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Shakespearean Theatre:     more books (89)

Shakespearean playhouses; a history of English theatres from the by Adams. Joseph Quincy. 1881-1946., 1917-01-01 Shakespearean Playhouses: A History of the English Theatres from the Beginning t by Joseph Quincy Adams, 1917-01-01 The Shakespearean Dramaturg: A Theoretical and Practical Guide by Andrew James Hartley, 2005-11-05 The Shakespearean Stage, 1574-1642 by Andrew Gurr, 1992-01-31 The Shakespearean Stage 1574-1642 by Andrew Gurr, 2009-04-20 Shakespearean Staging, 1599-1642 by T. J. King, 1971-07-01 Enter the Whole Army: A Pictorial Study of Shakespearean Staging, 1576-1616 (Volume 0) by C. Walter Hodges, 2004-12-02 Lighting the Shakespearean Stage, 1567 - 1642 by Associate Professor Robert B. Graves, 2009-12-08 Great Shakespeareans Set I by Peter Holland, Adrian Poole, 2010-08-03 The Cambridge Companion to Shakespearean Tragedy (Cambridge Companions to Literature) Representing Shakespearean Tragedy: Garrick, the Kembles, and Kean by Reiko Oya, 2007-11-19 Shakespearean Intertextuality: Studies in Selected Sources and Plays (Contributions in Drama and Theatre Studies) by Stephen Lynch, 1998-11-30 Players of Shakespeare 3: Further Essays in Shakespearean Performance by Players with the Royal Shakespeare Company (Volume 0) The Bard in the Bluegrass: Two Centuries of Shakespearean Performance in Lexington, Kentucky by Kevin Lane Dearinger, 2007-03-28

lists with details

41. Theatre Museum -Information-
    The foreign books section has foreign books and periodicals relating to theatricalarts from all over the world, especially about shakespearean theatre.  
    http://www.waseda.ac.jp/enpaku/info/e_info.html
    
    Extractions: The Japanese books section (the first floor of the No.5 Building) The foreign books section and rare books section (the third floor of No.6 Building) The Japanese books section contains Japanese books and periodicals relating to all sorts of performing arts and cinema. (the section's office hours are the same as the Museum's. )

42. Shakespearean Globe Theater
    HOME BASIC_S - shakespearean theatre. search find the most popular books, videosand DVDs on shakespearean theatre. HOME - BASIC_S - shakespearean theatre.  
    http://www.iceland-america.com/do-it-your-self-pond-filter.htm

43. Talkin' Broadway - What's New On The Rialto? - "Utah Shakespearean Festival" - 7
    There are several theatres at the festival to house their productions,but the one that caught my eye was the Adams shakespearean theatre.  
    http://www.talkinbroadway.com/rialto/past/2000/7_6_00.html
    
    Extractions: One of the beauties of my real job is that it allows me to travel anywhere in the world and do my work via computer. And so it was that I spent May and June in New York and then headed back to Las Vegas for the summer. The highlights, of course, from that New York jaunt was producing Talkin' Broadway Cabaret 1 at Don't Tell Mama and attending the Tony Awards. Each July, good friend James Mullay throws a birthday bash for me and his mother, Emily Mullay , who just so happens to celebrate her birthday on the same day, July 6. Jim suggested that we do something different this year. His idea was to take a daytrip up to Utah sponsored by KNPR National Public Radio and visit the Utah Shakespearean Festival. A bell went off in my head. Why was the Festival familiar to me? I had never been to Utah. We were joined by fellow Talkin' Broadway friends Curt Chandler, Robert Rusie and Rolf Carsten . The six of us hopped on the chartered bus and after a short journey of 150 miles we arrived on the beautiful campus of Southern Utah University where the Festival is held. The Utah Shakespearean Festival began as a dream in 1961 by its founder

44. Unit_menu
    The student will develop their knowledge of language and understandshakespearean theatre. OSN7. Communication skills Advertising.  
    http://www.osn.co.uk/uas/html/unit_menu.html
    
    Extractions: Unit Number Unit Description Application of number: Gathering and interpreting data In this classroom based mathematics unit, the student will work independently and in a group to carry out a series of surveys which will provide the data needed to answer specific questions about products and services. This unit is Level 1 Key Skills Application of number: Gathering and interpreting data In this classroom based mathematics unit, the student will work independently and in a group to carry out a series of surveys which will provide the data needed to answer specific questions about products and services. This unit is Level 2 Key Skills Application of number: Optimising areas and volumes In this classroom based mathematics unit, the student will work independently and in a group to design a desk-draw-tidy. This unit is Level 1 Key Skills Application of number: Optimising areas and volumes In this classroom based mathematics unit, the student will work independently and in a group to design a desk-draw-tidy.

45. Tom Mellett's Theatrical Works
    shakespearean theatre Shakespearean Pictures.Ancient Greek Theatre Prometheus Bound.  
    http://www.steiner98.org/Theatre/

46. Jerry Williams
    96 Lynn Benton C.College Solo exhibition.'96 Umpqua Arts Association Ashland Tidings,Best Set Design of 1985 Oregon shakespearean theatre Festival, Twin City  
    http://theatre.uoregon.edu/williams.htm

47. Shakespeare's Globe - Net Notes
    Shakespeare's Globe. Net Notes. Shakespeare's Globe programs providean excellent introduction to the famous shakespearean theatre.  
    http://pmi.itmonline.com/netnotes/Shakespeare's Globe - Net Notes/shakespeare_gl
    
    Extractions: Shakespeare's Globe Net Notes Shakespeare's Globe programs provide an excellent introduction to the famous Shakespearean Theatre. These stunning recreations celebrate the opening of the new Globe Theatre in London, and show how stimulating Shakespeare's work can be when experienced in context. The programs will: Help students to experience Shakespearean theatre and language in an authentic setting Demonstrate drama as theatre, not merely text. Put the drama on social context, where students can see how theatre became an agent for linguistic change and development. Illustrate the conventions of Elizabethan theatre. Program Descriptions Internet Links The Audience The Actor http://www.rdg.ac.uk/globe Introduction ... PMI, Public Media Television

48. Maine Theatre
    Arts Kennebunkport Maritime Productions Lewiston Bates College Public Theatre MadisonLakewood Theatre Monmouth shakespearean theatre of Maine Montanaro Hurl  
    http://www.curtainrising.com/usa/usa_me.html

49. More From Shakespeare! The Newsletter
    On this page SGCA founder Diana Denley talks to Sergio Amigo, founderand director of Argentina's sole shakespearean theatre company.  
    http://www.edfac.usyd.edu.au/projects/sgca/argentine.html
    
    Extractions: On this page: SGCA founder Diana Denley talks to Sergio Amigo, founder and director of Argentina's sole Shakespearean theatre company. There is a text-only version of this page here The core of Argentine theatre could be called "Creole Circus", a rough style on a stage of sand, where the audience's imagination, as at Shakespeare's Globe, brought stories to life. Since colonial days, Romeo And Juliet Hamlet and Othello , were adapted for spectators in a melodramatic manner, encouraging them to cheer heroes and boo villains. Early this century, official theatres presented elegant, traditional versions of the works. This, however, began to change when the work of Stanislavski began to break old theatrical routines. Holding up realism as a banner, young and angry actors re-explored works, heavily influenced by writers such as Henrik Ibsen. Then, a bloody dictatorship annihilated a generation! The end of the millennium finds us in creative melt-down, overwhelmed by chaos. There is crisis in values and breakdown of discourse, creating moral and aesthetic revolt. History's curve has united the end of the Renaissance with today's Argentina. Henry IV , an ensemble dedicated to Shakespeare's theatre and works, the only such company in Argentina.

50. More From Shakespeare! The Newsletter
    La Cabeza Del Jabali. On this page SGCA founder Diana Denley talks to Sergio Amigo,founder and director of Argentina's sole shakespearean theatre company.  
    http://www.edfac.usyd.edu.au/projects/sgca/Text/argentine.html
    
    Extractions: On this page: SGCA founder Diana Denley talks to Sergio Amigo, founder and director of Argentina's sole Shakespearean theatre company. There is a nicer version of this page here The core of Argentine theatre could be called "Creole Circus", a rough style on a stage of sand, where the audience's imagination, as at Shakespeare's Globe, brought stories to life. Since colonial days, Romeo And Juliet Hamlet and Othello , were adapted for spectators in a melodramatic manner, encouraging them to cheer heroes and boo villains. Early this century, official theatres presented elegant, traditional versions of the works. This, however, began to change when the work of Stanislavski began to break old theatrical routines. Holding up realism as a banner, young and angry actors re-explored works, heavily influenced by writers such as Henrik Ibsen. Then, a bloody dictatorship annihilated a generation! The end of the millennium finds us in creative melt-down, overwhelmed by chaos. There is crisis in values and breakdown of discourse, creating moral and aesthetic revolt. History's curve has united the end of the Renaissance with today's Argentina. Henry IV , an ensemble dedicated to Shakespeare's theatre and works, the only such company in Argentina.

51. LBH - April Press Release
    The Curtain Theatre was the second purposemade shakespearean theatreafter 'The Theatre', an earlier building in Shoreditch. The  
    http://156.61.16.5/pressrelease/prapril99/pr146.htm
    
    Extractions: Shakespeare in love - in Shoreditch! The Bard's theatre, the Curtain Theatre - featured in the film - was built in Shoreditch in 1577. His famous play Romeo and Juliet was first performed there. The Curtain Theatre was the second purpose-made Shakespearean theatre after 'The Theatre', an earlier building in Shoreditch. The first 15 of Shakespeare's plays were performed at these theatres - not The Globe as is often thought. The two theatres are of international importance since 'The Theatre' was the first purpose-built theatre in England and its timbers were transported across the Thames and rebuilt as The Globe. Katharine Owen, Hackney Council Conservation Officer, said: 'As the Curtain was the second-ever purpose-built Shakespearean Theatre - the site of both the Curtain and its predecessor are in an Archaeological Priority Area established by Hackney Council. They were going before The Globe or The Rose which are often mistakenly thought to be the first Shakespearean theatres.' There is a plaque erected by Hackney Council at 18 Hewett Street to commemorate the Curtain Theatre. It notes that the Curtain stood near the site between 1577 and around 1627, and that Shakespeare acted at this theatre, the second English playhouse (after The Theatre nearby) - and plays by him and Ben Jonson were performed there.

52. Playbill Features: PBOL'S THEATRE WEEK IN REVIEW, April 20-26: Noble Gesture
    be demolished and the 1,500seat auditorium replaced with a more intimate space surroundedby what was described as a shakespearean theatre village built by  
    http://www.playbill.com/features/article/76156.html
    
    Extractions: In a press statement issued April 24, Adrian Noble announced that he will not be renewing his contract with the Royal Shakespeare Company when it expires in March 2003. And with that, the entire British theatre community heaved a heavy sigh of relief. Noble's recent ideas for overhauling the RSC, which he has run since 1991, have put the artistic soul of the nation of the rack for the past year. The announcement came just days after the opening of the big new British musical, Chitty Chitty Bang Bang , which Noble directed. And that coinciding was no coincidence. Many theatre insiders assumed that, given the widespread resistance to Noble's plans for the future direction of the RSC, he would wait to see whether Chitty Chitty Bang Bang would take off. If it did, the belief was, then so would he. And he has. Noble's trouble began in 1998, when he revealed a hugely ambitious plan for RSC's future, in which the company's primary theatre in Stratford-Upon-Avon would be demolished and the 1,500-seat auditorium replaced with a more intimate space surrounded by what was described as a "Shakespearean theatre village" built by Dutch architect Erick Van Egeraat . Building was supposed to have begun sometime after 2000. But some critics did not wish to say goodbye to the 1932 theatre so quickly. Others questioned whether the company could handle the costs of such a plan. Still others shuddered at the theme park connotations of a "Shakespearean theatre village."

53. Theatre Australia - InterAct 02
    Basic Improvisation Techniques Lucy Eyre shakespearean theatre, rehearsal techniques,voice, movement verse - Rebecca Davis and Stuart Halusz Session 3  
    http://theatre.asn.au/eventView.php3?event_id=1621

54. THEATER / THEATRICAL > Companies > Shakespearean <>
    shakespearean theatres. (The Economist) Season includes three Shakespearean productionsand two classics in our 449seat theatre in downtown Washington, DC.  
    http://www.theaterservicesguide.com/Theater/Companies/shakespearean.htm

55. The Cleveland Shakespeare Festival
    Lake Tahoe Shakespeare Festival (Nevada) www.laketahoeshakespeare.com. Maineshakespearean theatre (Monmouth, Maine) www.theateratmonmouth.org.  
    http://www.cleveshakes.org/etcetera/links.html

56. BBC - Wiltshire - Theatre - Performance At Lacock
    International, professional shakespearean theatre company, Theatre Set Up, willpresent Shakespeare’s As You Like It in the grounds of Lacock Abbey on  
    http://www.bbc.co.uk/wiltshire/going_out/theatre/lacock.shtml
    
    Extractions: The BBC is not responsible for the content of external websites. FACTS Lacock Abbey near Chippenham was founded in 1232 and converted into a country house c.1540. The ‘Father of modern photography’, William "Henry" Fox Talbot (1800-77) lived here and the museum celebrates his achievements. PRINT THIS PAGE View a printable version of this page. International, professional Shakespearean theatre company, Theatre Set Up, will present Shakespeare’s "As You Like It" in the grounds of Lacock Abbey on Tuesday, 11th June.

57. MA Scheme Options
    formal poetics (ie prose and verse);. prehistory of shakespearean theatreand comparison with drama texts by Shakespeare's contemporaries; and.  
    http://www.essex.ac.uk/theatre/web/info/ma/options.htm
    
    Extractions: Home BA Schemes MA in Theatre Postgraduate Study ... Contact Us MA in Theatre - Course Options This part of the degree scheme explores the trends currently prevalent in British Theatre. Students attend a number of plays throughout the year at a variety of venues with the focus on new work or new interpretations of classic work. The seminar series explores issues raised by watching such a diversity of work. Questions such as 'What is theatre for?' and 'What makes good theatre?' are considered. Tutor: Mr Jonathan Lichtenstein

58. The Saint Mary's University Times
    Students will have a unique opportunity to experience shakespearean theatre at itsbest, be exposed to academic interpretation by leading scholars and have a  
    http://www.stmarys.ca/thetimes/nov00/article_shakespeare.html
    
    Extractions: Saint Mary's Students Embark on Shakespearean Experience by Lisa Legatto This spring, Saint Mary's will be the first Canadian university to enroll students in a short course at Stratford-upon-Avon, England as part of a new English class. Students will have a unique opportunity to experience Shakespearean theatre at its best, be exposed to academic interpretation by leading scholars and have a behind the scenes look at everything from the roles of speech coaches to costume designers. The exciting new summer school course, Shakespeare at Stratford-upon-Avon - Theatre and Text is being offered through Saint Mary's Division of Continuing Education. English 401.1, a half credit course, will be led by Dr. Goran Stanivukovic and Dr. Janet Hill, professors in Saint Mary's English Department. They were motivated to create the innovative course by their shared interests in Shakespeare and theatre. Dr. Hill was an actress in England before she became an academic. She now teaches the history of drama at Saint Mary's. Dr. Stanivukovic, studied at the Shakespeare Institute in Stratford-upon-Avon, which is a graduate school specializing in Renaissance drama and Shakespeare, affiliated with the University of Birmingham. "Over several years of my studying and living in Stratford, I saw many students groups from the European Union and United States participate in those courses, and I remember students' enthusiasm," says Dr. Stanivukovic. "They all seemed to have been thrilled by the diversity of activities focused on theatre, the plays' ideas and play productions." He and Dr. Hill decided that this kind of class would add a dynamic dimension to teaching Shakespeare at Saint Mary's.

59. Renaissance Forum: Volume 1, Number 1, 1996: Michael Scott
    He rightly notes that 'less attention has been paid to the cultural politicsof shakespearean theatre production, still less to the politics of theatre  
    http://www.hull.ac.uk/renforum/v1no1/scott.htm
    
    Extractions: we mean by Shakespeare'. The problem in an ongoing critical crisis is that if the RSC 'means' by Shakespeare it is in danger of critical condemnation for political or historical incorrectness. Whereas if the cultural materialists 'mean' by Shakespeare they condemn themselves for their inability to influence current political agendas. It is not a crisis in English studies or theatrical criticism, but a crisis in discourse, meaning and communication. Shaughnessy demonstrates that in the context of the RSC's political agenda of the 1960s, which could, in its liberal humanism, bask in the knowledge that National Socialism had been defeated and that the Communism of the Cold War could be decried, the Company found a pertinence in contemporary relevance. In this period of super-power politics, Peter Hall and John Barton's cyclic rendering of the Henry VI plays and Richard III was exemplary of RSC artistic and ideological policy. As Shaughnessy notes, their

60. SUU - Alumni Newsletter *ARCHIVE - WINTER 2001*
    Three Shakespearean classics will be performed in the outdoor Adamsshakespearean theatre during the summer season. The summer season  
    http://www.suu.edu/alumni/newsletter/Winter01/stories01/USF.html

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