Geometry.Net - the online learning center
Home  - Basic_L - Luluwa Indigenous Peoples Africa

e99.com Bookstore
  
Images 
Newsgroups
Page 1     1-6 of 6    1 
A  B  C  D  E  F  G  H  I  J  K  L  M  N  O  P  Q  R  S  T  U  V  W  X  Y  Z  

         Luluwa Indigenous Peoples Africa:     more detail

1. Book Reviews
Ababda africa Abarambo africa Abe africa Abinsi Nigeria africaCushitic peoples africa Afar Afar Afikpo africa Afo africa Horn of africa-Cushitic peoples africa Garreh-Ajuran
http://www.tribalarts.com/review/review_su98.html

Current Reviews
Previous Reviews Summer 1998 TRIBAL ARTS HOME FORUM LETTERS CLASSIFIEDS ... GALLERIES Art and Heritage in West Africa
By Barbara E. Frank.
Published in English by the Smithsonian Institution Press, Washington and London, 1998.
Hardcover; $45.
T his impressive study approaches two crafts among the Mande peoples of West Africa. Here, pottery making is an exclusively female pursuit, while leatherworking is dominated by males. The author explores the two in depth, producing a valuable contribution to the scholarship of West African culture and, at the same time, demonstrating how craft technology in addition to artistic style is essential for reconstructing and comprehending the artistic heritage of a culturally complex region. In examining the roles of these craftspeople in the rise and fall of empires, the development of trans-Saharan trade networks, and the spread of Islam, the author brings into question the "one-tribe, one-style" interpretations that have dominated studies of West African art. back Native Paths: American Indian Art from the Collection of Charles and Valerie Diker
Edited by Alan Wardwell.

2. Tribal Arts And Antiquities From Prehistory To Primitive Cultures.
of old Benin, the Yoruba and luluwa maternity figures. analysis, the main topic isthe indigenous institution of with the last of the exotic peoples of africa
http://www.tribal-arts.com/books.htm
BOOKS AND CATALOGS ORDERING INFORMATION The following books and publications are from my private library, many with my library embossed seal or owner's plate. The following material has been collected over a 35 year period. All sales on books are final. African San Francisco. M.H. de Young Memorial Museum. : The Shape of Belief SOLD Roberts, Mary Nooter and Allen F. Roberts: A Sense of Wonder: African Art from the Faletti Family Collection. ; 1997. Africa, Art, Phoenix Art Museum, 144 pages, chips and tears to wrappers, interior good condition. Many color and b/w photos of African art. Extensive bibliography. US$35.00 Cole, Herbert: Museum of Primitive Art, NY, NY: Gods of Fortune, the Cult of the Hand in Nigeria ; Museum exhibition from 6 March to 8 September 1974. Detailing the styles of the southeastern Nigerian people, including the Ibo (with several examples of Ikenga figures), Igala, Bini and others. 15 pages, 8.5" x 5.5", 23 illustrations and descriptive text. US$3.50 The William Benton Museum of Art, University of Connecticut : The Sign of the Leopard ; Beaded Art of Cameroon

3. Truth Is A Multi-facetted Diamond...
to his halfsister - a pure-bred Anunnaki princess, luluwa. The Isrælite Originsof the Western peoples (Hebron, Isræl The vine is not an indigenous plant in
http://www.truegood.fsnet.co.uk/truth.htm
The Neith Network Library + Primordial Wisdom Re-Membered + Education I+N Love + The Rainbow Programme + Researching the traditions I+N Tradition and Tradition in all traditions + Academy for The Cultivation of The Natural Arts + Creativity House + Adult Education Improves
AMYDON-EXETER CENTRE 113
“Truth is a multi-facetted diamond.” Luigi Ricceri
Significant Contrasts
edited and arranged by
Colin James Hamer ( Shivananda
Preliminary LibrArian I+N The Neith Network
WHEN EXACTLY
WAS JESUS OF BETHLEHEM ACTUALLY BORN? - WHERE IS MOUNT SINAI? - WHO IS YAHWEH? - WAS ADAM THE FIRST TEST-TUBE BABY? - WHAT IS SO SPECIAL ABOUT THE YEAR 2000? - CLASSIFIED A-Z OF PUBLISHED SOURCES QUOTED, MENTIONED, OR ADDITIONALLY RECOMMENDED
PRAYERFUL GREETINGS TO ALL WHO BELIEVE I+N JESUS CHRIST “Since the beginning the Christian faith has been challenged by responses to the question of origins that differ from its own.”1 Thomas Merton, moreover, also maintained that we Earthlings are already all effectively related to each other as One - even if appearances often convey a very different impression of the actual Truth. Within that context all the following extracts from importantly divergent and as yet unreconciled recently published interpretations of ancient data have their legitimate place but, although a proper understanding of them is, I believe, directly relavant to human life today and throughout the third millennium, their true meaning is unlikely to be sufficiently discerned so long as they continue to be discussed only in isolation from each other! In other words, as King Hussein of Jordan so wisely appreciated, if ever we are confronted by enmity, that challenge is, I+N Truth, always an important part of our own responsibility.

4. Memmi, Dominique
Translate this page Anchoring democracy in indigenous African institutions and initiation among Chokweand related peoples / Manuel Jordán. luluwa masks / Constantine Petridis
http://www.rero.ch/reroweb/produits/LNA/NE/neueth_0212.htm

5. Hugh Tracey Recordings: Part 2 / RootsWorld Recording Review
Belgian Congo (Kanyok, LubaHasai, luluwa, Songye, Luba encouraging the use of indigenousAfrican musical Katanga mine culture where peoples lived together who
http://www.rootsworld.com/reviews/tracey2.shtml
KANYOK AND LUBA
OTHER MUSICS FROM ZIMBABWE
Southern Rhodesia (Ndau, Sena Tonga, Shona) 1948, '49, '51, '57, '58, '63
SOUTHERN AND CENTRAL MALAWI
Nyasaland (Mang'anja, Cewa, Yao) 1950, '57, '58
NORTHERN AND CENTRAL MALAWI
Nyasaland (Tonga, Tumbukwa, Cewa) 1950, '57, '58
All titles published by SWP Records, The Netherlands
Hugh Tracey (1903–1977) is one of the pillars of the discipline that still limps under the title of "ethnomusicology." Tracey's contributions as a primary researcher and field recorder are standing the test of time. His "Sound of Africa" series issued 210 recordings, published by the International Library of African Music (ILAM), which he had founded. These CDs are reissued recordings selected from that series and offer a glimpse of what has until now been mostly available only in academic archives. Tracey's work began with the Shona of Zimbabwe but expanded far beyond that region of Africa. It was a remarkable time for Africa, as it shifted or prepared to shift from its history as colonized territories. In their own way, Tracey's recordings also document the history of recording machines used for remote fieldwork. Tracey's first, in the 1930s, involved a clockwork-powered machine that cut a groove in an aluminum disc. Not till much later did he attain stereo recording capability with a Nagra. His microphone technique was to seek out the sound he wanted, hand holding the microphone to capture a spontaneous field mix that comes through superbly on these recordings. Tracey, it seems, sought to capture and document a cross-section of society in the tribal villages, schools, workplaces and anywhere else he found music. That wasn't always the most proficient performer.

6. Bibliot'EthnoNe - Catalogages Novembre 2002
Translate this page luluwa masks / Constantine Petridis. western hunter-gatherer debates, and Siberianpeoples / Peter P revival, and the politics of indigenous protest / David S
http://www.unine.ch/ethno/nouvac/na02_12.html
Institut d'ethnologie
cotes
Af AfE ... Ethnomusicologie
Af Ayana , Daniel. - Anchoring democracy in indigenous African institutions / Daniel Ayana. - In: Asian and African studies. - Leiden. - 2002, vol. 1(1), p. 23-61
Berzock, Kathleen Bickford. - African art at the Art Institute of Chicago / Kathleen Bickford Berzock. - In: African arts. - Los Angeles. - 1999, vol. 32, no. 4, p. 18-35
Diamantis
LaGamma
, Alisa. - Art and oracle : spirit voices of Africa / Alisa LaGamma. - In: African arts. - Los Angeles. - 2000, vol. 33, no. 1, p. 52-69
Muller , Carol Ann. - Archiving africanness in sacred song / Carol A. Muller. - In: Ethnomusicology. - Champaign. - 2002, vol. 46, nr. 3, p. 409-431
Ethno : ETHNOMUSICOL * cote: NET MP 2/46-3 Postcolonial subjectivities in Africa / ed. by Richard Werbner. - London ; New York : Zed Books, 2002. - X, 244 p. ; 22 cm. - (Postcolonial encounters). - ISBN 1- 85649- 954- 5 (Hb). ISBN 1- 85649- 955- 3 (Pb)
Spring , Christopher. - The Sainsbury African Galleries at the British Museum / Christopher Spring, Nigel Barley, Julie Hudson. - In: African arts. - Los Angeles. - 2001, vol. 34, no. 3, p. 18-37
Warin
AfE Fallers , Lloyd A. - Law without precedent : legal ideas in action in the courts of colonial Busoga / Lloyd A. Fallers. - Chicago ; London : The University of Chicago Press, 1969. - VIII, 365 p. : ill. ; 24 cm. - ISBN 0- 226- 23681- 1

A  B  C  D  E  F  G  H  I  J  K  L  M  N  O  P  Q  R  S  T  U  V  W  X  Y  Z  

Page 1     1-6 of 6    1 

free hit counter