81. Chicago Shakespeare Theater On Navy Pier A professional theater venue/company located on Navy Pier and features 510 seats on three levels around the courtyard theater's thrust stage. Also features a flexible 180seat theater, a teacher resource center, an English pub, a shakespearean bookstall, and a special events room. http://www.chicagoshakes.com/

Site Design and Conceptualizing by LivingDesign/Karin Pritikin Photography by Tom Lindfors and Christopher Jacobs-Chicago unless otherwise noted Architectual photography by Steinkamp-Ballogg Photography, Chicago Architecture and Design by VOA Associates, Chicago

82. Welcome To The Utah Shakespearean Festival A worldrenowned regional theatre company presenting three Shakespeare plays, and five plays by other playwrights, in three theatres each season from June through October. http://www.bard.org/

June 19 - October 18, 2003 What's News! Complete Casting List Casting for this summer is complete, and you can see the entire list here. Also, check this page often for the latest in casting news. Insights Now Online Synopses of the plays, scholarly articles, and information on the playwrights and characters are all part of this annual study guide to the Festival. Romeo and Juliet Tour on the Road The Festival's Shakespeare-in-the-Schools production of Shakespeare's story of star-crossed lovers is now touring the western United States. Festival Announces 2003 Directors This year's directors will include two new faces at the Festival and seven directors whose work is well known to play-goers here. 2003 Season Online Be the first to preview the plays for next summer and falland to find out all about another great year at the Festival. Order Your Tickets Now 2003 promises to be another banner year at the Festival. You can be the first on your block to reserve your seats by ordering your tickets now via our online Box Office. 2002 Photos Available Reminisce about last season's favorite plays and actors by visiting our 2002 photo gallery. It features pictures from every play during both the summer and fall seasons.

83. 11 Years Of Classical Theatre Dedicated to presenting the finest shakespearean productions at the Waltmar theatre, Orange, in Southern California. http://www.chapman.edu/comm/td/soc/index.html

11 Years of Classical Theatre at Shakespeare Orange County E N T E R

84. Shakespeare's Theatre A site devoted to John Barrymore, shakespearean Actor. McCoy's Guideto theatre and Performance Studies, an outstanding resource. http://shakespeare.palomar.edu/theatre.htm

Introduction Shakespeare's Globe Theatre Aspects of Elizabethan Performance Speech ... General Theatrical Related Linked Pages Festivals and Theatre Companies Introduction Top Every link I could find having to do with Shakespeare's theatre, historical and modern, has been gathered on this page. This includes sites dedicated to the physical Globe Theatre (the original and the modern, reconstructed Globe) and other contemporary Elizabethan playhouses, as well as aspects of Shakespearean theatrical performance. It is hoped that the sites linked here will prove useful to those wishing to mount Shakespearean productions. Finally, in a departure from the earlier format of these pages, information about current productions and festivals has also been mounted here. If you are a producer and wish your production information added to this page, use the email link on the navigation menu above to write me. The Globe and other playhouses Top If you are doing research on Shakespeare's Globe Theatre or are simply curious about the rebuilt Globe you cannot do better than to visit Shakespeare and the Globe Theatre produced by Chantal Miller-Schütz and hosted by the University of Reading.

85. John Barrymore, Shakespearean Actor/ Index to those with an interest in the theatre, Shakespeare, and the art of actingI hopeyou will enjoy exploring the John Barrymore, shakespearean Actor Web site. http://www.shakespearean.com/

John Barrymore, Shakespearean Actor D uring the 1920s, a wave of postwar ebullience exploded into the Jazz Age, bringing a new and unprecedented accent on youth and a generation that cast off the vestiges of Victorian culture and embraced new trends in art, music, dance, poetry, fiction, and drama. The way was open for an actor who could recapture and redefine the glamour, skill, and galvanizing presence of an earlier day. John Barrymore was such an actor, and his Richard III and Hamlet, first seen in New York during the 1919-20 and 1922-23 seasons, stand as high water marks of twentieth century Shakespearean interpretation. Many conventions of modern practice can be traced to Barrymore's performances: he was the first actor to bring the vocal and physical manner of a postwar gentleman to Shakespeare's tragic protagonists and was the first to reinterpret time-honored roles in light of Freudian psychology. His dynamic portrayals and the groundbreaking innovations of his production team, the director Arthur Hopkins and the designer Robert Edmond Jones, helped to revitalize Shakespearean acting and production in America and Great Britain and changed the direction of subsequent revivals. This illustrated site, based on

86. Pravda.RU Moscow-taught Director's Shakespearean Revival Among Spain's Stage Hig 1538 200301-03 Moscow-taught director's shakespearean revival among Spain's stagehighlights Spanish theatre critics highlight A Midsummer Night's Dream http://english.pravda.ru/culture/2003/01/03/41577.html

Say what you want! PRAVDA.Ru will hear you! Jan, 03 2003 In Russian Em Portugues Former USSR Top Stories ... About Pravda.RU:Culture:More in detail Moscow-taught director's Shakespearean revival among Spain's stage highlights Spanish theatre critics highlight "A Midsummer Night's Dream" among top stage achievements of the season. One of Shakespeare's most philosophically profound plays, it is imbued with existential optimism. Director Angel Gutierrez also designed the scenery, props and costumes for his sensational production. Angel Gutierrez found himself in Moscow in the late 1930s among the many children evacuated during the Spanish civil war. Brilliant graduate of the GITIS, or Moscow Theatre Institute, he made a number of excellent productions in Moscow's leading drama companies, and many memorable appearances in Russian-made films. Gutierrez came back to Spain in the 1970s to establish an Anton Chekhov Chamber Theatre in Madrid, which specialised in the Russian drama. The company founder made Konstantin Stanislavsky's and Evgeni Vakhtangov's trailblazing methods popular with Spanish actors and stage directors. Developing on Russian stage finds and traditions, "A Midsummer Night's Dream" has a tremendous impact on the Spanish public-at-large and experts alike. "Senor Gutierrez gave up Chekhovian melancholy for a time to make a sparkling show, in which daring imagination goes hand-in-hand with spontaneity. It abounds in exquisite surprises and delightful follies," writes eminent critic Javier Villan.

87. ClassicNotes: About Shakespearean Theater About shakespearean Theater actor and future Lord Chamberlain's Man, James Burbage,built the first permanent theater, called The theatre , outside London http://www.gradesaver.com/ClassicNotes/Titles/shakespearean_theater.html

Member login: Username Password Cancel Membership Tell a Friend! Enter e-mail address: Search GradeSaver dictionary thesaurus Hosted by pair Networks About Shakespearean Theater: Before Shakespeare¹s time and during his boyhood, troupes of actors performed wherever they could ­ in halls, courts, courtyards, and any other open spaces available. However, in 1574, when Shakespeare was ten years old, the Common Council passed a law requiring plays and theaters in London to be licensed. In 1576, actor and future Lord Chamberlain's Man, James Burbage, built the first permanent theater, called "The Theatre", outside London city walls. After this many more theaters were established, including the Globe Theatre, which was where most of Shakespeare's plays premiered. Performances took place during the day, using natural light from the open center of the theater. Since there could be no dramatic lighting and there was very little scenery or props, audiences relied on the actors' lines and stage directions to supply the time of day and year, the weather, location, and mood of the scenes. Shakespeare's plays masterfully supply this information . For example, in Hamlet the audience learns within the first twenty lines of dialogue where the scene takes place ("Have you had quiet guard?"), what time of day it is ("'Tis now strook twelf"), what the weather is like ("'Tis bitter cold"), and what mood the characters are in ("and I am sick at heart"). One important difference between plays written in Shakespeare's time and those written today is that Elizabethan plays were published after their performances, sometimes even after their authors' deaths, and were in many ways a record of what happened on stage during these performances rather than directions for what should happen. Actors were allowed to suggest changes to scenes and dialogue and had much more freedom with their parts than actors today. Shakespeare's plays are no exception. In Hamlet, for instance, much of the plot revolves around the fact that Hamlet writes his own scene to be added to a play in order to ensnare his murderous father.

88. South London Theatre - Shakespearean Insult Generator Home About SLT Membership What's On Costume Hire Youth Group Fun StuffSite Map and Links shakespearean Insult Generator. Recommend http://www.southlondontheatre.co.uk/insult.php

Shakespearean Insult Generator Recommend this page to a friend Home About Membership ... Site Map

89. Shakespearean Music-Theatre Works Acquiring image from ProHosting Banner Exchange Acquiring from ProHostingBanner Exchange OPERAS, MUSICALS, AND BALLETS BASED ON SHAKESPEARE. http://lightning.prohosting.com/~shicoff/Operas/shakesopera.html

90. SNET Internet : Features : Issues In Education : Shakespearean Youth Theatre The Love's Labour's Lost The shakespearean Youth theatre (SYT) is a group of youngpeople, ages twelve to eighteen, whose desire to enjoy, study and perform http://www.snet.net/features/issues/articles/2001/05180101.shtml

Love's Labour's Lost The Love's Labour's Lost" The Shakespearean Youth Theatre (SYT) is a group of young people, ages twelve to eighteen, whose desire to enjoy, study and perform the works of Shakespeare has brought them together. They have worked with several professional actors and Shakespearean scholars and are under the artistic direction of Dana Sachs. Since its founding in 1996 the group has produced four plays: "The Tempest," "Twelfth Night," "Much Ado about Nothing," and "MacBeth." This summer they will perform "Love's Labour's Lost," a romantic comedy set in the lovely court of Navarre where the King and his compatriots decide to isolate themselves from the world for three years of study, vowing to see no women during that time. However, when the beautiful Princess of France arrives with her ladies on a diplomatic mission, the men find themselves caught and the comedy begins. "I think this play is very funny and the wordplay witty," says Sarah, a member of the cast. "Working with the cast again this year is great!" "It's neat doing a play no one has ever heard of before," Matt comments. "Love's Labour's Lost deserves resurrection. It's really funny!"

91. SNET DSL: Features : Issues In Education : Shakespearean Youth Theatre The Love's Labour's Lost The shakespearean Youth theatre (SYT) is a group of youngpeople, ages twelve to eighteen, whose desire to enjoy, study and perform http://dsl.snet.net/features/issues/articles/2001/05180101.shtml

Love's Labour's Lost The Love's Labour's Lost" The Shakespearean Youth Theatre (SYT) is a group of young people, ages twelve to eighteen, whose desire to enjoy, study and perform the works of Shakespeare has brought them together. They have worked with several professional actors and Shakespearean scholars and are under the artistic direction of Dana Sachs. Since its founding in 1996 the group has produced four plays: "The Tempest," "Twelfth Night," "Much Ado about Nothing," and "MacBeth." This summer they will perform "Love's Labour's Lost," a romantic comedy set in the lovely court of Navarre where the King and his compatriots decide to isolate themselves from the world for three years of study, vowing to see no women during that time. However, when the beautiful Princess of France arrives with her ladies on a diplomatic mission, the men find themselves caught and the comedy begins. "I think this play is very funny and the wordplay witty," says Sarah, a member of the cast. "Working with the cast again this year is great!" "It's neat doing a play no one has ever heard of before," Matt comments. "Love's Labour's Lost deserves resurrection. It's really funny!"

92. Michael Goodliffe: Wartime Shakespearean Actor And Producer Drake. shakespearean production, late 1940s? Anthony and Cleopatra,theatre Royal Glasgow, 1947, with Anthony Quayle on the far right. http://dspace.dial.pipex.com/jgoodliffe/mgpow/

MICHAEL GOODLIFFE: WARTIME SHAKESPEAREAN ACTOR AND PRODUCER Michael Goodliffe as "Hamlet" by Aubrey Davidson Houston This site is a member of WebRing. To browse visit here Michael Goodliffe was an actor who died in 1976. Some of his most interesting achievements were in Germany where he was held as a prisoner of war from 1940 to 1945. Goodliffe was the archetype of the traditional English actor: educated at public school and Oxford University, tall and handsome with a dramatic temperament on and off-stage, a gentleman who would not upstage his colleagues or steal their lines. His career started in the 1930s with a period in repertory in Liverpool followed by a period with the Royal Shakespeare Company in Stratford . He enlisted in the army on the declaration of war, no doubt out of a sense of public duty, although he had no military inclinations. He found the written questions during his examination incomprehensible, so he made good use of his artistic skills, covering his script with drawings of soldiers and tanks. This did not prevent him from being commissioned into the Royal Warwickshire Regiment as a second lieutenant. Goodliffe was wounded in the leg in May 1940 during the retreat to Dunkirk and captured by the German forces (after being reported killed in action - click here for telegram from War Office and newspaper obituary ). After recuperating from his injuries at Maastricht in Holland he was transferred to Oflag VIID in Bavaria:

93. John Barrymore, Shakespearean Actor (Cambridge Studies In American Theatre And D John Barrymore, shakespearean Actor (CambridgeStudies in American theatre and Drama, 10). http://hallbiography.com/arts_literature/867.shtml

John Barrymore, Shakespearean Actor (Cambridge Studies in American Theatre and Drama, 10) Home by Michael A. Morrison See More Details Cambridge Univ Pr (Trd); ISBN: 0521620287 ; Dimensions (in inches): 1.24 x 9.45 x 6.34 Other Editions: Paperback Reviews Amazon.com Toward the end of his life, master actor John Barrymore became an embarrassment: he was a classic drunken has-been who could neither pull it together nor pack it in. But this unusual biography spends most of its pages on Barrymore's golden age in the 1920s and 1930s, describing in amazing pre-videotape detail his performances at the height of his powers, playing what may be the 20th century's definitive Hamlet , along with Macbeth and other classical roles. Michael Morrison draws on books, memories, reviews, and other material to present painstaking line-by-line recreations of Barrymore's most shining performances. Book Description John Barrymore's Richard III and Hamlet, first seen in New York during the 1919-20 and 1922-23 seasons, stand as high-water marks of twentieth-century Shakespearean interpretation. Michael Morrison reconstructs these historic performances through analysis of the production preparation, audience response, reviews, and memoirs. Tracing the Victorian and Edwardian antecedents of Shakespearean performance, this book situates Barrymore's distinctive contribution in light of past and ensuing tradition. As well, it provides a biographical sketch of one of the most revered and tragic actors of the 20th century.

94. Columbia Interactive - The Shakespearean Sonnet And The Modern Voice fourteen graduate students at Columbia University's theatre division participated.Occasionally, Kristin Linklater also speaks a shakespearean text herself. http://ci.columbia.edu/ci/eseminars/1001_detail.html

var baseDir = '../'; var pageSection = 'ecourses'; Browse according to your interests Class websites, webcasts, and more Short courses free to Columbia For-credit courses Columbia new media initiatives The Shakespearean Sonnet and the Modern Voice Taught by: Kristin Linklater Description The Shakespearean Sonnet and the Modern Voice details her innovative approach to "speaking" Shakespeare. This e-seminar is divided into four sections, each intended to expand on key ideas, concepts, and activities. The sections include exercises designed to engage you not only in the process of FREEing Shakespeare's voice, but also your own. In two of the exercises you are asked to "record" your own rendering of two Shakespearean texts—a passage from Henry V and a sonnet from our sonnet archive. These visits to the sonnet recital room will prove to be enjoyable and educational. Professor Linklater's exercises are complemented by glimpses into her acting workshop in which fourteen graduate students at Columbia University's theatre division participated. Occasionally, Kristin Linklater also speaks a Shakespearean text herself. Throughout the e-seminar exercises, "Kristin's Class Time" and "Kristin Talks the Text" are accesssible by clicking the appropriate icon. Various animated activities that appear in separate sections of the e-seminar further enhance the experience.

95. Utah Shakespearean Festival Wins Tony Award Sure enough, at 830 am EDT, the Utah shakespearean Festival was announcedas recipient of the Tony for Outstanding Regional theatre. http://www.unc.edu/depts/outdoor/news/2000/usf-tony-summer.html

Institute of Outdoor Drama Quarterly Newsletter Utah Shakespearean Festival Wins Tony Award from the Summer 2000 U.S. Outdoor Drama , pages 1-2 By Donna Law "This is for you!" Fred C. Adams accepts the Tony Award on behalf of the cast and crew of the Utah Shakespearean Festival. When the call first came, Thursday, May 4, Utah Shakespearean Festival founder and executive producer, Fred C. Adams, could only respond, "Are you sure you've called the right theatre?" As he realized he had just spoken with Edgar Dobie, managing producer of Tony Award Productions, he knew that the festival he founded 39 years ago was the recipient of the 2000 Tony Award for Outstanding Regional Theatre. The thrill and amazement has yet to wear off. "Never in my wildest dreams would I have thought we would receive a Tony Award," stated Adams in an early interview. "I've always wanted to produce the best theatre possible, but this honor takes my breath away." This award is the only Tony awarded outside the Broadway community and is based on a recommendation of the American Theatre Critics Association. The difficult part for Adams was to keep the news quiet until the award was officially announced in New York City on Monday, May 8.

96. Munakata And His Shakespearean Noh Plays Background of the plays (which have both English and Japanese versions in most cases), and a bio of Category Regional Asia Performing Arts Theater Noh...... shakespearean Noh is an experiment unprecedented in theatre history. Through it,East and West are brought together in the celebration of life that is art. http://www002.tokai.or.jp/noh/english.html

Munakata UEDA and His Shakespearean Noh Plays Written by the Noh Shakespeare Group The majesty of Shakespearean poetry has found a natural exponent in the mystical intensity of the Noh acting style.The wedding of these two great theatres makes each more meaningful to audiences unfamiliar with them. Shakespearean Noh is an experiment unprecedented in theatre history. Through it, East and West are brought together in the celebration of life that is art. Once the initial surprise of this unique combination wears off, the potential is clearly unmasked. Noh Shakespeare? Noh Shakespeare. Noh Shakespeare! Exactly how does the poetry of Shakespeare find a place in the traditional chants of the Japanese Noh Stage? To really comprehend this sophisticated idea, we must understand the nature of the man who created it. Kuniyoshi MUNAKATA UEDA has devoted his life to poetry. He has an astonishing array of accomplishments beginning with tutelage under masters such as Makio Umewaka of the Kanze Noh School and R.H. Blyth the noted haiku and Zen scholar. From Tokyo University of Education he obtained a B.A. (1959) and an M.A. (1964). He was a Fullbright Fellow at Harvard University from 1973 - 75.

97. Welcome To Theatre In England See major English plays in London and Stratford. Meet actors, directors, playwrights. Enjoy special Category Regional Europe Travel Services Tour Operators...... see the influence of Shakespeare's original theatre (The Globe) on performance andmeaning. 4), Enjoy daily workshops led by English shakespearean actors and http://www.theatreinengland.org/

This Is The Year For THEATRE IN ENGLAND July 26 - August 15, 2003 Two Weeks in London, One Week in Stratford THERE HAS NEVER BEEN A THEATRICAL YEAR LIKE THIS ONE! ALREADY ANNOUNCED (WITH MORE TO COME): The Master Builder Brand Edmond Absolutely!! (Perhaps) ALEX JENNINGS and ZOE WANAMAKER in His Girl Friday Jumpers Pacific Overtures Three Sisters On Your Toes MARIA FRIEDMAN in Ragtime Through the Leaves PLUS AT LEAST A DOZEN BY SHAKESPEARE: The Taming of the Shrew Measure for Measure Cymbeline As You Like It Richard III (two productions), Richard II Coriolanus The Merry Wives of Windsor Two Gentlemen of Verona and Henry V OUR PROGRAM www.shakespeareschool.org ). There is no other tour like ours! If you love great theatre, we invite you to join us for the greatest summer of theatre that England has ever offered, the greatest theatrical summer of our lives. Sponsored by the University of California, Santa Barbara, Extension Division, and the Lobero Theatre. JOIN US FOR THE GREATEST SUMMER OF YOUR LIFE!

98. Elements Of The Shakespearean Stage Introduction to African American theatre From University of MichiganFlint Semester-LengthCourse. The shakespearean Sonnet and the Modern Voice From Columbia http://www.fathom.com/feature/35253

Login or Register Media Index Playgoing in Shakespeare's London By:Andrew Gurr Paperback (1996) Enter the Whole Army By:C. Walter Hodges Hardcover (1999) The Shakespearean Stage, 1574–1642 By:Andrew Gurr Paperback (1992) The Cambridge Companion to Shakespeare Studies By:Edited by Stanley Wells Paperback (1986) Fathom Theatre and Performance Elements of the Shakespearean Stage C. Walter Hodges EDITOR'S INTRODUCTION has devoted a long career to reconstructing images of the Shakespearean stage on the basis of the plays themselves and contemporary accounts. A lifetime's work on this subject is brought together in his book Enter the Whole Army , which is illustrated with his elegant drawings. Here he outlines the fundamental components of the Elizabethan theatre. n the late fifteen-eighties, when the Rose theatre was being built, Shakespeare was already an established playwright: and a few years later he had joined the very successful Burbage company, the Chamberlain's Men, with whom he quickly became a shareholding partner. He had entered the theatre at just the time when the player companies were furnishing themselves with a luxury of professional aids and amenities they could never have enjoyed nor planned ahead for in their former peripatetic way of life.

99. Internet Broadway Database: Production Credits Two shakespearean Actors Cort theatre, (1/16/1992 2/9/1992) PreviewDec 17, 1991, Total Previews 33. Opening Jan 16, 1992, Closing http://www.ibdb.com/production.asp?ID=4656

100. Mills Publishing Summer theatre Broadway in Boise Broadway in Utah Tuacahn Center for the Arts UtahFestival Opera Utah Musical theatre Utah shakespearean Festival Programs http://www.millspub.com/arts/shakespear/

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