Product Description
The domei is a popular narrative art form among the Mende people of Sierra Leone. Although it is a traditional form, the narratives are not remembered or retold, but on each occasion the performers recreate out of a common stock of characters and plots domeisia, which are singular and sometimes brilliant expressions of a singular, and often brilliant, culture. In this book Donald Cosentino presents a large selection of these narratives, as he collected them in dramatic performance on the verandahs and around the cooking fires of a Mende village. The domei is told to please, and Dr Cosentino details the various elements that constitute the pleasure of an oral performance. But beneath the surface glitter of these ironic, horrifying, bawdy and haunting narrative performances, there is an intellectual hardness of argument and debate which shines through the domeisia included here. Dominating these performances, and emblematic of the entire artistic tradition, are the 'everywoman' figure of the Defiant Maid, Yombo, and the 'everyman' Stubborn Farmer, Kpana. ... Read more

Product Description
Originally published in the New Yorker, this harrowing tale of reverse culture shock is a cult favorite among expats who wander abroad and are unprepared for the shock that awaits them upon return to the first world.

After three years in the bush, a Peace Corps Volunteer is evacuated from war-torn Sierra Leone and sent home to Omaha, Nebraska, where he attempts to celebrate his return in a steak house. What happens next is called reverse culture shock. G.K. Chesterton put it this way: "The whole object of traveling abroad is not to set foot on foreign land; it is to set foot on one's own country as a foreign land when one returns."

By Richard Dooling, author of White Man's Grave, a novel.
... Read more