Troupe Namaste - Patrice Aka Khajulah's Page With a flair for the traditional, I favor the ethnic style of Currently, we are workingon getting a custom costume design company off the ground because http://www.troupenamaste.com/click_fer_khajulah.htm
Extractions: new session April 1, 2003! More information... See the flyer I began belly dance lessons in 1995 with Saiqa who continues to teach the ethnic or folkloric style of belly dance which I favor. Since then and to name a few, I have studied with Jewel, Dunia Ghanima Celena Fat Chance Belly Dance and Ultra Gypsy . My continual study of the dance includes: regular class drop-ins with several teachers throughout the Bay Area, workshops offered by visiting teachers, instructional videos and on occasion, private lessons from a few teachers. I attend as many performances as possible, I find that the best teachers are my peers and mentors. On my occasional travels, I often look up classes by local teachers and take home what I learn as souvenirs. Learning as much as possible from different teachers and dancers is high on my list. I have studied finger cymbals and percussion from Mary Ellen Donald based in San Francisco. Currently, I take private lessons from Celena "the Killer Ziller" in order to enhance my overall performance and music interpretation skills. In addition to
Cultural Display And The Construction Of Ethnic Identities A report that discusses the effects of the spread of independent churches (or "spiritual" Category Science Social Sciences Cultural Anthropology Ethnography Mind you, excellence includes costume design, how the groups for negotiating betweenwhat is traditional and that for claiming and renewing ethnic identities. http://aaas.ohio-state.edu/dka/ars.htm
Extractions: Dr. Daniel Avorgbedor, Ohio State University Columbus, Ohio espite the lack of uniformity in doctrine, liturgy, and core practices there is a fundamental disposition that binds these independent churches together: the inclusion and adaptation of selective symbols, concepts, attitudes, and music and dance from both local and foreign sources.5 The rationale, processes, strategies, and resources supporting and clarifying this engagement with existing and innovative cultural models are often enhanced by the overarching framework of national politics of culture and ethnicity, as evidenced in many postindependence African countries.6 In sum, the African precolonial, colonial, and postcolonial experiences and material legacies, are indispensable in understanding the contemporary situation of indigenous Christianity, as far as the significant presence and configurations of cultural display and ethnic identities are concerned. Another way national leaders and cultural policy makers pursue this desired goal is to encourage innovation and creativity in specific domains of arts and culture.10 This factor of innovation is important because its potential for constructing new relationships and realizing new expectations, especially when it draws on elements deriving from multiple ethnic sources. The examples of national dance troupes, choirs, and drama groups touring intensively (both internally and internationally) provide an essential influence that informs the resources, genres, and modes of organization in ARS, as will be discussed later. The example of ARS must, therefore, be seen against this background of national politics and patterns of society and culture in order to appreciate the interplay of factors influencing cultural display and ethnic identities in the church.
Elderhostel : Search Results Sample the diverse ethnic cuisine including traditional French and Canadian ProgramType(s) traditional, Explore the magic of propmaking costume design. http://www.elderhostel.org/Programs/search_res.asp?Type=A&StateCode=ON
BYU Department Of Dance Faculty Advisor BYU Tap Dance Club Research Interest · ethnic costume design· Ukrainian dance of the Bread and Salt. Western Stomp, traditional line and http://www.byu.edu/~ddance/faculty_colleen_west.html
Folkwear Clothes Patterns - Asian And Oriental Beautiful in traditional ethnic prints or coordinating newage instructions for traditionalstamp design and bound to be the traditional costume of Vietnam. http://folkwear-birchstreet.com/asian.html
Extractions: In Nepal, this wrap-and-tie blouse is traditionally made of velvet and worn under a wrap-style chupa or jumper (like our #131 Tibetan Chupa) or over a wrapped and pleated skirt formed from a sari or length of fabric. The semi-fitted blouse features a wide band collar, tapered sleeves, and deep underarm gussets for ease of movement. Pattern includes directions for wrapping and pleating a companion skirt. Misses Extra Small to Extra Large. Quantity: Versatile and comfortable garments include the hippari (jacket) for men and women, monpei (pants) and padded jacket for women. Beautiful in traditional ethnic prints or coordinating new-age fabrics. Instructions included for traditional folded and stitched ties. Misses 6-16; Men's 32-44. Quantity: #113 Japanese Kimono The timeless simplicity of this elegant garment is still enchanting. Our unlined informal kimono (yukata) can be worn in various lengths, as a dress, coat, or robe. Pattern includes instructions for shibori dyeing, sashiko embroidery, and for making an informal obi or sash. Sized for men and women to 6 ft. tall.
Folkwear They are suitable for costume and fresh ideas for the Make the basic design quicklyand then embellish it ethnic A traditional fashion worn by peasants, farmers http://www.5rivers.org/en-gb/dept_14.html
Extractions: This roomy pullover style is traditional garb for cheesemakers in Roquefort, France, and a comfortable smock for the studio or day's adventures anywhere. Sized for men and women, the easy-sew smock features shoulder-yoke, simple narrow buttoned neckband, and optional underarm gussets. Misses 6-20; Men's 32-46
Joséphine A. Zmolek Resume dance, dance composition, dance technology, costume design, Brazilian dance in SanFrancisco, fusing traditional folkloric forms in the SF ethnic Dance Festival http://cstl-cla.semo.edu/jzmolek/CV/jzres.html
College Of Human Ecology costume design for Performance. The Adaptation of traditional Clothing. Clothingand Psychology. Creative Draping design. ethnic costume. History of Korean Clothing. http://ms.cau.ac.kr/~interedu/English/Colist/Coll_HE.htm
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Iowa Arts Council's Artist Directory: Alphabetical Index - B design Arts/ set design, costume design Charles Barth Folk Arts/ general, traditional,ethnic; Visual Arts Larry art, computeraided design, cartooning; Boland http://www.culturalaffairs.org/iac/ArtistDirectory/indexes/Alphabetical/b.htm
SoVerNet---File Not Found... Our costuming is based on the traditional ATS costume the Original ATS troupe andcostume design is; pantaloons coin bra, turban and lots of ethnic or ethnic http://www.sover.net/~sjordan/aboutus.html
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The Costume Page - Ethnic & Folk Costume Study of costume. ethnic Folk costume featuring ethnic and folk costume from all ethnic. Belarusian traditional Clothes. Chukchi Warriors Traders. Croatian National costume http://members.aol.com/nebula5/tcpinfo3.html
Extractions: Home Reference Museums History ... Costumes This section of The Costume Page contains sites featuring ethnic and folk costume from all regions of the world. Some of the costumes you'll find on these pages are still worn as everyday clothing. Some of them are worn on special occasions or for dance performances. Other ethnic costumes are known to us only from artifacts and pictures. In addition to the sites listed below, the Costume History and Historical Topics pages contain sites dealing with the folkware of some European nations, the Instructions page includes information on ethnic crafts, and you can purchase folk costumes from sites listed on the Sources pages. Africa Western Europe Eastern Europe and Siberia Pacific Islands Africa: The Art of a Continent: Skirt, Iraqw, Tanzania, early 20th century (?) Arthur Hall Presents African Festivals in American Schools: Costumes The History of Kanga History of Kente Cloth ... Cambodian Classical Dance Costumes China Chinese Cheongsam (Qipao) Chinese Costume Chinese Opera Chinese Opera: Costumes and Stage Properties Costumes Facial Makeup Traditional Chinese Culture in Taiwan: Chinese Opera ... Wedding Ensemble (China, circa 1860)
Artfully Adorned and is entirely embroidered with different design motifs. comprise one of Chinas56 ethnic minorities. braids and trims are used in contemporary Yi costume. http://www2.ctahr.hawaii.edu/costume/artfully adorned.htm
Extractions: Artfully Adorned: Surface Design in East Asian Costume Curator: Dr. Linda Arthur CTAHR Historic Costume Collection Exhibit Location: Yokiyushi Room, Krauss Hall Date: Dec. 7 (Mon) ~ Dec. 11 (Fri) 1998 The Exhibit: This exhibit was mounted by the senior class on East Asian Cultures and Costumes (TxCl 416). The focus of this exhibition is to display the wide variety of surface design techniques used throughout East Asia. Some of the dominant methods used to embellish textiles include embroidery, applique, resist dye techniques, textile painting, couching, tie-dye, and the application of gold leaf. I. CHINA Student Exhibitors:Valerie Garcia, K.B. Kim, Caprice Ribuca, Jeannelle Wat DATE: DONOR: Inez M. and David Benz Accession #: Description: Silk dragon robe or chi fu , a semi-formal full-length coat and one of the primary garments during the Ching dynasty. The garment is long and tight with horse-hoof cuffs and closes on the right with toggle buttons and loops. DATE: Late Ching dynasty: DONOR: Oma Umbel Accession #: A80.06.05.a/b
Chinese Life/society Show (by Wei Ronghui's Modern design of ethnic This year ethnic wedding clothes,designed by Wei Wei Ronghui's style makes national costume accessible to the http://www.chinavoc.com/life/fashion/nationalcos.asp
Extractions: Home Guestbook About Us Sitemap ... Fashion From Rustic To Vogue Wei Ronghui's Development of Chinese National Costume All cultures possess things which identify them as special, speak of their history and their historical way of life. Wei Ronghui is Huia Chinese minority. She is director of the China Museum of Ethnicities and the Center of National Costume Design. Perhaps most importantly, she herself is also a famous designer of national dress. G rowing up among the mountains and clear waters of Guizhou, Wei Ronghui knows the influence that lifestyle has on national dress. Before beginning a new costume, she always goes to the place where the minority in question resides, in order to research their lifestyle and habits. There are 56 different nationalities in China and Wei's footprints can be found in the mountains and villages where many of the minorities reside. She has worked in the fields with local women and sewed with them, absorbing their traditional culture, before communicating that culture through her designs. Her designs include a wonderful assortment of colors, patterns and fabric; they build on the traditional, while being inspired and creative. Using fabrics of the Buyi, she designed suits for students. She took the pattern used on the straps for carrying babies in the south and used it on the qipao worn in the north. She used long gowns to express the secret beauty of Tibetan women and casual, white cow-herding clothes to convey the energy of young Tibetan men. Her large use of the color white was in keeping with Tibetan's large use of this color.
Internet Resources : Film Vintage Costuming Pattern Catalog International Theatre design Archive costume centuryLa Couturiere Pariesinne European costume from the ethnic / Regional. http://library.dixie.edu/internet/theater.htm
Omphalo-Stepses: Belly Dance Shop ethnic Dress by Frances Kennett. Surface design techniques, articles of clothing,and jewelry components How to Dress Dancers costume Techniques for Dance by http://shanmonster.lilsproutz.com/belly/shop/books/costume.html
Extractions: SECTIONS Videos Music Books In Conjunction With: Africa Adorned by Angela Fisher. "A coffee table book full of photos of African and Mid-Eastern people. The emphasis is on Africa, but there are great pictures of the Tuareg, Berbers, Moroccans, and the Berber bridal fair. INCREDIBLE photography of costumes, jewelry, henna and facial tattoos. Wonderful photos of the people of Africa." Art of Arabian Costume: A Saudi Arabian Profile by Heather Colyer Ross. "This book would be a useful resource for middle eastern dancers looking for costume ideas, but is not as helpful for those looking for exact information about how the garments are made. Many of the poses used by the models are very dramatic (or even high fashion) and attractive, but make it difficult to make out the details of the garments. Historical information is sketchy. However, the wide variety of garments shown and the fact that they are shown in color, together with the extensive commentary in the text, makes this a useful book. There are few books covering Bedouin dress this extensively."
Dissertationsdatenbank traditional costumes; ethnicgroups; costum designer; source of inspiration; costume design;. http://www.arcs.ac.at/dissdb/rn034978
Extractions: Akad. Grad: Dr. phil. Klassifikation: G0103 Film G0110 Theater Schlagworte deutsch: Afrika; Asien; Textilien; Trachten; Kostuembildner; ethnische Gruppierungen; Inspirationsquelle; Kostuemgestaltung; Schlagworte englisch: Africa; Asia; textiles; traditional costumes; ethnic groups; costum designer; source of inspiration; costume design; Zusammenfassung deutsch: Zusammenfassung englisch: Availability: Universitaetsbibliothek der Universitaet Wien,
UREP: Textiles And Costume Of Northern Laos of NE Thailand in the Walker Hall design Museum at where her collections of BolivianCarnival costume were featured has a wide variety of ethnic tribal people http://urep.ucdavis.edu/LecountL.html
Extractions: PROJECT DESCRIPTION Artists combine color and form, shape and texture, but some artisans in northern Laos do not work with clay or paint as their materials - they use a loom and thread. The resulting cloth woven in remote villages of northern Laos glows with brilliant color and intricate patterns. During this project, under the leadership of Cynthia LeCount-Samake, UREP participants will document the contemporary weaving processes and the traditional indigenous clothing made from the woven textiles. In this preliminary study, participants will seek out village markets and celebrations where the people wear traditional clothing. Using field methods of observation and video and still photography, the team will document the weaving, the clothing and the village environment. Through local student translators, UREP participants will also interview the textile artists and photograph the weaving techniques and apparatus, cloth patterning methods and the finished cloth. Participants will meet in Vientiane, Laos, then proceed by plane to the UNESCO World Heritage Site of Luang Prabang. After an introduction into Lao life in beautiful Luang Prabang, the team will take local buses to villages further north. Research Objectives: Superb and unusual textiles are woven in norhtern Laos by the rare and unique technique of juxtaposing three time-consuming techniques - ikat, supplementary warp and supplementary weft - in one textile. I do not know of any other area in the world where this is done. Thoroughly document the intricate and complex weaving techniques.
