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Chapters: Patti Smith, Lou Reed, Todd Rundgren, Jonathan Richman, Nico, Captain Beefheart, Richard Hell, John Otway, Rio Reiser, Richard Lloyd, Iggy Pop, Bryan Ferry, John Cale, Gene Vincent, Syd Barrett, Marc Bolan, Arthur Lee, Johnny Thunders, Steve Peregrin Took, Mick Ronson, Peter Hammill, Alex Chilton, Roky Erickson, Nick Lowe, Link Wray, David Johansen, Dave Faulkner, Andy Shernoff, Brinsley Schwarz, Ivan Kral, Sky Saxon, David Peel, Wayne Kramer, Dickie Peterson, Ivan Julian, Jayne County, Mick Farren, Bryan Maclean, Michael Erlewine, David Thomas, Ron Asheton, Wilko Johnson, Dave Brock, Patrick Vian, Kim Salmon, Alan Vega, Hasil Adkins, Randy Holden, Ken Forssi, Paul Rudolph, Sean Bonniwell, Jobriath, Stefan Weber, James Williamson, Ross the Boss, Michael Davis, Laurence B. Miller, Niagara, Peter Laughner, Martin Rev, Bette Bright, Scott Asheton, Andy Ellison, Scott Thurston, Mickey Finn, Fred "Sonic" Smith, Johnny Echols, Rob Tyner, Gene Tyranny, Gypie Mayo, Bill Legend, Ben Miller, Urban Blitz, Richard Strange, Dennis Thompson, Stoner, Leigh Stephens, Phil May, Ethan James, Tim Blake, Peter Dilemma, Jimmy Recca, Alban "Snoopy" Pfisterer. Source: Wikipedia. Pages: 488. Not illustrated. Free updates online. Purchase includes a free trial membership in the publisher's book club where you can select from more than a million books without charge. Excerpt: Don Van Vliet (pronounced ; born Don Glen Vliet, January 15, 1941) is an American musician and artist best known by the stage name Captain Beefheart. His musical work was conducted with a rotating ensemble of musicians called The Magic Band, which was active between 1965 and 1982, with whom he recorded 12 studio albums. Noted for his idiosyncratic singing voice with its wide range, Van Vliet also occasionally played the harmonica, saxophone, bass clarinet, piccolo oboe, shehnai and keyboards. Often impossible to categorize, Van Vliet's music blended rock, blues and psyc...More: http://booksllc.net/?id=63283 ... Read more

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Record magazine, Oct. 1984. Articles on Michael Jackson, R.E.M., Police, Lou Reed, Run DMC, and more/ ... Read more

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This digital document is an article from Notes, published by Music Library Association, Inc. on June 1, 2002. The length of the article is 1044 words. The page length shown above is based on a typical 300-word page. The article is delivered in HTML format and is available in your Amazon.com Digital Locker immediately after purchase. You can view it with any web browser.

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Title: The Bassoon Reed Manual: Lou Skinner's Theories and Techniques. (Diverse Topics).
Author: Michael Burnes
Publication: Notes (Refereed)
Date: June 1, 2002
Publisher: Music Library Association, Inc.
Volume: 58Issue: 4Page: 850(2)

Article Type: Book Review

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This digital document is an article from Epoca, published by Difusora de Informacion Periodica, S.A. (DINPESA) on February 8, 1999. The length of the article is 2491 words. The page length shown above is based on a typical 300-word page. The article is delivered in HTML format and is available in your Amazon.com Digital Locker immediately after purchase. You can view it with any web browser.

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Title: DOS GRANDES COMPOSITORES.(Paul Weller y Lou Reed)(TT: Two great composers.)(TA: Paul Weller and Lou Reed)(Columna)
Author: Paco Ochoa
Publication: Epoca (Magazine/Journal)
Date: February 8, 1999
Publisher: Difusora de Informacion Periodica, S.A. (DINPESA)
Page: 85(1)

Article Type: Columna

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Lou Reed; Robert Plant; T. Rex; Mavis Staples; Boomtown Rats; Dinosaur Jr. ... Read more

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This digital document is an article from Epoca, published by Difusora de Informacion Periodica, S.A. (DINPESA) on June 1, 1998. The length of the article is 6942 words. The page length shown above is based on a typical 300-word page. The article is delivered in HTML format and is available in your Amazon.com Digital Locker immediately after purchase. You can view it with any web browser.

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Title: LA VIDA DE LOU REED.(cantante de rock)(TT: Lou Reed´s life.)(TA: rock singer)
Author: Paco Ochoa
Publication: Epoca (Magazine/Journal)
Date: June 1, 1998
Publisher: Difusora de Informacion Periodica, S.A. (DINPESA)
Page: 94(1)

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This digital document is an article from Proceso, published by CISA Comunicacion e Informacion, S.A. de C.V. on November 26, 2000. The length of the article is 512 words. The page length shown above is based on a typical 300-word page. The article is delivered in HTML format and is available in your Amazon.com Digital Locker immediately after purchase. You can view it with any web browser.

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Title: Roquero del tiempo, Lou Reed atraviesa el fuego.(TT: Timeless rocker, Lou Reed goes through fire.)(Reseña)
Publication: Proceso (Magazine/Journal)
Date: November 26, 2000
Publisher: CISA Comunicacion e Informacion, S.A. de C.V.
Page: 78

Article Type: Reseña

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Chapters: Lou Reed, Mitch Kapor, Broderick Crawford, Branch Rickey, Elinor Smith, Flavor Flav, Prodigy, Jay Hieron, Brandon Tartikoff, Harold E. Varmus, Dick Schaap, Peter Lerangis, D'brickashaw Ferguson, Shawn Z. Tarrant, Leo Carrillo, George Gollin, Jean R. Yawkey, Kay Gardner, Havoc, Erik Larson, Michael Zielenziger, Morlon Greenwood, Harmon S. Conger. Source: Wikipedia. Pages: 129. Not illustrated. Free updates online. Purchase includes a free trial membership in the publisher's book club where you can select from more than a million books without charge. Excerpt: Lewis Allan "Lou" Reed (born March 2, 1942) is an American rock musician, songwriter, and photographer. He is best known as guitarist, vocalist, and principal songwriter of The Velvet Underground, and for his successful solo career, which spans several decades and crosses multiple genres. The Velvet Underground gained little mainstream attention during their career, but became one of the most influential bands of their era. As the Velvet Underground's main songwriter, Reed wrote about subjects of personal experience that rarely had been examined so openly in rock and roll, including a variety of sexual topics and drug culture. As a guitarist, he was a pioneer of many guitar effects including distortion, high volume feedback, and nonstandard tunings. After his departure from the group, Reed began a solo career in 1971. He had a hit the following year with "Walk on the Wild Side", although for more than a decade he evaded the mainstream commercial success its chart status offered him. Reed's work as a solo artist has frustrated critics wishing for a return of The Velvet Underground. The most notable example is 1975's infamous double LP of recorded feedback loops, Metal Machine Music, upon which Reed later commented: "No one is supposed to be able to do a thing like that and survive." By the late 1980s, however, he had garnered recognition by the music community as...More: http://booksllc.net/?id=59533 ... Read more

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Commentary (music and lyrics not included).Chapters: Metal Machine Music, the Raven, Loaded, 1969: the Velvet Underground Live, Peel Slowly and See, Live at Max's Kansas City, What Goes On, Vu, the Best of the Velvet Underground: the Millennium Collection, Another View, Gold, the Best of the Velvet Underground: Words and Music of Lou Reed, the Very Best of the Velvet Underground, Rock and Roll: an Introduction to the Velvet Underground, Sally Can't Dance, Coney Island Baby, Songs for Drella, New York, Rock 'n' Roll Animal, Chronicles, the Blue Mask, New Sensations, the Velvet Underground Playlist Plus, the Bells, Live: Take No Prisoners, Magic and Loss, Street Hassle, Set the Twilight Reeling, le Bataclan '72, Lou Reed Live, Rock and Roll Heart, Growing up in Public, Mistrial, Perfect Night: Live in London, Hudson River Wind Meditations, the Best of Lou Reed & Velvet Underground, Legendary Hearts. Source: Wikipedia. Pages: 146. Not illustrated. Free updates online. Purchase includes a free trial membership in the publisher's book club where you can select from more than a million books without charge. Excerpt: Metal Machine Music, subtitled *The Amine Ring, is an album by Lou Reed. It was originally released as a double album by RCA Records in 1975. It was reissued on a single Compact Disc by BMG in 1997 and again by Buddah Records in 2000. The album features no songs or even recognizably structured compositions, eschewing melody and rhythm for an hour of over-modulated feedback and guitar effects, intricately mixed at varying speeds by Reed himself. As a radical departure from the rest of Reed's catalog, Metal Machine Music is generally considered to be either a joke, a grudging fulfillment of a contractual obligation, or an early example of noise music. In the album's liner notes he claimed to have invented heavy metal music and asserted that Metal Machine Music was the ultimate conclusion of that genre. The album made Reed a l...http://booksllc.net/?id=127481 ... Read more

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"This is a facsimile of Lester Bangs' typescript for the May 1971 feature in Creem Magazine.Used by permission of Creem Media, Inc 2007.200 copies printed by Jerry Kelly LLC for Ectoplasm Press.Dedicated to Bill A. and Connie R.Quis nos operor est specialis.Ectoplam."Zine Format, print run was limited to 200 copies. ... Read more

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This is the tour book sold with the 1989 Lou Reed tour, complete with 20 pages of dramatic B/W photographs from Waring Abbott. Also included are song lyrics and individual photos of Rob Wasserman, Mike Rathke, and Robert Medici. This was the tour that promoted the 'New York' album. ... Read more

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This digital document is an article from Epoca, published by Thomson Gale on June 27, 2003. The length of the article is 494 words. The page length shown above is based on a typical 300-word page. The article is delivered in HTML format and is available in your Amazon.com Digital Locker immediately after purchase. You can view it with any web browser.

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Title: Lou Reed un poeta en Nueva York. (La Cultura Retrato).(gira de conciertos de musico por Espana )
Author: Luis Picabia
Publication: Epoca (Magazine/Journal)
Date: June 27, 2003
Publisher: Thomson Gale
Issue: 958Page: 72(1)

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