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Discusses the history, geography, diverse culture, and people of the western state known as the "Land of Enchantment." ... Read more

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Provides instructions on how to make traditional Mexican and Central American handicraft such as metal ornaments, tissue paper banners, and Guatemalan worry dolls. ... Read more

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Alma Reed arrived in the Yucatán for the first time in 1923, on assignment for the New York Times Sunday Magazine to cover an archaeological survey of Mayan ruins. It was a contemporary Maya, however, who stole her heart. Felipe Carrillo Puerto, said to be descended from Mayan kings, had recently been elected governor of the Yucatán on a platform emphasizing egalitarian reforms and indigenous rights. The entrenched aristocracy was enraged; Reed was infatuated--as was Carrillo Puerto. He and Reed were engaged within months. Yet less than a year later--only eleven days before their intended wedding--Carrillo Puerto was assassinated. He had earned his place in the history books, but Reed had won a place in the hearts of Mexicans: the bolero "La Peregrina" remains one of the Yucatán's most famous ballads. Alma Reed recovered from her tragic romance to lead a long, successful life. She eventually returned to Mexico, where her work in journalism, archaeology, and art earned her entry into the Orden del Aguila Azteca (Order of the Aztec Eagle). Her time with Carrillo Puerto, however, was the most intense of her life, and when she was encouraged (by Hollywood, especially) to write her autobiography, she began with that special period. Her manuscript, which disappeared immediately after her sudden death in 1966, mingled her legendary love affair with a biography of Carrillo Puerto and the political history of the Yucatán. As such, it has long been sought by scholars as well as romantics. In 2001, historian Michael Schuessler discovered the manuscript in an abandoned apartment in Mexico City. An absolutely compelling memoir, Peregrina restores Reed's place in Mexican history in her own words. ... Read more

Customer Reviews (1)

Wonderful woman, tragic love.
I love Alma Reed's life. She was an incredible woman that fell in love with a wonderful, advanced, married man. She did so much for minorities and exposed injustice. She was a friend of Gibran, Orozco and many others. ... Read more

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"Michael Trujillo's Land of Disenchantment is astonishing, both for its scholarly depth and, more importantly, for its honesty. As an ethnographic study of the Espanola Valley it offers a searing account of the negative realities that trouble Nuevomexicanos: poverty, drugs, violence. And, yet, Trujillo probes into these social and material difficulties with a spirit that suggests how creativity, identity, and will to survive emerge from tragedy to produce a positive aesthetics of joking, storytelling, weaving, and cultural ritual that keeps people alive to their long history and to their dreams."
--GENARO PADILLA, Associate Professor of English, University of California at Berkeley


NEW MEXICO'S ESPANOLA VALLEY IS SITUATED IN THE NORTHERN PART OF THE state between the fabled Sangre de Cristo and Jemez Mountains. Many of the Valley's communities have roots in the Spanish and Mexican periods of colonization, while the Native American Pueblos of Ohkay Owingeh and Santa Clara are far older. In this experimental ethnography, Michael Trujillo presents a vision of Espanola that addresses its denigration by neighbors--and some of its residents--because it represents the antithesis of the supposedly "positive" narrative of New Mexico. Contradicting the popular notion of New Mexico as the "Land of Enchantment," a fusion of race, landscape, architecture, and food into a romanticized commodity, Trujillo probes beneath the surface to reveal the struggle and pain brought about by colonization and the transition from a pastoral to an urban economy, as well as the limits of common ethnographic representations. Land of Disenchantment contains both Trujillo's original ethnography and his explorations of creative works by Valley residents Policarpio Valencia, Jim Sagel, Teresa Archuleta, and G. Benito Cordova. ... Read more

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This book presents readers with scholarship on public celebrations and popular culture throughout Mexican history. Leading scholars from the Americas and Great Britain discuss aspects of Mexico's popular culture from the seventeenth century to the present. The vast range of Mexican expression is examined, including Corpus Christi celebrations, New Spain, stone murals, and folk theater. Filling a need that becomes ever more pressing, this volume provides fresh insights.

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In the tumultuous decades following Mexico's independence from Spain, religion provided a unifying force among the Mexican people, who otherwise varied greatly in ethnicity and socioeconomic status. Accordingly, religion and the popular cultures surrounding it form the lens through which Terry Rugeley focuses this cultural history of southeast Mexico from independence (1821) to the rise of the dictator Porfirio Díaz in 1876. Drawing on a wealth of previously unused archival material, Rugeley vividly reconstructs the folklore, beliefs, attitudes, and cultural practices of the Maya and Hispanic peoples of the Yucatán. In engagingly written chapters, he explores folklore and folk wisdom, urban piety, iconography, and anticlericalism. Interspersed among the chapters are detailed portraits of individual people, places, and institutions, that, with the archival evidence, offer a full and fascinating history of the outlooks, entertainments, and daily lives of the inhabitants of southeast Mexico in the nineteenth century. Rugeley also links this rich local history with larger events to show how macro changes in Mexico affected ordinary people. ... Read more

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The secrets of the past are uncovered in this authoritative social history of the ancient proples of Central America and Mexico. ... Read more