1. Dramatic Literature Homework + Interactivity Must use email and Subscribe to dramatic literature ForumPlays and Chapters must be read in advance! THR215 dramatic literature http://afronord.tripod.com/classes/215.html

2. Department Of Dramatic Literature dramatic literature. The Department offers a major in dramatic literature, the requirementsfor which are set forth in the College of Arts and Science Bulletin. http://www.nyu.edu/cas/dept/dlit.htm

College of Arts and Science Department Summary See also the 1998-2000 College Bulletin section on this department. Dramatic Literature The study of Drama requires students to engage with one of the most venerable and complex of the arts. The Department of Dramatic Literature, Theater History, and Cinema recognizes the special nature of Drama, in particular its relationship to literary texts as well as to the performing arts, both theater and cinema. Accordingly, the Department allows students with a primary interest in Drama to study it intensively and comparatively within the fields of literature, theater history and production, and cinema. The curriculum brings students into a close intellectual engagement with the classical and contemporary texts of Britain, Europe, and America, while also providing opportunities for practical dramatic and theatrical experiences. The Department encourages students not only to pursue their interests through production and playwriting classes but also to take advantage of New York's thriving theater scene. Academic Programs The Department offers a major in Dramatic Literature, the requirements for which are set forth in the

3. Dramatic Literature Fall'98 dramatic literature Class at the University of Alaska Fairbanks, Fall 1998, professorAnatoly Antohin. dramatic literature THR215 (next offer Spring'00) http://afronord.tripod.com/classes/dramlit98.html

Classes * var enabled = 'no'; Theatre with Anatoly: Click to View or Add Text. TOPICS drama comedy postmodern time + space + past + present + future + death sex self family ... generations advertising space : webmaster My Amazon Shop (new 2003) Dramatic Literature THR215 (next offer Spring'00) Classes Gateway Page Also, see 413 Playscript Analyis directing board Welcome to directing message board directing's chat room Welcome to chat room Site Map What's New Search Sign GuestBook View New UAF students must complete Assessment Form Mailing List days 'til the year 2004! Work! Textbook Spring 2003: How to Read a Film Subscribe to Open Class @ 200x Aesthetics Summary Questions Notes Classes METHOD acting Film Dir Books Index ... Russian-American Theatre (RAT) * Film-North Students Directory ANT Directories VIRTUAL THEATRE ... Mailing List Also, see THR 413 Playscript Analisis Required for Theatre Majors THR 215 Dramatic Literature Fall 1998 prof. Anatoly Antohin 474-7754 (o), 455-6149 (h) ffaga@uaf.edu Film Dir Books Index Theatre w/Anatoly ... Russian-American Theatre (RAT) Film-North Dram Lit TR 2-3.30 pm Grue 217

4. FDU: Dramatic Literature And Performance (Minor), Page Communication Arts Related Resources Undergraduate Studies Bulletin Graduate Studies Bulletin CourseFinder MyCatalog Minors Multidisciplinary Academics Listing Full course details from coursefinder Our degrees American Diversity Studies (Minor) http://fduinfo.com/majors/bcmulti-minor-drama.php3

Related Resources : Undergraduate Studies Bulletin Graduate Studies Bulletin CourseFinder MyCatalog ... coursefinder Our degrees ... American Diversity Studies (Minor) American Studies (Minor) Criminology, Law and Society (Minor) Dramatic Literature and Performance (Minor) Environment and Society (Minor) History of Ideas (Minor) International Affairs (Minor) Sports and Movement (Minor) ... Women Studies (Minor) Undergraduate Course Numbers: Developmental Freshman or Lower Division Sophomore or Lower Division Junior or Upper Division Senior or Upper Division Graduate Course Numbers: Prerequisite First Year Second Year Third Year Doctoral Dissertation Dramatic Literature and Performance Minor The dramatic literature and performance minor provides grounding in theatrical history, theory and performance practices as a cultural enrichment and as preparation for advanced study or employment in the theater. Three options are available. Option 1 is designed for students majoring in English language and literature: literary studies or communications specialization. Option 2 is for students majoring in fine arts: theater specialization.

5. Dramatic Literature/Kentridge High School Library Kentridge High School Library Online. dramatic literature. Theatre and Drama http://www.kent.k12.wa.us/KSD/KR/LIBRARY/LIT/plays.html

Kentridge High School Library Online Dramatic Literature Theatre and Drama Part of the WWW Virtual Library. Plays and Playwriting Part of the Theater Connections web site of the J. Murrey Atkins Library,The University of North Carolina at Charlotte. The Works of William Shakespeare Primarily a links page to resources about Shakespeare and his literary works. Part of the Kentridge High School Library Online web site. Screenwriting Tutorial This tutorial is composed of a series of articles, all aimed at the beginning or student screenwriter, each of which will take you through a different critical step of writing a screenplay. Movie Scripts Online Movie Script World Movie Scripts Online Follow the "More Scripts" link for an extensive listing of scripts. Simply Scripts Movie Page - Scripts Link to: Literary Resources Online TOC KR Library TOC

6. UAA Department Of Theatre And Dance Offers a liberal arts approach covering acting, directing, stagecraft, scene design, lighting, costuming, makeup, dramatic literature, theatre history, dramatic theory and criticism, and playwriting. View their mission, faculty, current season, and history. http://webserver.cts.uaa.alaska.edu/theatre/

UAA Department of Theatre and Dance <!doctype html public "-//w3c//dtd html 4.0 transitional//en"><![if gte mso 9]><xml> <v:background id="_x0000_s1085" o:bwmode="white" fillcolor="#27792c"> <v:fill src="./index_files/image002.jpg" o:title="image001" type="tile"/> id="_x0000_t75" coordsize="21600,21600" o:spt="75" o:preferrelative="t" path="m@4@5l@4@11@9@11@9@5xe" filled="f" stroked="f"> <v:stroke joinstyle="miter"/> <v:f eqn="if lineDrawn pixelLineWidth 0"/> <v:f eqn="sum @0 1 0"/> <v:f eqn="sum @1"/> <v:f eqn="prod @2 1 2"/> <v:f eqn="prod @3 21600 pixelWidth"/> <v:f eqn="prod @3 21600 pixelHeight"/> <v:f eqn="sum @0 1"/> <v:f eqn="prod @6 1 2"/> <v:f eqn="prod @7 21600 pixelWidth"/> <v:f eqn="sum @8 21600 0"/>

7. Untitled Document THEA 330/ENGL 392 Contemporary dramatic literature Walking the Dead by Keith Curran The Rice Players http://www.owlnet.rice.edu/~thea330

THEA 330/ENGL 392 Contemporary Dramatic Literature Fall 2002 MWF 2:00-4:00 Walking the Dead by Keith Curran The Rice Players Spring 2002 Instructors: Dennis Huston Mark Ramont Syllabus Calendar Final Project Houston Area Theatres Questions? Contact Mark Ramont at mramont@rice.edu

8. The Drama In The Eighteenth Century A history of dramatic literature as it developed during the 18th century. http://www.imagi-nation.com/moonstruck/clsc20w1.html

Home Theatre Links Advertise Here Email Us The Drama in the 18th Century This article was originally published in The Development of the Drama . Brander Matthews. New York: Charles Scribner's Sons, 1912. pp. 263-295. Restoration , the managers had to gratify new likings which king and courtiers had brought back with them from France. Even though the plain people in London continued to prefer the plays of Shakespeare to belauded adaptations from Corneille or Racine and to icily decorous imitations like the CATO of Addison, and even though the plebeian folk in Madrid still relished the plays of Lope de Vega and Calderon , the English men-of-letters and the Spanish men-of-letters were united in taking an apologetic tone toward the earlier dramas which had pleased their less cultivated forefathers. In England as in Spain the learned critic was willing to admit that these earlier dramas had a certain rough power which might move the uneducated, but he had no desire to deny that they wanted art. For instance, Doctor Johnson, when he brought out his edition of Shakespeare in the middle of the eighteenth century and when he ventured a timid suggestion that possibly the so-called rules of the theater were not absolutely infallible, seems to have felt almost as though he was taking his life in his hands.

9. The Medieval Drama A history of dramatic literature as it developed during the Middle Ages. http://www.theatrehistory.com/medieval/medieval001.html

THE MEDIEVAL DRAMA Page 1 Page 2 Page 3 Page 4 Page 5 This article was originally published in The Development of the Drama . Brander Matthews. New York: Charles Scribner's Sons, 1912. pp. 107-146. THE Greeks , from the rudest beginnings, and by the aid of their incomparable instinct for form, brought to perfection a lofty type of tragedy and an original kind of comedy. The Latins The desire for the drama, which seems to be instinctive in human nature the wide world over, from the Aleutian Islanders to the Bushmen of Australia, the impulse to personate and to take pleasure in beholding a story set forth in action,this may have been dormant during the long centuries, or it may have found some means of gratifying itself unrecorded in the correspondence of the time or by the chroniclers. Acrobats there were, and wandering minstrels The reason for this uniformity is obvious enough. It was due to the double unity of the medieval world,that which resulted from possession of the same religion and that which was caused by the consciousness of a former union under the rule of Rome. All the peoples of western Europe had inherited the same customs and the same traditions, because they had all been included in the Roman Empire, which had stretched itself from the Black Sea to the Atlantic. When, at last, the vigor of the Roman government was relaxed, the barbarians of the north had broken in and had swept through southern Europe into Africa and into Asia. The Franks had taken Gaul for their own, the Goths had repopulated Italy, and the Vandals had traversed Spain; and as they had all of them accepted Christianity, sooner or later, the most distant lands had once more come under the sway of Rome.

10. NYU > CAS > Academic Programs > CAS Bulletin > Dramatic Literature, Theatre Hist Department of dramatic literature, Theatre History, and the Cinema (30). Minorin dramatic literature Any four V30 courses offered by the department. http://www.nyu.edu/cas/Academic/Bulletin/DramaticLit.html

Close this window Overview Faculty Program Courses Department of Dramatic Literature, Theatre History, and the Cinema 19 University Place, New York, NY 10003-4556. (212) 998-8800. http://www.nyu.edu/fas/dramalit Chair of the Department: Professor Guillory Director of Undergraduate Studies: Associate Professor Harries Overview Drama, a universal and essential art form, provides a fitting focus of study in a liberal arts education. The special opportunities provided by New York as a world theatre center make the study of dramatic literature at NYU vital and intimately connected to other arts and disciplines. The department brings together courses from the entire University in dramatic literature, theatre production, playwriting, and cinema. To all undergraduates, it offers survey courses in the theory and history of drama as well as electives in more specific subjects. To the major, the department offers a coherent program of study centered on the history of dramatic literature from its origins to the contemporary New York dramatic scene. Majors supplement the study of dramatic literature with courses in theatre production, writing, and cinema. An honors program is available for qualified students, and the department also offers course credit for internships that allow them to apply their knowledge of dramatic literature and the theatre in a professional setting.

11. The Drama In The Nineteenth Century A history of dramatic literature as it developed during the nineteenth century. http://www.imagi-nation.com/moonstruck/clsc90w1.html

Home Theatre Links Advertise Here Email Us The Drama in the 19th Century This article was originally published in The Development of the Drama . Brander Matthews. New York: Charles Scribner's Sons, 1912. pp. 296-324. One species was the THIRTY YEARS OF A GAMBLER'S LIFE is a typical example of this French melodrama, none the less typical that one of its most striking incidents had been borrowed from a German play. The and the melodrama of the boulevard theaters were fortunately fettered by no rules, obeying only the one law, that they had to please the populace. They grew up spontaneously and abundantly; they were heedlessly unliterary; they were curbed by no criticism,which was never wasted by the men-of-letters on these species of drama, deemed quite beneath their notice. The Now, as we look back across the years, we cannot but wonder why the task of ousting the dying and the dead should have seemed so arduous or have caused so much commotion. We marvel why there was a need of a critical manifesto like Victor Hugo 's preface to his CROMWELL or of a critical controversy over the difference between the Classic and the Romantic. Even then it ought to have been easily evident that there was nothing classic about the comedies and the tragedies which continued to be composed laboriously in accordance with the alleged rules of the theater; and even the defenders of the traditional faith might have suspected that there was really nothing sacrosanct about mere pseudo-classicism.

12. Teaching @ Theatre With Anatoly I'll continue to hyperlink it to subject pages as I did it in dramatic literature Class. http://www.vtheatre.net/classes/dramlit98.html

Theatre * Teaching * var enabled = 'no'; Contact: Click to View or Add Text. FILM-NORTH VIRTUAL THEATRE [ advertising space : webmaster BANNERS + POPUPS + LINKS uaf Featured Pages: Classes Directory @ Film-North * pass-it-on! Anatoly's HotLinks Virtual Theatre is more a research site. This (new) page and Service Directory is my latest attempt to organize my portfolio online. Click here to ask me a question Some of the online classes/directories @ GeoAlaska will go "closed" (for members only) later in 2002! var enabled = 'no'; Monologues: Click to View or Add Text. GeoAlaska Guestbook View Guestbook my calendar Theatre ... options If this is your first visit search the pages! GeoAlaska: Film-North DVD: Drama Art House Studio Specials Classics ... Cult Movies var enabled = 'no'; Dangerous Liaisons: Click to View or Add Text. Theatre w/Anatoly TOUR var enabled = 'no'; WWWilde: Click to View or Add Text. var enabled = 'no'; Testimonials: Click to View or Add Text. Theory of Spectatorship If you like my sites, there are several things you can do to help me to keep the webpages free. Do you see "pass-it-on" above? Let your friends know about vTheatre, or let me know what you like and don't like. Leave your comments in guestbooks, or "htmlgears" (select the right one). And the guestbooks, of course. Thanks. Anatoly 2002 Mailing List days 'til the year 2004!

13. Dramatic Literature: The Bookshelf dramatic literature Edward Albee Amiri Baraka Samuel Beckett Eric BogosianDavid Henry Hwang Henrik Ibsen Tony Kushner Craig Lucas http://www.gretchen.and.brett.com/drama.html

Dramatic Literature Edward Albee Amiri Baraka Samuel Beckett Eric Bogosian David Henry Hwang Henrik Ibsen Tony Kushner Craig Lucas Moliere Eugene O'Neill Harold Pinter Luigi Pirandello Jean-Paul Sartre Arthur Schnitzler William Shakespeare George Bernard Shaw Wallace Shawn Nicky Silver Neil Simon John Millington Synge Jane Wagner Oscar Wilde Tennessee Williams Luis Valdez Kurt Vonngeut Drama students looking for monologues click here. Edward Albee - (Who's Afraid of Virginia Woolf?) [top] Amiri Baraka - (Dutchman) A truly disturbing play about race, violence, sex, and apathy. It's a short one, probably no longer than fifteen or twenty minutes, and I don't think I'd like to see it performed. Even on the page, the emotions permeating the dialogue are so raw and powerful they make it difficult to read. Baraka gets his point across very clearly, of course, but I'm not inclined to be a fan. It's unpleasant seeing characters reduced to black and white, both literally and figuratively at the same time. [top] Samuel Beckett - (Ohio Impromptu) I don't know why I like this one so much. I don't really know what it's about, just that I read it five times over as soon as I bought it and emerged with dreamy eyes and what felt like a Mona Lisa smile. Oh, how this man can use language. I would love to see this performed.

14. American Drama Scholarly studies of dramatic literature from the earliest to the most recent playwrights, featuring critical examination of trends and discussions of diversity. http://blues.fd1.uc.edu/www/amdrama/

The American Drama web site is at http://www.americandrama.org . Please update your bookmarks. You will be automatically redirected to the correct address within 10 seconds.

15. Shakespeare's Globe Center (USA) Center For Globe Research -- Home Page Promoting activities that encourage people to see Shakespeare's work as works of theatre to be experienced, not simply as works of dramatic literature to be read. http://www.sgc.umd.edu/

Viewing this page requires a browser capable of displaying frames.

16. Dramatic Literature And Performance Minor dramatic literature and Performance Minor. The dramatic literatureand performance minor provides grounding in theatrical history http://fduinfo.com/majors/bcmulti-minor-drama.html

Dramatic Literature and Performance Minor The dramatic literature and performance minor provides grounding in theatrical history, theory and performance practices as a cultural enrichment and as preparation for advanced study or employment in the theater. Three options are available. Option 1 is designed for students majoring in English language and literature: literary studies or communications specialization. Option 2 is for students majoring in fine arts: theater specialization. Option 3 is for Students majoring in other disciplines. Option 1 For English Language and Literature Major: Literary Studies/ Communications Specialization Option 1 requires the completion of: 3 credits of Shakespeare I 6 credits in English courses 18 credits in visual and performing arts Students must take the following 9 credits as part of their major: Shakespeare I (3 credits) (required for Literary Studies) Students select two courses (6 credits) from the following 3-credit courses: Studies in Drama Greek and Roman Drama Modern Drama Contemporary Drama Visual and Performing Arts Students select six courses (18 credits) from the following 3-credit courses: Development of Theater I, II (3 credits applied to humanities core; 3 credits applied to minor)

17. Dramatic Literature From The Greeks To Ibsen Fall 2002 Syllabus Dramatic Arts 64 dramatic literature from the Greeks to Ibsen Robert Scanlan This course is a broad survey of major monuments of drama, starting with Aeschylus'Oresteia and culminating with Ibsen's Peer Gynt, the gateway to modern http://icg.harvard.edu/9491

Fall 2002 Syllabus Dramatic Arts 64 Dramatic Literature from the Greeks to Ibsen Robert Scanlan This course is a broad survey of major monuments of drama, starting with Aeschylus'Oresteia and culminating with Ibsen's Peer Gynt, the gateway to modern drama. Lectures introduce the historical periods that produced and preserved selected classics of western drama. After the Greeks, Roman, and Medieval examples pave the way for Renaissance and French Neo-classical masterpieces, followed by the rise of bourgeois drama, Goethe and finally Ibsen. URL: http://www.courses.fas.harvard.edu/~dram64/ Last modified: 08/05/2002 Instructor's Toolkit PIN Unix

18. Brock University Undergraduate Calendar - 2000-2001 Courses Drama/dramatic literature Courses. *DRAM 1F93 Introduction to DramaFundamentals of dramatic criticism. Study of selected dramatic http://www.brocku.ca/webcal/2000/undergrad/courses/DRAM.html

COURSES Aboriginal Studies (ABST) Accounting (ACTG) Adult Education (ADED) Business Administration (ADMI) ... Drama and Theatre in Education (DIEE) Drama/Dramatic Literature (DRAM) Economics (ECON) Education (EDUC) English (ENGL) Entrepreneurial Studies (ENTR) ... Writing (WRIT) Drama/Dramatic Literature Courses *DRAM 1F93 Introduction to Drama Fundamentals of dramatic criticism. Study of selected dramatic texts from ancient Greece to the present; emphasis on genre, convention and historical context. Lectures, seminar, 3 hours per week. *DRAM 2F95 The Forms of Comedy Comedy and related dramatic forms (e.g., farce) in their theatrical and social contexts and in relation to the development of ideas about comedy. May include parallel forms in the drama of the Orient. Lectures, seminar, 3 hours per week. Prerequisite: DRAM 1F93 or permission of the instructor. *DRAM 2F97 Canadian Drama The Canadian experience as expressed on stage, in radio and on television, using English-language plays and French-language plays (in translation). Lectures, seminar, 3 hours per week. Prerequisite: DRAM 1F93 or permission of the instructor. Note: students with year 2 standing in

19. ULV Department Of Theatre Arts This performanceoriented academic program provides intensive studies in acting, directing, production and design, theatre history, theory and dramatic literature. Read the program, faculty, productions, academics, and contact details. http://www.ulv.edu/thart/

ENTER ENTER

20. 2001-2002 Undergraduate Calendar - Dramatic Literature dramatic literature, This program is coordinated by the Departmentof Fine Arts. Chair Murray Kropf dramatic literature and Theatre http://www.brocku.ca/webcal/2001/undergrad/DRAM.html

Dramatic Literature General Information Language Requirement for Humanities Majors Program Notes ... Course Descriptions Dramatic Literature This program is co-ordinated by the Department of Fine Arts . Chair Murray Kropf Dramatic Literature and Theatre Professors Mary Jane Miller Associate Professor Glenys McQueenFuentes Assistant Professor Marlene Moser, Gyllian Raby Part-time Instructors Dramatic Literature: Theatre Terrance Cox, Maria-Clery Galery, Judith Marquis (scenic painting), Ken Garrett (lighting design), Cindy Emery (makeup and wigs), Kathryn Kerr (props), Michelle LaGasse (stage management), Leigh Kerr (theatre administration), Karyn McCallum, Barbara Gordon (scenic design), Peter Feldman (scene study), fourth year production) Taras Cymbalisty, Barbara Gordon, Guillermo Verdecchia DramainEducation: Suzanne Burchell, Gail Fricker, Javier Gubern-Soyka, Christina Rozendaal, Helen Zdriluk Resident Company, Theatre Beyond Words Terry Judd, Linda Levesque, Shelley Marriage, Harro Maskow, Stephen Miller, Robin Patterson, Christine Stephen, Kevin Stewart Technical Director Adrian Palmieri Wardrobe Director Margaret Molokach

A  B  C  D  E  F  G  H  I  J  K  L  M  N  O  P  Q  R  S  T  U  V  W  X  Y  Z

Page 1     1-20 of 98    1  | 2  | 3  | 4  | 5  | Next 20