Geometry.Net - Basic_T: 3-d Photography

3-D Kids' Books
David G. Burder lives in London and shoots 3d photography. Rick andSusan Sammon live in Croton-on-Hudson, New York and write about
http://www.gibsondesign.com/bookDesign/3dKidsBooks.php

Extractions: U.Va. Pictorial History Pulse of the Planet Declaration of Independence Civil War Parks Guide ... Trails of Tears, Paths of Beauty 3-D Kids' Books In the Japanese Garden Atlas of the American Economy The Alfalfa Crop Reports Jeffersons Monticello ... Wild Southlands David G. Burder lives in London and shoots 3-D photography. Rick and Susan Sammon live in Croton-on-Hudson, New York and write about nature subjects (they shoot 3-D photography too). When you put them together you get an irresistible set of kids books for The Nature Company. CONTACT GDA HOME
3D Nude Photos, Stereo 3D Nudes & 3-D Anaglyphs
www.photonudes.com presents. 3D Nudes, Stereo NudePhotos 3d photography. Anaglyph 3D Glasses.
http://www.3d-nude-photos.com/

Extractions: You'll find it ALL here, and more... Jane's Guide recently reviewed our Nude Photos: "I can honestly say that this is some of the best nude photography I've seen ... There are also the ultra-unique 3D pictures! The 3D stuff is shot so that you can view them in 2D, Anaglyph (you'll need 3D glasses), or Stereo Pair (3D when you sort of cross your eyes). I haven't seen anyone else try the 3D approach and I happily grabbed my 3D glasses and took a look! They really work! ... If you want a unique, beautiful, and interesting trip into fine art nudes focused on the female form I recommend this place wholeheartedly. - Vamp" join the innocence network!
Tpi Photo (The Printed Image Photography) Stereo Photography Links Page
a. Newton PDA Stereo and 3d photography Photography .
http://tpi-photo.net/stereo.htm
Conference Center
Prev topic Next topic Help Topic 31 of 69 3d photography. Mon, Apr 12, 1999 (1307) Alexander Schuth (aschuth) This is actually really a vintage topic.
http://www.spring.net/yapp-bin/public/read/collecting/31

Extractions: This is actually really a vintage topic. Way before movies, there was stereo-photography, which - with a special viewer - would let you see scenes threedimensionally. This survived till today as child's toy... There are many variations of this technology (which also might interest general photography or dead media appreciators). 6 new of 6 responses total. Topic 31 of 69 [collecting]: 3-D Photography Response 1 of 6: Marcia ( MarciaH Wed, Aug 11, 1999 (14:53) * 1 lines If you are familiar with the Stereo Realist cameras, you will know about the film strips they took. I have a good-sized collection of these which were sold under the trade name Tru Vues and were coiled into little sleeves and then in boxes. My little ones are stored in specially-made fitted boxes which holds the viewer and the films.
The Virginia Film Festival : Nocturnal Moments/Waking Dreams : A Stereoscopic Ar
Nocturnal Moments/Waking Dreams A Stereoscopic Art and 3d photography ExhibitionDream's Light Gallery Presents Works by Lynn Hyman Butler and Boris Starosta.
http://www.vafilm.com/1999/releases/3ddreams.html

Extractions: by Lynn Hyman Butler and Boris Starosta In conjunction with the 12th Annual Virginia Film Festival, TechnoVisions , Charlottesville's Dream's Light Gallery will present an exhibition of recent works by Lynn Hyman Butler, of New York, and Boris Starosta, a local artist, designer of this year's Virginia Film Festival poster/brochure. The exhibition, entitled Nocturnal Moments/Waking Dreams , is comprised of stereoscopic images in several 3-D print formats by these innovative artists. The opening will be held October 1, from 6: P.M. to 9:00 P.M. The show will run through October 31, 1999 at Dream's Light Gallery, located at 106 5th Street, in Charlottesville, Virginia. In Nocturnal Moments , Lynn Butler presents her dreamlike 3-D photography using cutting-edge full color StereoJet prints, viewed with polarized glasses. Her stereographs of horses and nudes in the nighttime forest setting reveal her love of the animals and of the places and landscapes they inhabit. Butler's three-dimensional work is a rarity in the art world as the StereoJet technology she employs is still in development at the Rowland Institute for Science. The prints are similar to so-called Vectographs, first developed in 1940 by Edwin Land for use in examining aerial stereographs during the war effort. The StereoJets bring the improvement of full color 3-D images and the promise of wide availability in the future, as they are printed using mostly off-the-shelf inkjet technology. Currently, this technology is available to only a few artists in the stereoscopic genre.
3-D Photography
Go to previous page 3d photography. Experiment Each eye sees a slightly differentview of the world, try holding one finger at arm's length infront of you.
http://web.onetel.net.uk/~gedburnell/3d.htm

Extractions: Each eye sees a slightly different view of the world, try holding one finger at arm's length infront of you. Whilst looking at your finger close one eye, notice what is behind it then do the same with your other eye. Alternate opening and shutting each eye and you should notice the background appears to move. This is called Parallax.
Absolutely The Best Photography Directory!
3d photography. Business Lane Casper, WY - 800-966-0411, Box 1116398.California Majed Photographic Illustration, 728 Divisadero
http://www.photolane.net/3d/
Adventures In CyberSound: A Tale Of Two Images : A History Of 3-D Photography An
A Tale of Two Images A History of 3d photography and Anaglyphs. Stereoscopic, or3-d photography, works because it is able to recreate the illusion of depth.
http://www.acmi.net.au/AIC/STEREOSCOPE_3D.html

Extractions: A Tale of Two Images : A History of 3-D Photography and Anaglyphs The idea of stereoscopy actually preceded photography. As early as 1584, Leonardo da Vinci, one of the great scientific artists, studied the perception of depth. Stereoscopic Photography Stereoscopic, or 3-D photography, works because it is able to recreate the illusion of depth. Human eyes are set about two-and-a-half inches apart, so each eye sees an image slightly differently. If you take two separate photographs that same distance apart, with a suitable viewer it is possible to recreate that illusion of depth. There is some dispute in 3-D circles whether the concept was invented by Sir Charles Wheatstone who, in June 1838, gave an address to the Royal Scottish Society of Arts on the phenomena of binocularvision. He made geometric 3-D drawings and a device to view them called a reflecting mirror stereoscrope. (This is preserved at the Science Museum in London.) Almost twelve years later, the Scottish scientist Sir David Brewster invented the first practical photographic device called the lenticular stereoscope. Early workers in this field include Roger Fenton, who took photographs in Russia, when he visited there in 1852, and Jules Duboscq, who made stereoscopes and stereoscopic daguerreotypes. Duboscq in turn caused Antoine Claudet to become interested in stereoscopy; Claudet patented stereoscopes in 1853.
Three-dimensional Models In A Flash
But not any more, thanks to the work of an interdisciplinary team of UW researchers,who have developed a 3d photography technique to capture, view, and
http://www.washington.edu/research/pathbreakers/1995b.html

Extractions: "Computers are now an indispensable tool for designing everything from chairs and lamps to carburetors and airplane wings, but the machines have been as thick as a brick when it comes to copying objects that already exist," notes a recent issue of Discover magazine. But not any more, thanks to the work of an interdisciplinary team of UW researchers, who have developed a 3-D photography technique to capture, view, and manipulate computer representations of the shape and appearance of objects. The invention was recognized by the 1995 Discover Awards for Technological Innovation as a finalist in the software category. UW computer scientist Tony DeRose teamed up with Tom Duchamp from the UW mathematics department, John McDonald and Werner Stuetzle from the UW statistics department, and Jon Webb of Carnegie Mellon University, to produce a prototype hardware/software system for 3-D photography. The current set-up consists of four color video cameras connected to a personal computer, together with software for accurately and automatically recording and modeling the shape of physical objects. Three-dimensional photography is similar in principle to a number of other technologies for audio and video data that convert aspects of physical reality into digital form. "We expect 3-D photography to have a similarly large impact," says DeRose, "because 3-D photographs can be used in ways the original physical objects cannot." For example, they can be stored in databases and later retrieved; transmitted electronically over long distances; viewed on color monitors; used in computer simulations; manipulated and edited using software tools; and used as templates for making copieseither electronic or physical ones.
Sledgeham Film 3-D - Film Camera Recoding
we will talk of convergence for now, but know that it will come up again, in facteverywhere, for convergence is as important to 3d photography as focusing is
http://www.sledgeham.com/3dfilm/3dcamera/camera0.html

Extractions: HOW TO BUILD A 3-D MOVIE CAMERA/PROJECTION UNIT by Adam Ross - AKA 'Larry Wilson' - Written for publication on the Sledgeham Film 3-D Pages This, the first installment in a series of articles, is meant to describe the construction, operation and theory of a stereoscopic motion picture apparatus. The device described can be built by just about anyone with moderate technical ability. What is every bit as important as accurate construction and included here is understanding of the principles at work in the optical system to be described. This system can be used with any film or video format, as long as it is understood that the final product is intended to be projected, and from one single optical axis (lens). Three beam video projectors cannot be employed with this system. The format yields a projected image of 1.33:1 aspect ratio. The image can be shown in full color with light polarization, in monochrome with light polarization, or in monochrome with anaglyphic filters such as red and cyan. Color anaglyph presentation is NOT recommended. Actual stereo projection test used to calibrate Vari-Vision Since many of those attempting to build and operate this device have absolutely no prior experience with 3-D in any form, the instructions will have to be both overly simplified AND overly complicated, for there are important theories of stereoscopy that must be understood along the way. A good analogy is a layperson building a liquid fueled space rocket from printed instructions. It would of course be helpful if that layperson learned a thing or two about rocket science along the way, but not so much as to hinder the entire project.
Doubledogs In 3-D - Index Page
If you want to learn more about 3d photography, visit these links andsniff around a bit. doubledogs home. e-mail mail2.gif (284 bytes).
http://www.doubledogs.com/stereo/3ddogs/

Extractions: doubledogs in 3-D FREEVIEW 3-D Most 3-D pictures are looked at with a viewing device, but you can also enjoy stereo photographs by freeviewing. For the third-dimension to be revealed you must first "fuse" two images, bring them together. The links below contain examples and viewing instructions. Walleye Viewing - The left image is viewed with the left eye, and the right image viewed with the right eye. This works well for images that are small and spaced the same distance as your eyes. If the images are too large or too far apart the eyes would are forced to diverge from each other, hence the term "walleyed". Not everyone can easily view this way, and for them crosseye viewing is often easier. Crosseye Viewing - The opposite of Walleye. The left image is on the right and vice-versa. The images are fused by crossing the eyes. This is more natural to some people as our eyes normally cross when we view and focus up close. This is the preferred method for larger photographs. Visit the links above to see which works better for you.
Stereo 3-D Images - 3-D Links
Keulen (About the history of 3D photographs) Holland in 3-d photography (TwelveVM reels for the Dutch Pavillion of Expo '92 in Seville, Spain) Gylden Storm
http://www.rollanet.org/~vbeydler/van/3dlinks.htm

Extractions: Stereo 3-D Images 3-D Links The View-Master Ultimate Reel List In addition to the reel and packet list, there are two galleries illustrating the evolution of View-Master® single reel and 3-reel packets. World Wide Slides Trade your old View-Master® stuff here in the Swap Shop and find new packets in their catalog. 20th Century 3-D Excellent site with some 3-D images, View-Master® collectibles, Radex, Tru-Vue and more including a buy/sell/trade page to swap 3-D stuff. The View-Master® Home Page Created by Mary Ann and Wolfgang Sell, authors of the book, View-Master® Viewers-An Illustrated History . Their Web site includes some rare View-Master® products, history, news about new products, and
Stereo Views - An Illustrated History And Price Guide - John Waldsmith
Illustrated with more than 500 photographs, Waldsmith's book traces the historyof 3d photography from the discovery of binocular vision and first
http://www.boondocksnet.com/cb/waldsmith.html

Extractions: Oversize paperback, 336 pages, illustrations, glossary, index. Illustrated with more than 500 photographs, Waldsmith's book traces the history of 3-D photography from the discovery of binocular vision and first stereoscopic photographs in the early 1800s through the more recent View-master reels, Tru-View films and other more recent 3-D formats. Designed primarily for collectors, it provides tips for finding, cleaning, and preserving stereoviews and a price guide organized by subject. Waldsmith history of stereo photography and solid list of published views also makes this an essential resource for researchers and others interested in the development of 3-D photography. Because Waldsmith traces the history of 3-D photography beyond the decline of the popularity of stereographs in the 1930s, his study notes some developments in their history not covered in William C. Darrah's The World of Stereographs.
Mark Newbold's Stereo 3D Stuff
Berezin Stereo Photography Products Viewers, books, etc + many links;David Stiller's XYZ 3d photography analyphs, info and links.
http://dogfeathers.com/3d/
3D Documentation In Crime Scene Investigations
Problems with 3d photography in it's current form includes the extra work requiredto properly view the images, the possibility that the person viewing the
http://www.feinc.net/3D-IMAG.htm

Extractions: by Hayden B. Baldwin , (Ret, Illinois State Police Law Enforcement is responsible for investigating crimes, identifying and arresting the suspects, and presenting evidence to a judge and jury in court. In order to objectively perform these duties, police need to gather accurate information and clearly explain the crime scene and physical evidence in a court of law. Part of this information includes the documentation of the incident. Documenting an incident has always been divided into three categories: notes, sketch and photography. This method of recording an incident has been the standard for years. The major drawback to this is that the visual documents of sketches and photographs are two-dimensional. This greatly restricts the actual visualization of the incident requiring a careful cross referencing of the details in order to understand it. We live in a three-dimensional world and the technology of creating images three dimensionally has been in existence and has been used since long before the turn of the century. Yet in law enforcement we often find ourselves trying to analyze it using two dimensional devices, photographs and sketches. By using various techniques we can make our eyes into believing that we are seeing three dimensions. Sometimes we can fool our eyes into performing comprehensive diagnostic analyses, making critical medical decisions, and formulating strategic military plans. We use this information to inform, educate and entertain.
Sekimori Design [Explore]
3d photography PAINTINGS WRITINGS WEBLOG HOROSCOPE MERCHANDISE AWARDS, This is thecatch-all for the projects I've done for entertainment, practice or just to
http://www.sekimori.com/explore.htm
3-D Russian Movies: Stereo Kino
If you special order from the film shop above Agfa, you can get a FED Stereo camera,which in 3d photography circles is considered to be not only better than
http://www.costumes.org/pages/stereoki.htm

Extractions: Back in the 1950's, at the height of the Cold War, in America the movie industry was all agog at a "new" gimmick: the 3-D movie. Major films like Dial M for Murder The House of Wax , and Kiss Me Kate were shot in polarized "stereo," and Americans flocked to the latest in American technology. What did the Soviets do in reply? Nothing. You see, the Soviets had been making 3-D movies since the 1920's! It was all old hat here in St. Petersburg. In the U.S., the interest in 3-D fizzled and died by the 1960's, but here in Russia, it went slowly and quietly on. Because of this, you can occasionally find screw on attachments for the Zenit camera to convert it to a 3-D camera. If you special order from the film shop above Agfa, you can get a FED Stereo camera, which in 3-D photography circles is considered to be not only better than the Japanese Nishika 3-D, but the best stereo camera ever. In keeping with the continued Russian interest in 3-D, St. Petersburg even has it's own 3-D movie theatre, the Stereokino, right on Nevsky Prospect, opposite the Nevsky Palace Hotel. The Stereokino also shows "flatties" (regular un-3-D films), mainly pirated American B-movies. On one occasion I even saw a film there that was not only projected from an out-of-focus video projector, but had "FOR SCREENING PURPOSES ONLY" in big red letters on the bottom edge of the picture in the key scenes! However, every so often, the Stereokino comes to full flower when they actually get hold of a real 3-D movie. These range from American porno films (the only 3-D movies of note made in America after the 50's were porno flicks), Japanese action-adventure cartoons, and Russian family features.
Books About Stereo Photography
From the mid1890s until around 1930, he sold mirror attachments to adapt ordinarycameras to 3-d photography and experimented with various projection systems
http://www.berezin.com/3d/3dbooks.htm

Extractions: by Jacobus G. Ferwerda Since its first printing in 1982, thousands of copies of The World of 3-D have been sold to stereo photographers around the world. This book has been widely acknowledged as the standard text on the subject. It is the most complete and definite book presently available on stereo photography in all its practical aspects from seeing, taking, and producing. It starts out basic enough for the absolute beginner, but advances in logical steps to cover more advanced and diverse topics. The World of 3-D is divided into six parts and 27 chapters: 1 An easy beginning: stereo pairs on paper 6 A few special stereo techniques With over 245 illustrations, many of which are stereo pairs suitable for free viewing or viewing with a simple viewer The World of 3-D sets out to answer the questions that are asked by everyone who wants to make their own 3-D pictures. At the same time, it challenges the more experienced stereographer to think about what he is doing, perhaps from a new perspective.
View-Master
Color 3d photography of figurines in various styles. Packet No. B 309. Color3-d photography of figurines in various styles. Learning Is Fun Series.
http://aesop.creighton.edu/jcupub/fables3/catalog/objects/VIEWMASTER.htm

Extractions: 1959 Three View-Master Reels. Color 3-D photography of figurines in various styles. Packet No. B 309. Stories and Adventure Series. Portland, OR: Sawyer's Inc. $11 from Tim Wolfe, Myersville, MD, through Ebay, May, '99. 1959 Three View-Master Reels. Color 3-D photography of figurines in various styles. Learning Is Fun Series. Packet No. B 309. NY: View-Master Stereo Pictures: GAF Corporation. $9.50 from Pat Aikins, Athens, TX, through Ebay, Feb., '99. 1959 Three Italian View-Master Reels. Color 3-D photography of figurines in various styles. B B 3091-3093. Portland, OR: Sawyer's Inc. $2.25 from Rusty, Musty, Dusty Stuff, Columbia, SC, through Ebay, May, '01. I had no idea that View-Master had marketed its reels in Italian! What a delight to find these. The images seem to be the same as those on the reels with English labels. Now, I have to ask what other languages View-Master may have used! 1959 Three View-Master Reels. Color 3-D photography of figurines in various styles. Packet No. B 309. Stories and Adventure Series. Portland, OR: Sawyer's Inc. $11 from Tim Wolfe, Myersville, MD, through Ebay, May, '99. 1959 Three View-Master Reels. Color 3-D photography of figurines in various styles. Learning Is Fun Series. Packet No. B 309. NY: View-Master Stereo Pictures: GAF Corporation. $9.50 from Pat Aikins, Athens, TX, through Ebay, Feb., '99.
Stereo Photo Of Melody The Cat
For those of you who have not experienced viewing 3d photography, you need to makeyour left eye look at the left picture and your right eye look at the right
http://www.combsmusic.com/Melody.html

Extractions: This is the stereo 3-D version of the photograph which is on the cover of the album, Soft Touch . This pair is for normal freeviewing, not cross-eyed viewing. For those of you who have not experienced viewing 3-D photography, you need to make your left eye look at the left picture and your right eye look at the right picture at the same time. When you do this properly, you will see three pictures with the one in the middle in 3-D. If you would like to learn more about 3-D photography I recommend that you start by visiting the web site of the National Stereoscopic Association at www.nsa-3d.org . 3-D photography is a wonderful hobby that I have enjoyed for nearly 30 years. Dave Combs Combs Music Home Page

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