41. European Photographers Network - Forums / Image Critique / Paris By Night, Las V the picture. What I would change is to simplify the composition. Thereis have helped? I, however, like the composition as is. I found http://www.euro-photo.net/cgi-bin/epn/showthread.asp?Thread=1147&caption=Paris b

42. European Photographers Network - Forums / Image Critique / Herbst Im Trifelsland I love the composition how it includes the tree and rock outcropping youwere standing on and, at the same time, the three hills with castles. http://www.euro-photo.net/cgi-bin/epn/showthread.asp?Thread=1562&caption=Herbst

43. Tetu.com | Nouvelles Du Jour critique la composition du Conseil national de la jeunesse (Éducation) Par http://infos.tetu.com/lire/3518

on error resume next dim msflash If Not(IsObject(CreateObject("ShockwaveFlash.ShockwaveFlash"))) Then msflash = 1 Else msflash = 2 End If Les infos de Tetu, le 07/04/2003 Effectuer une recherche sur les infos... Judith Silberfeld Avec la collaboration de l'AFP et la collaboration de Media-G pour les programmes télé Le "Snalc" critique la composition du Conseil national de la jeunesse Éducation Par Judith Silberfeld le 07/02/03 France - La composition du Conseil national de la jeunesse ne plaît pas au Syndicat national des lycées et collèges (SNALC-CSEN) . Le Conseil national de la jeunesse est un organe consultatif, chargé de faire des propositions au ministre de l'Education. Il est composé de représentants des associations de jeunes, dont certaines dérangent clairement le Snalc . Parmi elles, le MAG (lire Quotidien du 21 janvier), Act Up, Attac , le MRAP . Dans un communiqué, le syndicat, classé à droite, explique que "certaines de ces organisations ont commis des actions contraires à la loi et l'Education nationale semble un cadre peu approprié à leur promotion" Plus d'infos : “House Ball” ce soir à Paris (Sortir 12/02/03) Le "MAG" au Conseil national de la Jeunesse (Association 21/01/03) Expulsion d'un étranger malade (Action 19/12/02) Jeunes lesbiennes à Strasbourg (Association 16/12/02) "Act Up" se mobilise contre les expulsions d'étrangers malades (Droits 31/05/02) Gouvernement Raffarin - réaction des associations (Association 13/05/02) I N T E R N A T I O N A L Deux ans plus tard, Eindhoven toujours hétérocentriste

44. PBS ALS - Advanced English Composition: Research For Writers Overview Communicating Your Ideas Reviews basic English composition skills expressive goodargumentative writing, provides examples for students to critique. http://www.pbs.org/als/adv_english/wrredescrip.htm

Jump to... FORMS License requests Request materials COURSES News and updates Course listings Feed schedules Preview a course E-bulletin PROGRAMS Program listings Live satellite events Feed schedules TRAINING Find a course Career skills Professional dev GED preparation Workplace skills SERVICES Going the Distance LiteracyLink PBS YOU ABOUT ALS Membership PBS stations Contact us Technical support Distance learning About ALS Questions? Send us an email! College-Credit Courses Course Listings Advanced English Composition: Research for Writers Course description Topics Program descriptions How do we keep up with the ever-changing demands of electronic documentation while maintaining the form and structure of good research and writing? Is there a place for literary analysis in writing research? Do elements of the essay need to be reviewed in a second-level course? Do grammar and mechanics need to be revisited? When attempting to update and revise the popular and long-running telecourse Read, Write and Research , the producers of the course, Florida Community College at Jacksonville, directed these and other salient questions to current distance education faculty, students and administrators throughout the country. By surveying over 100 community colleges, technical schools, and universities nationwide, they learned that instructors need up-to-date information not only on electronic documentation, but also on evaluating electronic sources. And that that while students continue to struggle with finding a good idea and narrowing their topic, they look for practical applications in the workplace. They also discovered that while business writing continues to be in demand, technical writing is also needed.

45. Æ : La Philosophie D'Ingarden Et La Critique Littéraire : Réflexions Sur L'ou Translate this page cité sur Mallarmé et Poe, publié en 1956, le critique littéraire Chiari écrit« Supposing that one took the Philosophy of composition seriously, one http://www.uqtr.uquebec.ca/AE/vol_3/kocay.htm

Roman Ingarden's Ontology and Aesthetics de Jeff Mitscherling Victor Kocay essentially Husserl Studies. La Philosophie de la composition Buddenbrooks et La Montagne magique universal understanding of mankind, is the most Beauty Philosophy of Composition seriously, one could hardly repress a keen urge to see how these clear-cut, skilfully enunciated principles have been put into practice in The Raven Controverse , mais il figure aussi dans les analyses des formes artistiques, notamment dans L'Ontologie de l'art Joseph Chiari, nd edition. New York, Gordian Press, 1970. Erlebnis, Kunstwerk und Wert Victor Kocay, Jeff Mitscherling, Roman Ingarden's Ontology and Aesthetics Ottawa, University of Ottawa Press, 1997. Edgar Allen Poe, Essays and Reviews , New York, Literary Classics of the United States, 1984. Analecta Husserliana Husserl Studies Previous Article / Next Article / Article suivant

46. Analysis And Critique Analysis and critique. Click on the titles of her works to see the image JudithSlaying Holofernes c.1620. There are three figures in the composition. http://rubens.anu.edu.au/student.projects/artemisia/Analysis.html

Analysis and Critique The Myths and Legends of the Paintings of Artemisia Gentileschi Before a discussion of the paintings we would like to introduce the myths and legends surrounding the works. Artemisia Gentileschi painted many scenes depicting Biblical and mythological stories. The Baroque age excelled in representing dramatic and exciting allegories and Artemisia's work is amongst the finest of these. Some of these stories were better known to her contemporaries than they are today. An elaboration of these stories makes for an easier understanding of the paintings in the Picture Gallery. An interesting thought to consider alongside the explanation of these tales, is the choice made by Artemisia to paint scenes depicting heroic women and their relation to her own life. Susanna and the Elders Susanna was the wife of a wealthy Jewish man who lived in Babylon during the Exile. Susanna used to bathe in her garden, and one day two elder men of the community hid there and waited for her. Once Susanna was alone and naked, the two men revealed themselves and threatened her. They said that if she did not give herself to them, they would declare that they had seen Susanna commit adultery with a young man. This crime was punishable by death. Susanna resisted and she was tried in court and condemned to death. At the last moment Daniel, one of the prophets, came and cross examined the two elders, separately. He found their evidence to be contradictory and he thus proved Susanna's innocence. Artemisia's first signed and dated painting was her interpretation of this story.

47. Nightingale Sounds Listen To The Nightingale (Part Of Curriculum website. Instructional Objectives Students will identify, define,and apply music vocabulary when asked to critique a composition. http://artsedge.kennedy-center.org/teaching_materials/curricula/curriculum.cfm?c

48. ARTSEDGE Teaching Materials Curricula, Lessons And Activities Sounds). Instructional Objectives Students will identify, define,and apply music vocabulary when asked to critique a composition. http://artsedge.kennedy-center.org/teaching_materials/curricula/curriculum.cfm?m

49. Future Of Music Coalition Major Label Contract Clause critique. why should they then be allowed to artificiallydiminish that rate contractually through “controlled composition clauses http://www.futureofmusic.org/contractcrit.cfm

Major Label Contract Clause Critique download PDF of document Preface In publishing this document we are not attempting to say that these clauses are illegal, nor are we suggesting that artists who sign these contracts do so without excellent representation. What we are saying is this: The majority of these clauses exist in the boilerplate language of the standard contracts offered to artists by each of the five major labels. The majority of artists regularly sign contracts that seem to go against their best interest as a concession for gaining access to the means of production, distribution and promotion that is increasingly controlled by five labels and their parent corporations. Outside of the major label music world many of these clauses are seen as an affront to basic logic. Clause 1: Transference of ownership You own nothing, ever! What the clause says: What the clause means: If you don't recoup the costs necessary to produce, market, and distribute the record, you will never see another penny beyond your advance (unless you wrote some of the songs, and even then it's not probable).

50. Critique De FESTIVAL D'ÉTÉ QUÉBEC Translate this page et Farhan Sabbagh l'union du dragon et du lion critique - - 14 juillet quelquespièces folkloriques chinoise et italienne ainsi qu'une composition faite à http://www.philmultic.com/pressreview/quebec.html

FESTIVAL D'ÉTÉ QUÉBEC Liu Fang et Farhan Sabbagh: l'union du dragon et du lion Critique - - 14 juillet 2000 Unir le le dragon et le lion, une mission impossible? Pas si le mariage est arrangé à la note près... Hier après-midi, les spectateurs réunis sur la Place d'Youville ont été charmés à deux reprises par la rencontre de l'Extrême et du Proche-Orient, ou, plus symboliquement, à l'union du dragon et du lion: Liu Fang et Farhan Sabbagh. Mariant les sonorités du Proche et de l'Extrême-Orient, les deux virtuoses, Liu Fang et Farhan Sabbagh, dont la première rencontre a eu lieu à Berlin en janvier 1999, se sont tout d'abord produit en duo, interprétant quelques pièces folkloriques chinoise et italienne ainsi qu'une composition faite à partir d'un thème classique arabe. Liu Fang, la soliste du pipa (un luth chinois à quatre cordes au manche court et courbé), a ensuite interprété deux pièces traditionnelles de la Chine, son pays d'origine. Liu Fang fait corps avec son instrument. Elle joue tantôt avec une grâce des plus subtiles, tantôt avec une force surprenante, faisant passer le public de la méditation à la frénésie. La musicienne au doigté et à la dextérité hors du commun a plus d'une fois étonné le public et soulevé l'admiration des spectateurs. Si la force de Samson résidait dans ses cheveux, celle de Liu Fang est sans contredit dans ses doigts! Possédant un extraordinaire sens du rythme, Farhan Sabbagh, le virtuose du oud (un instrument à cordes pincées ancêtre du luth), a immédiatement enchaîné, présentant lui aussi ses interpétations en solo. Le musicien d'origine syrienne a tout d'abord interprété une de ses compositions au oud avant de changer d'instrument et d'empoigner son Reqq (un tambourin sur cadre avec cymbalettes) afin d'interpréter un Samai, une forme de composition classique arabe que l'on peut varier au gré de l'inspiration du moment.

51. Against Participation: A Total Critique Of Culture this is not supposed to be a formal critique of supposed relative to several abstractedcategories of amusement, Entertaining, composition, Competition, and http://www.henryflynt.org/aesthetics/brend.html

Back to H.F. Philosophy contents AGAINST "PARTICIPATION": A Total Critique of Culture Henry Flynt (c) 1994 Henry A. Flynt, Jr. in lieu of Part IV , Chapter 11 "Brend," chapter from From "Culture" to Brend Consider the whole of your life, what you already do, all your doings. Now please exclude everything which is naturally physiologically necessary (or harmful), such as breathing and sleeping (or breaking an arm). For what remains, exclude everything which is for the satisfaction of a social demand, a very large area which includes foremost your job, but also care of children, being polite, voting, your haircut, and much else. From what remains, exclude everything which is an agency, a "means" another very large area which overlaps with others to be excluded. From what remains, exclude everything which involves competition. In what remains, concentrate on everything done entirely because you just like it as you do it. I have stipulatively formed a previously nonexistent category; you cannot dispute how `brend' should be defined. You have always done things just liked, an important point. I don't see how you could avoid you brend: things just liked are done precisely where you are not specially exerting yourself, where you are lax. You "do" your brend and "then" it turns out to be in the category of "brend"; the concept is applied retroactively. Your brend is something you already have, have always had, is absolutely yours. It's just that you haven't been "brend-conscious." I am "merely" concerned to make you conscious of your brend. Given your life, I have presented a determination (excluding certain areas and pointing to other things) selecting out things (which you have always had) from whenever, wherever they may be, in it; to be considered as one area, a unity, that of your brend. In fact, if I became convinced that my overt determining formulation

52. Legal Scientific Critique Of FDA's No Labeling, No Legal Scientific critique of FDA's No Labeling, No SafetyTesting Policy GE plantswith substantial and unexpected - alterations in chemical composition. http://www.purefood.org/gefood/fdasued.cfm

News GE Food Organics Food Locator ... tell a friend Legal & Scientific Critique of FDA's "No Labeling, No SafetyTesting" Policy on GE Foods I. FDA's Claim That GE Foods Are Generally Recognized As Safe is False and Fraudulent A. The Required Level of Consensus is Very High B. There Was Sufficient Doubt About the Safety of GE Foods Within the FDA's Own Scientific Staff to Nullify GRAS Status C. The FDA Knows There Has Never Been Expert Consensus About the Safety of GE Foods D. The FDA Has Made Fraudulent Claims About (a) the Existence of Scientific Consensus and (b) the Safety of GE Foods II. The Technical Evidence Required for GRAS Status Does Not Exist III. FDA's Proposed Regulations Are Based on Assumptions That Are Scientifically Unsound IV. Recognizing the Extent to Which FDA's Behavior is Wrong and Reprehensible This public comment letter on the FDA's proposed regulation of GMOs is a must read. Please pass it on to anyone interested in the GMO issue. Druker is an attorney who filed a public interest lawsuit against the FDA over lack of safety regulations, phony substantial equivalance and other

53. Lemar-Aftaab | Www.afghanmagazine.com | April - June 2000 | Vol 1 | Issues 12 | I took the pen and wrote the title, A composition about Spring. . This translatedshort story was first published on the Afghan journal critique VISION. http://www.afghanmagazine.com/april2000/fiction/composition/

The Composition "untitled" (detail) By Rahward Zariab Translated from Dari by Dr. S. Wali Ahmadi April-June 2000 Lemar-Aftaab I was in the fourth year of elementary school. On one of the first days after classes began, our teacher came in and said, "Boys..." And then, with his eyes to the ground, he began to walk to the other end of the classroom. He seemed to be counting the slates on the floor. In the meantime, he looked very short. The fact is that our teacher really was a diminutive little man. Suddenly, he stopped by the wall. He looked up as if he had finished counting. His lips moved a few times and he finally spoke. "For tomorrow, each one of you must write a composition about spring," he said. This came as a surprise to us. Our eyes must have been fixed on the teacher in utter amazement, while we felt our ears ringing. "A composition?" we all wondered, "about spring?" The teacher must have perceived our state of shock. So he started explaining what he meant for us to do: "That is, I mean, well you know, a composition about spring. Write a composition about spring. That's it. Say what people do, for example, or, rather, what animals do in spring, that is and the like." The teacher, assuming that we were all as wise as himself, thought that his explanation was sufficient. But we were still confronted with the question, "A composition about spring."

54. Literature & Composition Literature composition. M3 1952 Includes type of work (drama, poetry, biography,novel, history, speech, treatise, etc.), characters, a critique or short http://library.schreiner.edu/guides/topical/libxguide_litcomp.htm

Library Information Special Collections Staff Directory Search WorldCat ... Search for Articles use outside the Library use inside the Library Schreiner Home Periodical Holdings Student Resource Pages Schreiner e-mail - General and background information on a topic. World Mythology and Legend REF 303 M45 1988 Larousse World Mythology REF BL 311 L3 Dictionary of Mythology, Folklore and Symbols REF GR 36 J6 Oxford English Dictionary REF PE 1625 087 1989 Cyclopedia of Literary Characters REF PN 44 M3 1963 The Writers Handbook REF PN 137 W73 Magazine Writers Nonfiction Guidelines REF PN 147 M33 1987 Literary Market Place REF PN 161.L5 1999 The Query Book REF PN 161 B8 Writer's Market REF PN 161.W83 2000 Writer's Guide to Texas Markets REF PN 161 W825 1988 NTC's Dictionary of American Slang and Colloquial Expressions REF PE 2846 S64 1989 Writer's Guide to Style and Usage REF PE 1421.N46 1994

55. Critique Lab About Us are also regularly held in the critique Lab, utilizing its capacity for computerassistedinstruction. Several teachers of first-year composition, for example http://maven.english.hawaii.edu/lab/about.html

56. Photography, Photo Critique, Digital Camera Reviews And Nature Use light, composition, and texture to portray this concept effectively. Wewant to see your eye work towards a pure photographic composition. http://www.usefilm.com/projectlistings.php

57. Photography, Photo Critique, Digital Camera Reviews And Nature Photography Lauritzen. Very good B W shot nice composition but imo it needs alittle more contrast ..Regards Marc Chapelle. Comment http://www.usefilm.com/listcomment.php

CLICK HERE TO SIGN UP NOW! Login Main ... hat 986 Comments Today Next Browse Comments Today's Comments Yesterday's Comments Random Photos Recent Comments Hayri CALISKAN (Karma: 8,651; Charisma: 5,483) Enlarge Image First Freeze II Cary Shaffer Perfect creative work.Congrats! Neil Jaumier (Karma: 505; Charisma: 292) Enlarge Image Father´s day Filipe Palha This is a really great photo... And so much more joyful in colours !!! Hayri CALISKAN (Karma: 8,651; Charisma: 5,483) Enlarge Image Glastonbury Tor Aaron Reid Very nice composed. Connie Carpenter (Karma: 95; Charisma: 47) Enlarge Image Eleonora Marcello Pinna Wow... can't take my eyes off Eleonora. Wonderful work. Don Loseke DONOR (Karma: 3,229; Charisma: 1,822) Enlarge Image Diane IV Karen Johnson Another great picture Karen, Great lighting and pose. Was wondering if this was done outside undercover to get such even natural light? Well done. Don. Hayri CALISKAN (Karma: 8,651; Charisma: 5,483) Enlarge Image Florence, Italy

58. Heading 1 Under the heading of institutional critique, composition scholars may seize opportunitiesto complain about their home departments, without offering evidence http://wrt-howard.syr.edu/Papers/CCCC2003.panel.htm

Editors' and Reviewers' Responsibilities in Scholarly Authorship Conference on College Composition and Communication Session H.24, "Finding Your Voice as a Composition Scholar" New York, NY, 21 March 2003 http://wrt-howard.syr.edu/Papers/CCCC2003.panel.htm ©2003 Rebecca Moore Howard According to most histories, composition studies is a discipline that will celebrate its fortieth birthday in 2003, commemorating the publication of Braddock, Lloyd-Jones, and Schoer's 1963 book Research in Written Composition The widespread appearance of doctoral programs in composition is a much more recent phenomenon, and many of these do not offer systematic surveys of scholarly methods. Little wonder, then, that a collective sense of what constitutes responsible scholarship remains fairly vague. Under the heading of "history," composition scholars may advance ideological arguments that ignore dissent. Under the heading of "institutional critique," composition scholars may seize opportunities to complain about their home departments, without offering evidence for their assertions or considering counterevidence to those assertions. Under the heading of "scholarship," composition scholars may advance arguments without consulting the major scholarship previously published on the topic and without fully referencing all the sources they did consult.

59. Drama 157/255 - Lighting Composition for all class sessions; Analysis critique Papers of UCI and professional performances;Verbal participation. Deadlines. Weekly composition exercises; Weekly http://drama.arts.uci.edu/tmruzika/lighting_composition157-255.htm

Lighting Composition Drama 157/255 Tom Ruzika To explore the creative possibilities of lighting composition. Studio exercises will investigate the relationship of lighting to the human eye, music, dramatic script, and human psychology. Emphasis is placed on human artistic intuition and artistic taste. The painterly compositional qualities of light are analyzed as to how they are used to create pictures of light. Discussion Topics The nature of light Styling light Direction, color, angle, movement of light Psychology of light Perception of light Design styles and techniques Politics of lighting design Course Requirements Mandatory attendance for all class sessions Verbal participation Deadlines Weekly composition exercises Weekly discussion topics Evaluation Of Work Attendance and verbal participation Presentational techniques (how you present yourself) Critique papers Compositional and stylistic qualities Progress, understanding and development Tom Ruzika

60. QuiltArt Online Critique Group ) Quilts should push SOME boundary color, composition, subject matter two visionsof the same theme..many different reasons, all of them valid for critique. http://www.semiotics.com/critique/send.htm

Want to participate in the QuiltArt Critique? The Critique site is taking a hiatus. Due to the press of work and the dwindling of submissions to the site, I feel it's time for a short break. I'll let everyone know when submissions are once again being accepted. Submissions are limited to subscribers of the QuiltArt mailing list. For information on subscribing, please visit the Quiltart website. If you would like to have your work, either in-progress or completed, appear on this website, you can participate in two ways: Send a clear, sharp photo or polaroid shot of the quilt (wallhanging, potholder, stuff on design wall, whatever) to: Lynn Allen QuiltArt Critique PO Box 8574 Long Beach CA 90808 OR Email lynn@semiotics.com , including the above artists' statement, and attach a digital file of the quilt. Include the dimensions of the quilt. Files should be scanned at 72 dpi, saved in .jpg or .gif format, and should be less than 40K in size, if possible. GIF files work best for quilts with mostly solid colors...many-shaded quilts should be saved as JPG files. The critique site is open to submissions from all QuiltArt members, with a few conditions:

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