81. Courses In The THEAT Department THEAT 371 (CONTEMPORARY THEATRICAL FORMS.) THEAT 372 (INTRODUCTION TO THEATRE MANAGEMENT.)THEAT 382 (REHEARSAL DIRECTING AND acting techniques.) THEAT 385 http://www.isg.uiuc.edu/eval/THEAT/courses.html

Courses in the THEAT Department Pick a course to see evaluations for: THEAT 109 (DRAMATIC ANALYSIS.) THEAT 122 (BASIC THEATRE PRACTICE: LIGHTING TECHNOLOGY.) THEAT 123 (BASIC THEATRE PRACTICE: MAKEUP.) THEAT 125 (GRAPHIC SKILLS.) ... THEAT 491 (SPECIAL PROBLEMS.)

82. Studio Program Course Descriptions A variety of acting techniques is examined. Through rehearsal and inclass coaching,students are shown techniques to make compelling acting choices. http://amda.edu/Sdescriptions.cfm

Course Descriptions FIRST SEMESTER Acting I: Techniques and Resources The student focuses on the techniques employed to present aspects of human nature through believable characterization. A variety of acting techniques is examined. In addition, the student explores sensory work, acting and trust exercises, and other meth ods of freeing the imagination. These ideas are utilized in a series of individually coached acting etudes. 5 hours weekly. Acting I: Scene Study Working in conjunction with the Techniques and Resources class, this course employs an imaginative and fundamental approach to scene study and performance. Using out standing scenes from contemporary Ameri can realism, the student is taught text exploration. Through rehearsal and in-class coaching, students are shown techniques to make compelling acting choices. 5 hours weekly. Voice Production and Speech I The components of the voice are defined and practical exercises are utilized with the goal of developing healthy, natural, and career sustaining vocal technique. Among the aspects covered are components of voice, relaxation, breath, production of tone, range of voice, elongation of breath and tone, and the seven long vowels. 3 hours weekly.

83. Theatre Topics may include the following A. Musical Theatre B. acting techniques C. ActingStyles D. Design and Technical Theatre E. Arts Management. Thtre 590. http://www.iastate.edu/~catalog/2001-03/courses/thtre.html

Graduate Courses Schedule of Classes Theatre (Thtre) Courses Primarily for Undergraduate Students Thtre 106. Introduction to the Performing Arts (3-0) Cr. 3. F.S.SS. An audience oriented, broad-based, team-taught survey of the performing arts which emphasizes theatre and includes segments on television, radio, film, dance, and music. Thtre 110. Theatre and Society (3-0) Cr. 3. F.S.SS. An introduction to Theatre focusing on its impact on society from the Greeks to modern times. Particular emphasis on the contemporary world theatre. (3-0) Cr. 3. S. Study and practice of fundamentals of vocal production: breathing, quality, articulation, projection, and expressiveness for the performing artist. Thtre 224. Concert and Theatre Dance (Same as Dance 224.) See Health and Human Performance, Dance. Thtre 250. Theatre Practicum Cr. 1 or 2 each time taken, maximum of 6 credits. F.S. Prereq: Permission of instructor. Practice in various aspects of technical theatre production. Offered on a satisfactory-fail grading basis only. Thtre 251. Acting I

84. Modular Master Of Arts In Theatre - Course Descriptions 7800646 Graduate acting techniques Advanced study of basic acting techniques,especially Stanislavski, through analysis and performance. http://www3.uakron.edu/dtaa/mmpcoursed.html

The University of Akron College of Fine and Applied Arts School of Dance, Theatre and Arts Administration MODULAR MASTER OF ARTS IN THEATRE 7800:567 Contemporary Theatre Styles An examination of representative plays and performance styles of the contemporary theatre with an emphasis on trends of the 1980s and 1990s.The course will trace the contemporary concept of performance as used in several social science and humanities disciplines. It will also deal with the problem of studying performance as an art form; and to increase awareness of cultural values as transmitted through language, literature, performance art and other contemporary forms of artistic expression. Studies may include: feminist theatre, African American, Latin, Asian, dance-theatre, and other forms. 7800:570 Theatre in Education An in-depth experience with current theories, methods and materials in P-12 theatre education. Topics include: the characteristics of and educational rationale for role-play in the P-12 classroom; designing the drama-in-education session; improvisation techniques; playmaking; an overview of the appropriate literature for P-12 drama/theatre activities; review of national standards for P-12 drama/theatre education; and review of Ohio's Model Competency-Based program for drama/theatre education. 7800:600 Introduction to Graduate Studies This class is designed to introduce graduate students to research techniques and the skills required to develop and write a major scholarly document, as well as The University of Akron policies and procedures involved in the thesis process. Guest scholars are brought in to discuss their particular research interests and experiences. These visits are designed to help students develop research interests which they will explore during their graduate studies.

85. Registrar - THEATRE ARTS Advanced work in characterization with emphasis placed on building a character throughvarious acting techniques such as Stanislavski, Suzuki, Viewpoints, and http://www.kzoo.edu/regist/depts/thea/

Office of the Registrar Theatre Arts Department Office: FA 1002 Phone: (269) 337-7130 MR. MENTA (CHAIR), MS. BERTHEL, MR. POTTS REQUIREMENTS FOR THE MAJOR IN THEATRE ARTS Number of Units Ten units are required. Required Courses THEA 110 Stagecraft THEA 120 Fundamentals of Acting THEA 200 Production Laboratory* THEA 240 Design I THEA 380 Directing I THEA 490 Senior Seminar Two units of theatre history (may substitute a third theatre history course for one dramatic literature course): THEA 260 Two units of dramatic literature (must meet with the approval of the department): CLAS 220 ; appropriate THEA courses (including courses taken at study abroad centers) The department believes strongly in the importance of interdisciplinary studies as a means of directly enriching a theatre focus and, therefore, highly recommends cognate courses in the arts, literature, history, international area studies, writing, and women's studies. With the exception of the two dramatic literatures, all courses for the theatre major must be taken on campus. All majors must complete one unit of THEA 200 as a graduation requirement, which is a regular part of their theatre production involvement. Please see the department faculty for specific instructions to complete the

86. BSSD - Course Details skills. acting techniques are taught across a range of dramatic stylesand are adaptable to all performance situations. Preparation http://www.bssd.ac.uk/courses/course.htm

Training at BSSD BSSD's courses are aimed at developing professional actors who can assess their strengths and weaknesses realistically. Training at any drama school cannot guarantee fame or success but good training should provide the individual with the ability to release their potential and maximise their employability. We are aware that the career options for actors are increasingly complex and the nature of an actor's work is changing rapidly. Working as an actor can be enormously rewarding creatively and personally but it is not always the most financially rewarding profession, and many actors, even well-known 'household names', undertake work which utilises their skills in a range of areas such as advertising, voice-over, business and corporate training We seek to ensure that our training produces informed graduates with the skills they need to develop their own career path. There is a variety of areas open to an actor such as television, radio, film, musicals, classical, repertory or experimental theatre, TIE (Theatre in Education) etc., and some graduates go on to form their own acting or media companies. For some this has included moving into other related areas such as directing, musical directing, writing or teaching. The BSSD offers three major training paths Three-year BA (Hons) degree course One-year Graduate Diploma course Part Time Courses Performance is the core of the training at BSSD and both courses are progressive, with students moving from 'black box' live performance through to workshops and on to final productions - live and recorded. Visiting professionals direct theatre, radio and TV productions in the final year of the BA (Hons) course and in the final term of the Diploma course - helping to bring to the course and students a real professional experience.

87. The History And Science Of Acting - Styles, Techinques And Personalities A guide to the science, history, techniques, traditions and styles of acting. http://www.linksnorth.com/acting

THE HISTORY and SCIENCE OF A CTING ACTING.... . Imagine a person with all the desires and fears, thoughts and actions that make a man or a woman. Acting is becoming that imaginary person. Whether the character, or role, that the actor creates is based on someone who really lived, a playwright's concept, or a legendary being, that creation comes to life through the art of acting. Acting is an ability to react, to respond to imaginary situations and feelings. The purpose of this ancient profession is, as Shakespeare has Hamlet say, "to hold, as 'twere, the mirror up to Nature, to show . . . the very age and body of the Time, his form and pressure." It is the audience that sees itself in the mirror of acting. Acting is a process of two-way communication between actor and audience. The reflection may be realistic, as the audience sees its own social behavior; the reflection may be a funny or critical exaggeration; or the audience may see a picture of its mindof the way it thinksor a fantastic projection of its fears and desiresof the way it feels. Acting makes use of two kinds of physical skills: movement and voice. Either may dominate. Body movement is highly developed in Far Eastern acting traditions, while the voice has ruled in Western cultures. If either voice or movement takes over completely, the activity is usually not called acting but dance, perhaps, or singing. But neither ballerinas nor operatic singers can reach the top of their professions without being able to act.

88. American Russian Theatrical Alliance Valley Village, CA. Classes based on Stanislavski, Vakhtangov, and Chekhov techniques consisting of various physical and psychological exercises for adults and teens. http://www.betteracting.com/

Welcome to A merican R ussian T heatrical A lliance a bilingual (English - Russian) theatrical company in California. The idea of creating an American Russian theater in Los Angeles has been under consideration for many years. Los Angeles, especially the city of West Hollywood, has a large Russian-speaking community that loves and cares for its native culture, yet always actively participates in different American cultural events. ARTA was born with the idea of uniting these two great cultures. Through our love of art and theatre, we hope to make our sometimes-hectic world a better place. We strive to create productions that delight audiences and inspire them to return for more. ARTA's News Upcoming Event N ew SVC S tanislavsky, V akhtangov, C hekhov) acting classes are forming! More info...

89. Planet Half-Life: 404 - File Not Found Advice on equipment and techniques for home studio recording. http://www.planethalflife.com/studiosound/voice.html

News Current Submit Archive Search ... Counter-Strike 404 Not Found The page or URL you are trying to reach does not exist. This is because: You typed in the URL wrong somehow (try again). The link to this page was wrong (see below). This page doesn't exist anymore (possible, since we redesigned the entire site). You're trying to be a "l33t h4x0r d00d." Go to our main page or check out our hosted sites listing to the bottom left there. If the link to this page was broken, mail us with the URL of the page that linked here. For example, if "http://www.planethalflife.com/radioactive" linked to "http://www.planethalflife.com/radioactive/spill.htm," send a message like this (this is just an example): Hello kind sir, madam or being, I think someone b0rked a link at your nifty Planet Half-Life website. While the dignified PHL staff are probably not at fault, I felt I should report it nonetheless. The front page link to http://www.planethalflife.com/radioactive leads instead to a very thorough Electric Light Orchestra discography. Kindly fix the aforementioned link as soon as possible. Thank you, and sorry for the inconvenience!

90. Bookmarks Learn to act with truth, trust, and risk, using different classic and new techniques. Located in New York City. http://www.kimballstudio.com/crawlerfile.htm

Bookmarks K I M B A L L- index K I M B A L L Courses K I M B A L L S T U D I O - contact K I M B A L L S T U D I O - Home - Mission ... Kimball Studio - Staff

91. Kasten COBOL Page: Coding Style And Techniques Coding style and techniques, Guerrilla and OO COBOL, pointers, data structures, text parsing, finite state machines. Despite what you may have heard, this old fossil of a language can survive, thrive, and even coexist with those hairy little mammals who have been acting so smug and uppity. http://home.swbell.net/mck9/cobol/cobol.html

The Kasten COBOL Page From one of the dinosaurs who still writes COBOL the language which is on the brink of extinction, and always will be welcome to my COBOL page. Despite what you may have heard, this old fossil of a language can survive, thrive, and even coexist with those hairy little mammals who have been acting so smug and uppity. Coding Guidelines The COBOL Style Forum suggests ways to make your COBOL readable, well-structured, and bug-resistant. Not everyone will agree with me; I hope others will contribute their points of view. Rewriting Spaghetti Code These pages describe a systematic approach to eliminating GO TOs and fall-through logic, even from the most tangled programs. [Note: this section isn't complete yet. I still haven't finished all the pages on loops but I'm working on them. Really.] Object Oriented COBOL Here's what I've learned so far about IBM's implementation of object-oriented COBOL. Guerrilla COBOL Do you suffer from C-envy? Would you like to try some of the tricks that are so common in C and other languages? You can. With a reasonably modern dialect of COBOL, and a little ingenuity, you can do almost anything that a C programmer can do: Dynamic Memory Allocation Pointer Variables Global Variables Environmental Variables Data Structures Text Parsing Techniques Finite State Machines The Iron Laws of Software Development I've never seen them fail on a non-trivial project.

92. Musical Theater Experience 2002 Intensive 3week workshop for ages 13-20 is held annually at the University of North Texas. Students live on campus and receive intensive training in singing, acting, and audition techniques. http://www.3sm.org/MTE/index.html

93. The Official Ernie Reyes Jr. Site Burbank, CA. Manu Tupou offers New Era acting Technique classes which include technical language, stage breathing, relaxation techniques, creative exercises, use of space and props, and script analysis. http://www.erniereyesjr.com/

FREE NEWSLETTER - JOIN NOW! Get the Latest Updates, Upcoming Events and Link to Ernie's website!

94. Chicago Actors Studio acting training workshops in Film techniques, Commercials, Industrials, Stage, Scene Study, Characterization, Voice and Diction, Shakespeare, Auditioning, Ear Prompter, Marketing Skills. Beginner, Intermediate and Professional levels. The Stanislavski method. Theatre space rentals. http://www.actors-studio.net/

95. Actors Conservatory Home Page New York, NY. This method acting school offers training based on sense memory techniques with relaxation, sensory, and scene work, as well as, script analysis, improvisation, movement, voice work, and a summer intensive program. http://www.actorsconservatory.org/

Actors Conservatory 750 Eighth Ave., Rm 400-401 New York, New York 10036 Home Alumni Private in Public Contact Us Actors Conservatory ... Actors Conservatory , a method acting school, is one of New York's finest actors' training programs. Founded and lead by Elaine Aiken and Lily Lodge , Actors Conservatory has trained many of today's most noted performers. Private in Public Theatre , a not-for-profit organization, grew out of the work of Actors Conservatory. Founded in 1991, Private in Public returns actors to the community at large to perform in schools and hospitals. Welcome to our web site! We invite you to find out more about these programs by clicking on the appropriate link. Alumni Private in Public Contact Us Actors Conservatory ... Staff Actors Conservatory No information, graphic, or other content may be reproduced without written permission. This site was last modified on 11/05/02 This site was designed by WebLaurels Designs

96. San Diego Acting And Auditions Workshop For Film And TV San Diego, CA. acting and auditions workshop for film and TV. Oncamera training, audition techniques, industry knowledge. Weekly in-house auditions with producers, casting directors, agents. http://www.actorsworkshopstudios.com/

Your # 1 source for Acting in San Diego. ACTORS WORKSHOP STUDIOS provides the A - Z of breaking into the film and television industry! As San Diego's top producer of working actors, we provide on-camera training in acting, audition techniques and industry knowledge. We also conduct weekly in-house auditions with top Hollywood and San Diego producers, casting directors, and agents. s="na";c="na";j="na";f=""+escape(document.referrer) Actors Workshop Studios is a sister company of California Creative Visions , a company that produces films, television shows, commercials, and corporate videos.

97. Wild Heart Studios Home Page Clearwater, FL. Mandy Wildman offers her books and private coaching for acting and film making in specialized areas, such as voice correction, audition techniques, intensive monologue/scene analysis, career consultation, Shakespeare, and film consulting. http://www.wildheartstudios.com/whshome.htm

Please note: All acting classes and seminars are ON HOLD until further notice. However, the new SOS Online Film School has just been launched - check it out. Thanks. ABOUT WILD HEART STUDIOS Wild Heart Studios is an acting and film school headquartered in Clearwater, Florida. It was founded in 1998 by actress, writer and director Mandy Wildman. We teach actors how to act, and film makers how to make films with style, enthusiasm, and confidence. We teach the new Attitude Acting technique, which is easier to learn and more effective than some other methods. Our film making course shows aspiring film makers that making your first film does not have to be complicated or costly to be effective - what is important is getting your message. Even our film makers make films with attitude! Book - 'Shooting on a Shoestring'. Our Mission Our mission is to provide a safe space where performing artists and film makers can learn their craft then go out into the world and unleash their beauty on society. The Attitude Acting Technique After studying various acting techniques, Mandy realized that the actual craft of acting had been made complex, esoteric and in some cases disturbing to the aspiring actor. Students asked her questions such as "How do I know if I'm good?" and "How do I express emotions I have never felt." Attitude Acting was designed to give the aspiring or experienced actor new information about how to perform with confidence and portray emotions accurately. Developed from over twenty years of experience as a professional performer and director, the Attitude Acting technique demystifies the craft of acting and puts it in the realm of a profession that can be learned by anyone with the passion and drive to succeed. Only certified instructors may teach Attitude Acting.

98. Brings You Astounding New Techniques Atlanta, GA. Luanne White offers a two-day workshop of training and hands-on coaching with on-camera Category Arts Performing Arts acting Education Workshops...... Our training methodology is packed with exciting and lifechanging actingtechniques. These profound techniques are for the beginner http://www.energyspeak.com/actnow.html

99. School For Film And Television acting III Designed as a continuation of acting II, this course increases characterbuilding, research, motivation and preparation techniques using material http://www.filmandtelevision.com/courses/techniques.html

100. Acting Classes. Techniques For Acting, Audition Technique, Scene . acting Classes Cold Reading Classes Audition Technique Classes PrivateCoaching Auditions . . . Remember, acting is a craft and a business. http://www.all4coffee.com/Studio29/acting_classes.htm

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