41. Abstract Expressionism The new movement, which became known as Abstract expressionism, was heavily indebtedto the ideas of the European pioneers of abstraction, including Film. dance. http://artnetweb.com/abstraction/abexpress.html

Abstract Expressionism Willem de Kooning: Palisades Oil on canvas, 6 feet 7 inches x 5 feet 9 inches (2 x 1.75 m). Collection of Adriana and Robert Mnuchin In the late 1930s and early 1940s, around the outbreak of World War II, many Surrealists fled Europe and settled in New York. Their interest in unmediated expression to reach the absolute soon influenced a young generation of painters struggling to find a voice for American art. The new movement, which became known as Abstract Expressionism , was heavily indebted to the ideas of the European pioneers of abstraction, including Vasily Kandinsky , whose work was championed in influenced a young generation of painters struggling to find a voice for American art. The new movement, which became known as Abstract Expressionism , was heavily indebted to the ideas of the European pioneers of abstraction, including Vasily Kandinsky , whose work was championed in this country by the Museum of Non-Objective Painting (subsequently renamed the Solomon R. Guggenheim Museum ) beginning in 1939. Many of the

42. Encyclopædia Britannica century. Modern dance expressionism; Merce Cunningham; Postmodernism;The musical. Indian classical dance. Tribal and ethnic dance Tribal http://www.britannica.com/eb/article?eu=118759

43. Library Research Workstation: Expressionism, Epic, & Absurdism georg buchner t=theatre journal s=Kandinsky Wassily s=expressionism bibliographyk and ephemeral publications on all aspects of theater, performance and dance. http://www.library.yale.edu/humanities/theater/instruction/expressionism.htm

This web page is an online workshop for students in David Krasner's Theater Studies 375a, Topics in Drama and Performance. This guide should provide a framework and a starting point for research, but there are also people to help with specific questions. The library has several research workshops that expand on the online tutorials provided here and there is always a reference librarian who can help at the Reference Desk in Sterling Memorial Library. Barbara Rockenbach Instructional Services Librarian, Arts Library September 10, 1999 Table of Contents: 2. Finding... short critical essays in reference books theater reviews in magazines and newspapers Selected Bibliography People and Places to know in the Yale Library Library Research Workstation -The Yale University Library Research Workstation is the primary gateway to all of the Library's electronic resources (including Orbis ), as well as information about print and manuscript collections.

44. Ken Green's Artwork List Type, Painting. Style, expressionism. Media, Oil on Canvas. Dimensions, 33.5 x 41 . Subject, Industrial. Asking Price, $2695. Iron Man dance of the SteamerImage. http://www.doubletakeart.com/cgi-bin/dtg/ea.awl?artist.code=green001

45. Barewalls - Top Ten Expressionism Top Tens expressionism. Edvard Munch, The Scream Henri Matisse, The Thousand One Nights Henri Matisse, Blue Nude Henri Matisse, The dance Henri Matisse http://www.barewalls.com/whatshot/toptenExpressionism.html

Top Tens Expressionism Edvard Munch, The Scream Henri Matisse, Henri Matisse, Blue Nude Henri Matisse, The Dance Henri Matisse, Icarus Paul Klee, The Golden Fish Paul Klee, Fish Magic Paul Klee, Senecio Edvard Munch, Madonna Paul Klee, Flora on the Sand Expressionism Index Top Ten Index Shipping Contact About Privacy

46. Expressionism: Artists (1890s - 1920) expressionism Artists (1890s 1920) Guide picks. Beckmann life. Munch,Edvard dance of Life A detailed look at Munch's life and art. http://arthistory.about.com/cs/expressionisma/

zfp=-1 About Homework Help Art History Search in this topic on About on the Web in Products Web Hosting Art History with Andrea Mulder-Slater Your Guide to one of hundreds of sites Home Articles Forums ... Help zmhp('style="color:#fff"') Subjects ESSENTIALS Study Guides Biographies What's It Worth? ... All articles on this topic Stay up-to-date! Subscribe to our newsletter. Advertising Free Credit Report Free Psychics Advertisement Expressionism: Artists (1890s - 1920) Guide picks Beckmann, Max From Sohoart.com, words and pictures. Nicely done. Beckmann, Max: Departure Departure, Beckmann's first painting in triptych form, was begun in May 1932. Munch, Edvard: Artist's Dreams This site takes you through every stage of Munch's life. Munch, Edvard: Dance of Life A detailed look at Munch's life and art. Also features articles written about Munch through the years. Munch, Edvard: The Art of Edvard Munch An interactive photo gallery featuring the art of Norweigan painter, Edvard Munch. Schiele: ArtChive From Mark Harden, nine of Schiele's works on display for you. Email this page!

47. Dance Video Collection- Lilly Library F&V From Free dance to dance Theatre, German expressionism (dance of the Century) 6407,Cass. 3. PAL format. 53 mins. Paris Amaya, 1992. Sonia Schoonejans, dir. http://www.lib.duke.edu/lilly/dancevid.htm

Lilly Library, Duke University Film and Video Collection A B C D ... W 1992 Inductions into the Beach Shaggers Hall of Fame 60 mins. Media Consultants, Inc., 1992. Shows couples dancing the shag at Sand Flea Beach Club in Greenville, S.C. 50 Turns and Jumps 37 mins. Riz-Biz Productions, 1994. Bob Rizzo teaches over 50 turn and jump variations, which can be incorporated into jazz or dance classes or choreography; for beginner through advanced dancers !A Bailar! Journey of a Latin Dance Company. 30 mins. NY: Cinema Guild, 1988. troupe. About the Arts: Merce Cunningham WNYC-TV, 1986(?) Barbaralee Diamonstein interviews Cunningham on his career and dance. About Tap. Direct Cinema, 1985, 27 min. Gregory Hines along with some other veteran dancers talks about tap dancing. Abstract Ballet from Academic to Classical Abstraction. (Dance of the Century) #6407, Cass. 2. PAL format. 53 mins. Paris: Amaya, 1992. Sonia Schoonejans, dir. Influence and legacy of George Balanchine. Aeros 32 mins. Electronic Arts Intermix, 1990. By Burt Barr, and choreographed by Tricia Brown, this is a look at the evolution of Trisha Brown's dance work Astral Convertible.

48. Dance Theatre Of Ireland Their earliest dance training was in Abstract expressionism with Nancy Hauser andHanya Holm at the Centre for the Performing Arts in Minneapolis, where they http://www.dancetheatreireland.com/pages/artdirec.htm

Dance is a language with a power to encourage the spirit, evoke memory and reflect ideas. In our work we construct dance, imagery and music that reflects on living, life, people, or on qualities of movement which – in and of themselves – take our imaginations to those places. Dance, and dancers, are perhaps one of the last remarkable vestiges of living in the moment—of working in ways that don’t necessarily compute—of working with one’s body and imagination, and ultimately with each other a rigorous place where we rely on the body’s wisdom to respond in new ways to what it already knows or to what the mind reflects upon. There are many ways into that centre it’s a hard life, but a magnificent world.” Robert Connor and Loretta Yurick have been at the forefront of the development of contemporary dance in Ireland throughout their careers as performers, choreographers, teachers and producers. Robert and Loretta hold BA's in Psychology and Urban Studies, respectivly. Their earliest dance training was in Abstract Expressionism with Nancy Hauser and Hanya Holm at the Centre for the Performing Arts in Minneapolis, where they were also taught by then Company members, Ralph Lemon and Steve Koester. Since then they have worked in a variety of contemporary dance styles including Limon, Cunningham, Nikolais and release techniques as well as contact improvisation. Together and separately they have created over 30 original works for Dance Companies and Festivals

49. COLLEGE OF CHARLESTON 2. Provide students an opportunity to explore the art of African dance andrelate its technique, origin, and expressionism to any medium of dance. http://www.cofc.edu/~pehd/adjuncts/139.html

COLLEGE OF CHARLESTON PEHD 139 AFRICAN DANCE SPRING, 2003 2 SEMESTER CREDIT HOURS TIME: T Th 10:50 a.m. to 12:05 p.m. PLACE: Rm. 225 INSTRUCTOR: Ms. Linda Jean Harvey OFFICE: Silcox Gymnasium OFFICE HOURS: T 12:15 p.m. to 12:45 p.m. by appointment OFFICE PHONE: PREREQUISITES: None GRADING: A, B+, B, C+, C, D, F COURSE PEHD is a course that broadens and enhances the cultural scope of DESCRIPTION: African Dance as far as origin, performing arts techniques, suggested realism and expressionism of the art form are concerned. REQUIRED TEXT: N/A REQUIRED Course handouts MATERIALS: COURSE 1. Exhibit a picturesque image of African Dance as it depicts authenticity, OBJECTIVES: originality, and diversity through its art form. 2. Provide students an opportunity to explore the art of African Dance and relate its technique, origin, and expressionism to any medium of dance. 3. Engage the students through improvisational choreography, study groups and lecture demonstrations to create a culminating experience that will result in a performance involving all class participants. COURSE Skill objectives recorded, performed and documented

50. REVIEWS Pascal’s simple, cleverly designed and movingly acted production throws naturalismand expressionism, dance, music and dialogue (in English and Yiddish) into http://www.pascal-theatre.com/pascrevdybb.htm

REVIEWS The Dybbuk by Julia Pascal New End Theatre Cheekily upstaging the Royal Shakespeare Company, whose own version of Anski’s classic opens in two weeks’ time, Julia Pascal has transformed Hasidic myth into an urgent play for today a timeless drama that reaches back into the rituals of the past and looks forward into the ashes of the 20th century. Framed by the musings of a young Jewish girl on the sterility of present-day Germany ("I go to Germany and I think that Hitler won" ) the play is set in 1942 in a Jewish ghetto where the inhabitants confront their terror by ritually acting out the story deeply rooted in their culture of the bride who is possessed on her wedding day by the restless soul of the young student who loved and lost her. Pascal’s simple, cleverly designed and movingly acted production throws naturalism and expressionism, dance, music and dialogue (in English and Yiddish) into the melting pot and comes up with something distinctly and refreshingly un-British. Purists will no doubt argue that Anski’s original has been subsumed, but this is genuinely creative work which boasts a final sequence that is as spine-tingling as anything you’ll see in the theatre this year. Lyn Gardner The Independent July 9, 1992

51. UNIVERSITY OF SURREY - MODULE CATALOGUE movements in the visual arts, music, literature and film, such as expressionismand Abstract expressionism. 2. Modernism and modern dance the distinctiveness http://www.open.mis.surrey.ac.uk/misweb/modules/6303.htm

UNIVERSITY OF SURREY - MODULE CATALOGUE Module Short Name DMP Module Title POSTMODERNISM Objectives/Learning Outcomes Aims: th and 21 st Learning outcomes: Knowledge of modern and postmodern characteristics and strategies across a range of art forms. Understanding of how these two `isms’ are manifest in Western theatre dance. Ability to make distinctions between genres and sub-genres through the study of particular modern/postmodern dancers, choreographers and companies. Ability to debate issues of genre distinctions and/or classification in dance and in other art forms. Content Prerequisites Pattern of Delivery Spring Semester Only. Methods of Teaching/Learning Lectures, seminars. Methods of Assessment and Weighting Essay (2500 words) Selected Texts Connor, S. Postmodernist Culture: an introduction to theories of the contemporary . Oxford: Blackwell (2 nd edition), 1997. Foster, S.L. Reading Dancing: Bodies and Subjects in Contemporary American Dance . Berkeley and Los Angeles: University of California Press, 1986. Frascina, F. (ed) Modern art and modernism: a critical anthology. London: Paul Chapman (in association with the Open University), 1988.

52. The Dance The dance. Henri Matisse 1909. expressionism. http://www.the-artfile.com/uk/artists/matisse/dance.htm

The Dance Henri Matisse Expressionism

53. Thistle Dance Publishing Artists and international, with its formal, intellectual, and psychological sources in Europeanpainting, particularly in Van Gogh and German expressionism, and in the http://www.thistledance.com/art_Fraser.html

Artists Suezan Aikins Alan Bateman * Jeanne * Aisthorpe-Smith Kathy Brown ... Robert Rutherford * off-site link Home About Contact Carol Hoorn Fraser Life Obituary Collections Two statements by Carol Fraser ... Carol Fraser Grant (Visual Arts Nova Scotia PAINTS program) Carol has images on our Greeting Cards: Catalog Pg 1 and Carol's Greeting Cards can be purchased on-line at Life Sept. 5, 1930 Born Superior, Wisconsin to Hazel and Arvid Hoorn. Started painting seriously. Attended Gustavus Adolphus College. Graduated with a Bachelor of Science degree (major: chemistry, biology, art). Worked as a control chemist at Archer-Daniels Midland. Took night- school art classes at the University of Minnesota. Studied theology at the University of Gottingen. Attended University of Minnesota. Graduated with a Master of Fine Arts degree (major: art and art history; minor: philosophy [aesthetics]). Thesis subject: "The Human Image in Contemporary Painting." Married John Fraser, Ph.D. student of English literature. Moved to Halifax, Nova Scotia where her husband had accepted a teaching position at Dalhousie University. Produced a large body of work using various media. During this time she also curated, taught at various universities and published articles and reviews.

54. Color In Art - Impressionism And Expressionism Just like the Fauves. Nasturtiums and the dance © Pushkin Musem ofFine Arts, Moscow all rights reserved, Henri Matisse. expressionism. http://alpha.fdu.edu/~bisbing/impressexpress.html

COLOR IN ART - IMPRESSIONISM AND EXPRESSIONISM THE IMPRESSIONISTS The Academy . They formed a group called the Impressionists Impressionist used dabs of color, letting the brush strokes show. The smooth - polished look was favored by the Academy. introduced new techniques, in particular the use of small, broken patches of color to record their sensations. painted outdoors, directly from nature, because they wanted to record their sensation of the effects of light on objects through the use of color. were tired of the way that academic painters created the effect of light by the use of light and dark tones. The dark tones in the shadows often deadened the painting, indicated the absence of light and color. saw light and color everywhere, even in the darkest of shadows, which they frequently painted with blues and purples rather than by adding black. Objects themselves often disintegrated and became blurred - but if the viewer backed away from the painting, the dabs of color create forms. This apple is made up of different color strokes. The background is green, which is opposite red on the color wheel (complementary color). The shadow is made up of blues and purples. The table top is yellow, which is the complement of purple. All of these methods were devised by the Impressionist. Let's look at The Seine at Giverny, Morning Mists - 1897

55. Continuing And Professional Education Finally, in the fourth class, focus on “abstraction” or “abstract expressionism”–the choice will be yours. Join the dance fiesta! $75 per person. http://www.kean.edu/~cont-ed/art_dance_music.html

Kean University Continuing and Professional Education Registration Information Art, Dance and Music Ballroom/Social Dancing Enjoy learning basic dance techniques and steps in foxtrot, rumba, swing, waltz and cha-cha. No experience is necessary. Singles and couples are welcome. Register early – space is limited. $75 per person CEP 119 Sec 056 Fri 8 sessions No class 3/7 Robert Sweeney Fundamentals of Music Receive an introduction to the components, structure and fundamentals of music, which include symbols, terminology, notation, theory, chord construction and rudimentary piano skills. This course is ideal for those with little or no musical knowledge and for those with musical backgrounds interested in reexamining musical concepts. CEA 115 Sec 026 Tue 5 sessions No class March 4 Kathleen McGee-Daly, Adjunct Professor, Kean University, Music Introduction to Latin Social Dancing Move to the great Latin Rhythms. Learn basic steps and Latin movements through sensual and exciting dances such as mambo/salsa, meringue and cha-cha.

56. FSU Dance Publications punk rock and such historical avant?garde movements as symbolism, expressionism,dada, surrealism of the 1997 Conference of the Congress on Research in dance, pp http://www.fsu.edu/~dance/publications.html

The publications area within the dance department at Florida State University includes a wide range of faculty, staff, and student media. The department has a full-time publicist who works with print media producing posters, programs, brochures, and alumni newsletters. Dance scholars contribute documents to the field of dance in the form of articles, reviews, journals, and complete texts. Promotional and documentary videos are constantly in production along with original sound scores for dance. Technology facilities within the department support the production of CD-ROMs, DVD-ROMs, and DVD-Videos. All the necessary tools are provided for producing instructional, promotional, documentary, and creative web sites and other interactive media. 2002 Brochure - Information and Applications for the BFA, MFA, and MA Degrees in Dance 242KB PDF 2000-2001 Department Newsletter 20.2MB PDF Faculty Publications BOOKS 1999 Punk. Ankara, Turkey: Dost Publishers, 1999, pp. 1-194. This is a new edition and Turkish translation of the candidate's 1989 book, Break All Rules: Punk Rock and the Making of a Style, published by Dost Publishers as part of their Music and Subculture series; Dost has translated books, primarily in the fields of philosophy and literature, by Phaidon, Cambridge University Press, Routledge, and UMI Research Press.

57. VCU Dance graduating seniors are the capstone experience of four years of dance training. Bothexplore expressionism and hyperreality and are performed by his acclaimed http://www.vcu.edu/artweb/dance/nextconcert/bebe/next.html

August 6, 2002 CONTACT: Valerie Jeremijenko Dance Production Specialist Email: vjeremij@saturn.vcu.edu VCU DANCE UNVEILS 2002-2003 SEASON "Last year was our 20th anniversary and we honored the past while we looked to the future," said Martha Curtis, chair of VCU Dance. "But this year we are really concentrating on the future by supporting our recent alumni and bringing in Tere O’Connor, one of the nation’s hippest and hottest choreographers." &Mac183; The VCU Dance Alumni Concert. This performance will feature exciting new work by VCU Dance alumni who have continued choreographing and performing. The evening will include a commissioned work by "Richmond’s own Starr Foster," a solo by Ray Schwartz, founder of the Charlottesville-based Zen Monkey Project and work by Reginald Crump, Laura Schandelmeier, Tommy Parlon, Adrienne Clancy and many others. Oct. 11 and 12, 8 p.m., Grace Street Theater. Tickets are $15 for general public and free to VCU students with a valid ID. The Grace Street Theater is located at 934 West Grace Street. For ticket information call 804-828-2020.

58. VCU Dance Events Sat, 800 PM Dazzling performers explore expressionism and hyperreality in workby leading New York choreographer. March, Student/Faculty dance Concert VCU http://www.vcu.edu/artweb/dance/vcu_danceevents.html

Guest Artists: Gesel Mason Gerry Houlahan All events are at the Grace Street Theater and begin at 8:00 pm unless otherwise noted. Click here to see a community dance events calendar. September Dance on Camera Festival VCU Grace Street Theater, Free September 27, 2002 Friday, 5:30 PM A screening of evocative dance films featuring highly innovative uses of the camera, editing and conceptual development from the New York Dance on the Camera Festival 2002. October VCU Dance Alumni Concert VCU Grace Street Theater, $15 Exciting new work by alumni who have continued choreographing and performing. Including Adrienne Clancy, Renee Robinson-Buzby, Reggie Crump, Starr Foster, Jenny Logan, Rob Petres, Denise Purvis, Laura Schandelmeier, Erin Mitchell, Ray Schwartz and Tommy Parlon. November The VCU Dance Salon Dance Center Room 203, Free November 8, 2002 Fri 2:00 PM An informal presentation of new work by VCU Dance Students. Fall Senior Project Dance Concert VCU Grace Street Theater, $5

59. Expressionism important here. You can find expressionism also in literature, indrama, in set and dance, in film and in architecture. A unified http://www.museumonline.at/1997/schulen/weiz/expr_e.htm

Typical characteristics of expressionism Expressionism seems to be the expression of lifestyle of a new generation, which only agreed with disapproval of the social and politic structures. The point is not only the sensual or decorative style of the appearance, but also the psychical, mental and social analysis. Expressionism aims at the emotional aspect. It wants to convey the inner expression, and it does not matter if it deals with landscapes, daily objects or persons. The big contrast to expressionism are the bright, friendly colours of impressionism. All the problems of the new age of industry on the one hand the expansion of the city on the other hand, the loneliness of the people are topics in which art is very engaged . "The mask" (painted by Ensor , a painter from Belgium) is a symbol of alteration, laughing is the expression of absurdity, the coloured costumes are symbols of the vanity of the figures: creatures without faces, which are not able to see or to recognize, only strong in groups. James Ensor (1860-1944), "The Mask".

60. Reviews - Crimson Coast Dance Society grew up in Osoyoos and was one of the first graduates in dance from Simon has beenstrongly influenced by her travels in Europe and by German expressionism. http://www.crimsoncoastdance.org/reviews/

Events Reviews Membership Mission Statement ... Related Links Crimson Coast Dance Society opened its 5th season of dance in Nanaimo at Malapina University College Theatre last Friday with Lola Dance's "Volio". The work is the latest from choreographer Lola McLaughlin and was commissioned by Candance, a network of Canadian dance presenters. Ms McLaughlin is a genuine BC native. She grew up in Osoyoos and was one of the first graduates in dance from Simon Fraser University's School for the Contemporary Arts. Despite her BC roots, Ms McLaughlin has been strongly influenced by her travels in Europe and by German expressionism. Her choreography is stylish, and carefully crafted with a distinctly European sensibility. In "Volio" we saw both West Coast and German influences at play. "Volio" (the word is from Novial, an artifical language invented by a Danish linguist in the 1920s and means the act of wanting something) is not a "story" piece. Instead it explores a number of themes through movement, including confinement, the yearning for freedom, longing for that which is just out of reach and the nature of ordinary gestures and events. Ms McLaughlin's dances are always visually striking. Here the set consisted of two large evergreen shrubs, each set on a dolly with a handle like an old-fashioned wagon. At the back of the stage was a long, narrow window-like rectangle onto which was projected an ever-changing view of clouds and sky. A ladder on wheels led to the window.

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