. Chapters explore "The Merchant of Venice", "Hamlet", "Faerie Queene", "Volpone", and the "Meditations of John Donne", highlighting the creative tension between centripetal and centrifugal factors (borrowing Bakhtin's terms).As Roston demonstrates, this tension exists in a variety of genres, including poetry, epic and drama, and even in religious prose - which, he acknowledges, might be thought to be exempt from such inner conflict because of its doctrinal and theological focus.The tension between tradition and subversion, both linguistic and cultural, then, can be seen to produce not aporia in any negative sense, but a positive complexity of response from the audience, animating and profoundly enriching each work. In "The Merchant of Venice", for example, Shakespeare merges the previously despised figure of the merchant with a Christ-like figure, brilliantly reasserting the Christian condemnation of profiteering while simultaneously advocating its seeming opposite, a validation of the burgeoning mercantile activity of the Renaissance."Tradition and Subversion in Renaissance Literature" is a thoughtful study, rich in both historical scholarship and in its survey of modern criticism. Even those who are quite familiar with the texts discussed here will find Roston's focus on the tension between maintaining the expectations of the culture and pulling toward new ideas an illuminating way to freshly consider these literary works. ... Read more

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This richly informed collection brings together his essays on such major figures as Sir Philip Sidney and Milton, but also less celebrated writers, including Thomas Carew and, in a new piece, William Drummond, to reconfigure the familiar and help extend the canon. Shakespeare looms large in this volume and his poems, plays and influence on Keats, are the subject of half the book. ... Read more

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638 pages ... Read more

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This volume draws together thirteen important essays on the concept of race in Shakespeare's drama. The authors, who themselves reflect racial and geographical diversity, explore issues of ethnography, politics, religion, identity, nationalism, and the distribution of power in Shakespeare's plays. They write from a variety of perspectives, drawing on Elizabethan and Jacobean historical studies and recent critical theory, attending to performances of the plays, as well as to the text. An introductory essay sets the context for the ensuing chapters, most of which are reprinted from volumes of Shakespeare Survey. ... Read more

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Elizabethan drama, sometimes attributed in part to Shakespeare. According to Wikipedia: "William Shakespeare (baptised 26 April 1564 – died 23 April 1616) was an English poet and playwright, widely regarded as the greatest writer in the English language and the world's pre-eminent dramatist.He is often called England's national poet and the "Bard of Avon" (or simply "The Bard"). His surviving works consist of 38 plays,154 sonnets, two long narrative poems, and several other poems. His plays have been translated into every major living language, and are performed more often than those of any other playwright." ... Read more

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Illustrations have been an important element of many of the most extensively read editions of Shakespeare's plays, from the frontispieces to Nicholas Rowe's 1709 edition to the multiple images placed within the text of Victorian editions. Through symbols the illustrations have explored language and character; by allusion to earlier paintings they have offered critical readings; and by gesture, setting and costume they have redesigned the plays within the visual vocabulary of their own times. In all these ways they offer important exchanges with contemporary social, aesthetic and critical concerns, and, despite being largely ignored by scholars, are central to the plays' reception. Highly illustrated, including many images not previously reproduced, the book allows the reader to share the experience of early readers of the plays. Building on the author's earlier work in Painting Shakespeare it offers a fresh address to the tradition of visual criticism and assimilation of Shakespeare's plays. ... Read more

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An authoritative introduction which considers the Roman plays of Shakespeare - Julius Caesar, Antony and Cleopatra and Coriolanus in the light of both traditional and contemporary criticism. The collection of essays reflects the range and impact of modern critical approaches - marxism, feminism, new historicism, cultural materialism, psychoanalytic theory and performance analysis on the individual plays and on 'Roman' drama. ... Read more