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Purchase includes free access to book updates online and a free trial membership in the publisher's book club where you can select from more than a million books without charge. Chapters: Jon Gruden, Gerry Faust, Chuck Noll, Mike Dwojak, Al Mahrt, Norb Sacksteder, Michael Deforest Wilson, the Neutron Man, Armin Mahrt, Walter Achiu, Joe Windbiel, Emil Karas, Jim Katcavage, Fred Dugan, Lou Mahrt, Bob Demarco. Excerpt:Al Mahrt item Teams item 1913-1914 1915 1916-1917 1919-1922: St. Mary s Cadets Dayton Gym-Cadets Dayton Triangles Dayton Triangles Alphonse Herman Mahrt (October 12, 1893 1970) was a professional football player and coach who played his entire career with the Dayton Triangles of the "Ohio League " and later the National Football League . He was an early proponent of the forward pass after the revolutionary play was added to an extensive list of regulations to college football in 1906. By 1911 when most of the pass restrictions were lifted, Mahrt debuted as regular back on St. Mary s Institute s (now the University of Dayton ) varsity football team. Mahrt discovered that spinning the throw of the ball increased accuracy and distance, establishing an aerial offense against such teams as Xavier University and Otterbein College . In 1913 Mahrt switched to the St. Mary s Cadets, the precursor of the future Dayton Triangles, he was also named the team's captain. Mahrt returned to St. Mary s varsity in 1914, and captained the team. That season a 70-yard spiral to Babe Zimmerman against Ohio Northern University set a school record. Aside from his college career, Al continued to play for the Cadets. From 1913 until 1915 the team won the Dayton City Championship every year. In 1914 Mahrt was injured through most of the season, however in 1915 he was named the team's coach. In 1918, Al joined the army and took part in World War I . In 1920, Al led all passers in the American Professional Football Association (renamed the NFL in 1922), completing 28 aerials for ... ... Read more

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"Computergrafik" ist ein innovativer Beitrag zur ungeschriebenen Geschichte der Computergrafik der 60er Jahre. Vor dem Hintergrund C. P. Snows "zwei Kulturen" Diskussion entwickelte sich in der Stuttgarter Schule um Max Bense eine neue Form generativer bzw. algorithmischer Kunst, die die Anfänge der digitalen Computergrafik markieren. Zentrale theoretische und künstlerische Konzepte werden anhand der Werke von Frieder Nake, Georg Nees, A. Michael Noll und Manfred Mohr diskutiert. Pionierleistungen, theoretische Diskussionen und die Bezüge zu zeitgenössischen Kunstbewegungen sind systematisch aufgearbeitet und ermöglichen die Einordnung einer ästhetischen Debatte, wie sie bisher weder im Kontext einer neuen Informationsästhetik noch in der Kunstgeschichte oder in medienwissenschaftlichen Untersuchungen geleistet worden ist. Interviews mit Pionieren der Computergrafik in Deutschland und den USA, die Aufarbeitung schwer zugänglichen Quellenmaterials und eine umfangreiche Bibliographie runden das Werk ab.

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This digital document is an article from Church History, published by Thomson Gale on June 1, 2007. The length of the article is 1094 words. The page length shown above is based on a typical 300-word page. The article is delivered in HTML format and is available in your Amazon.com Digital Locker immediately after purchase. You can view it with any web browser.

Citation Details
Title: The Catholic Origins of Quebec's Quiet Revolution, 1931-1970.(Book review)
Author: Mark A. Noll
Publication: Church History (Magazine/Journal)
Date: June 1, 2007
Publisher: Thomson Gale
Volume: 76Issue: 2Page: 466(3)

Article Type: Book review

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